I can't make up my mind about novels about writers and writing.
On the one hand, it seems a bit of a copout for a writer to make her (or more often his) main character another writer, a way of sidestepping the fact that a year of waiting tables, colourful or arduous as it might be, has little bearing on the working lives most of her readers, constantly updating their CV's. Who cares about the writing life anyway, except for other writers (although I confess that there seem to be enough of us about to make this a big enough market to target)? Despite, through this blog, I'm buying into the current requirement for self-promotion, and I'm sure Shelley Harris was being modest when she protested she was ordinary, generally I believe we writers are less interesting than what we write.
Now that I’ve uploaded a second interview, it seems time for a proper launch of the author interviews section of annethology. Thanks to Alison and Shelley for your thoughtful responses to my amateur questions and I hope that others find the interviews an interesting and enlightening read.
While it might be premature to look for patterns across such a small sample, it would be a pity to throw up the opportunity to give it a try. Blame it on Shelley for introducing the idea of the unconscious, but was there a reason for kicking off with these two particular authors and their books? Two first novels by female writers, albeit very different in tone and style, yet both featuring middle-aged men haunted by the past. Books I’d enjoyed reading, and that had also intrigued me, made me think. Books that had done well in the marketplace, so other readers and novice writers might be curious too. I wasn’t thinking much deeper than that when I contacted the authors, unsure how willing they’d be to take part.
Annecdotal is where real life brushes up against the fictional with mutterings about reading and writing seasoned with psychology.
Annecdotist is the persona through whom I navigate that in-between space. When not roaming the blogosphere, I'm reading or writing, tramping the moors, battling the slugs in my vegetable plot or struggling to sing.
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I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on writing and my journey to publication and beyond.
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Sugar and Snails on 2016 shortlist
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