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Guest Post: The Last Will of Sven Andersen by Geoff Le Pard

30/10/2019

Can it really been three years since I last hosted a post by Geoff Le Pard to contribute to the launch of his second novel? As you’ll see from the list at the end of this post, he’s published another six books since then. So this new one – currently available for pre-order – must be his ninth! As he reminds me in the piece below, he’s been making me laugh since our first meeting and this follow-up to his debut, Dead Flies and Sherry Trifle, is guaranteed to be a hoot. Let him tell you about it:

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October’s reading and reviews

29/10/2019

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But, Anne, the month isn’t over! And there’s still a guest post from stellar indie author Geoff Le Pard to come. Indeed there is, Anne, but I reserve the right to wrap up my reading a couple of days early. Click on the image to see my reviews.

Fortunately the end of the month doesn’t mean the much-heralded divorce from the EU – although I’m not ruling out the possibility of a crashout between drafting this and posting – but it does mark an intensification of the countdown to Christmas. Not that it interests me particularly, apart from in the hope of people buying my books as presents. For those in the East Midlands (UK) I’ve got two high street signing sessions scheduled next month. Who knows? I might even take along some tinsel!

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Celebrating another book birthday: Sugar and Snails turns four

23/7/2019

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One advantage of getting a new car on the day I published my first novel, is that I’ll always remember when it’s due its MOT. And taking the car for its MOT means I easily remember my book birthday. So what’s happening as my baby turns four? Read on for an interview with one of the minor characters thanks to one of Craig Boyack’s alter egos and an update on revamping the blurb.

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Every picture paints a story

1/7/2019

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Although I’m generally more articulate in words than visuals, sometimes the balance swings the other way. Still playing catch-up a busy week and weekend, and with a few things to share before I can fully embrace a new week and new month, I’ve gone for an image-heavy post today. First up, is the gorgeous cover of my debut novel, Sugar and Snails, about a woman who has kept her past identity secret for thirty years, which is battling with nine others on cover wars. If you can spare a moment, please follow the link and vote for the one you prefer.

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Write drunk, edit sober?

8/4/2019

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It’s been an odd year so far on the creative front. After setting some grandiose fantasy goals about raising my profile, I succumbed to a virus which meant I could barely manage the weekly 99-word stories. But, once the acute phase was over, while still lacking the energy to leave the house, I found I could edit. Big time! So that what began as a gentle tidy-up of the (already much-edited) manuscript of my possibly third novel, Matilda Windsor Is Coming Home, cutting out modifiers like just and only (of which there were actually surprisingly few), morphed into a mammoth spring clean, where almost every word was subjected to the third degree.

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Become a celebrity, write a series or win a major prize: My real and fantasy writing goals for 2019

21/1/2019

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If my smile in this photograph seems slightly strained, it might not be only because I’m not sure if the self-timer on Mr A’s camera is going to work. You see, although last year was wonderful in that Inspired Quill published my third book and first short story collection, it was also the year it came home to me how hard it is to get readers, irrespective of the quality of the book. It’s hard for everyone, unless you’re a celebrity, are writing a series or have won a major prize; so should I make those my writing goals for the year to come?

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Balancing promo, helping others and self-indulgence in an author blog

14/1/2019

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Many of us do it, but what’s the point of an author blog? Is it to promote our writing, to pass on our accumulated wisdom or to indulge ourselves in a less pressurised mode of publication without worrying whether it gets read? Perhaps it’s all of these in different proportions varying according to who we are and who readers are and our priorities at different points in time. When the balance is right, blogging is highly rewarding; when it’s not it can be a frustrating chore.

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Now with more books than hands

30/11/2018

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Out on the soggy trails near my home a couple of days ago, I fell into conversation with a man walking his dogs. Discovering he was a visitor to the area, I wished him better weather before he left. When he replied that there’s no life without rain, I was ready to play my part in a climate-change script. So I was surprised, and somewhat disappointed, when he said he’d tell me something that had been kept from people since the beginning of time.

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With gratitude on launch-day and beyond

23/11/2018

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While our American friends have been stuffing themselves with turkey, we can all take a moment to appreciate what we have. With my short story anthology published today, I’ve a lot to be thankful for, not only for the fact of being published – and read – in this difficult climate for authors, but for the support from the blogosphere in the run-up to the launch. In Monday’s post – Becoming Someone is coming to an armchair near you! – I shared the links to the first few stops on my blog tour; today I’m sharing a few more, along with a reminder of the party, where I’m putting my gratitude into action by donating to Book Aid International.

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Into the light

5/11/2018

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Like a satisfying story, the journey to selfhood often entails working through conflict. Sometimes, it’s only through opposition that we begin to discover our own values and beliefs. This can be frustrating to witness in others, especially those for whom we’re responsible: think of the tantrumming toddler or the belligerent adolescent. But, while others can guide, prompt and set boundaries to prevent us harming ourselves or others, we must all forge our own paths to the someone we become.

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Literary ambition: A Ladder to the Sky & Less

20/10/2018

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Fictional writers can be tricky on the page; sometimes I suspect a character’s assigned the job because the author’s unfamiliar with more run-of-the-mill kinds of work. But, like anything else that’s slightly iffy, if you’re going to go for it, it’s best to go for it big time. That’s what Irish writer John Boyne does with his larger-than-life antihero Maurice Swift and American Andrew Sean Greer with “failed novelist” Arthur Less, both simultaneously managing to address the wider issues of human vanity and what constitutes a well-lived life.

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Not all may have prizes … but how does funding play a part in who enters the race?

16/10/2018

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With the Man Booker Prize winner announced tonight, my fingers are crossed for Washington Black, although I’d raise a cheer for either of the other contenders I’ve reviewed (The Mars Room and Milkman). Right now, my thoughts are also with those authors who not only don’t succeed in dazzling the judges, but don’t even get the chance to step onto the stage.

You’re familiar with those email scams, aren’t you? Congratulations, you’ve won a prize! Just send us a cheque to cover administration costs, and we’ll deliver it. Feels good, doesn’t it? Until you wonder whether the winnings will cover your fees. But that wouldn’t happen in the literary world, would it? Awards are dispensed purely on merit, surely? No paying for prizes there?

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Taking our characters to work

10/9/2018

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If there is one area where struggling-to-be-noticed writers have the advantage over those who’ve been published since they were barely out of school, it’s our inside knowledge of the world of work. Coming to writing later in life, or merely being part of the majority unable to support themselves through writing, we have the experience to bring our characters’ jobs alive. But there can still be challenges in taking our characters to work.

For example, while setting your novel in your current workplace obviates the need for a research trip, you might have to smooth some colleagues’ ruffled feathers once the book is out in the world. From another angle, if you’ve gained your work experience in settings crowded with colleagues, you face the challenge of rendering it authentically without overwhelming the reader with an overabundance of characters.

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Pushing through the publishing bottleneck: is there an ingredient X?

1/9/2018

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Yesterday, on the last day of meteorological summer, I shelved my 100th book for the year. But even a reader as voracious as I am will never find time to read all the books she might enjoy. While the superabundance is great for readers, it’s less so for writers competing for their attention and time. However big and colourful our books, we’ve only one shoal in a pond so extensive we may never see, let alone touch, its banks.

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How to have a fruitful research trip

19/8/2018

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Your characters are acquiring quirks and foibles. You’ve got an arc, however wobbly, from beginning to end. A couple of twists are lurking in your sleeves and you’ve got a sentence, or maybe more, that sings. But your setting’s an empty stage, or weighed down with enough clutter to break the boards. Perhaps it’s time for a real-world site inspection visit to check out what your novel does and doesn’t need. Read on for my reflections on how best to go about it, stemming from my (not-so-)recent trip to Cumbria to soak up the atmosphere and check a few facts for my hopefully third novel, Matilda Windsor Is Coming Home.

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What’s behind those overambitious targets and self-imposed deadlines?

11/8/2018

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The happier my life’s become, the less inclined I feel to take a holiday. Why go to the trouble of packing a suitcase – or worse, boarding a plane – when you’ve got (almost) all you want at home? Five nights’ in Cumbria seeing friends and family, and researching my possibly third novel, back in April, have furnished a perfectly adequate change of scene for this year, along with a three-day non-residential music course next week.

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The toddler in my laptop

3/8/2018

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Imagine a virus has attacked your vocal chords, when your livelihood – not to mention your sanity – depends on clear communication. You can create sounds, but they are incomprehensible to others – a jumbled babble. Then, one day, as you jabber in frustration while preparing your children’s tea, your toddler’s voice rings out, perfectly articulating what you were trying to say.

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Celebrating the small successes

28/7/2018

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I concluded a recent post on mourning our writerly disappointments with a reminder that we need to celebrate our small successes too. But do I heed my own advice? Well, maybe sometimes, but standards can slip. If we’re not careful, our small achievements can be diminished by our much bigger ambitions. We need to beware of viewing them as if through the wrong end of a telescope. But how to make them matter without aggrandising every little thing?

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Shiny new novel versus shiny new car: no contest!

23/7/2018

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Three years ago today, we got a new car, all shiny and factory fresh. My husband went along to collect it without me as I had far more exciting things to do. It was publication day for my debut novel and I was basking in the early reviews and congratulatory tweets.

My husband was a little embarrassed to arrive at the dealership to be greeted with a large sign welcoming us both. And although you can’t giftwrap a car, they’d done the next best thing and perched a huge bow on the roof. I think the sales staff were disappointed when he declined their offer to take his photograph to commemorate the occasion.

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Part-time mourning for writerly disappointments?

20/7/2018

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The writer’s life is rife with disappointment. One of the main factors differentiating the successful from the unsuccessful is not the degree of failure they encounter, but the ability and willingness to scrape oneself up from the ground and carry on. But how do we do that? The blogosphere thrums with posts on adopting an almost military discipline, but that’s not right for everyone. It’s not right for me.

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Come into my cave! #amwriting

24/6/2018

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As Britain hurtles towards the cliff edge of Brexit, and the President of the United States pays compliments to a dastardly dictator while referring to migrants as animals, it’s as if we’ve learned nothing from the run up to the Second World War. If politics were fiction – if only! – we’d be approaching the crisis point known as the cave.

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On Underneath’s first birthday, I’m confessing a guilty secret underneath

25/5/2018

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I have a guilty secret pertaining to abortion. Not that I’ve had a termination myself; I have a far worse confession to make. In those long-ago days when we paraded our objections on the streets instead of Twitter, my first ever protest march was against abortion. In my defence, I was a brainwashed Catholic teenager and I’ve been doing whatever I can to atone for that sin ever since.

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GDPR chaos and confusion

21/5/2018

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Apart from weekly 99-word stories and checking the edits for my forthcoming anthology, I’ve rather neglected my own fiction in recent weeks. Partly because it’s planting and sowing season in my vegetable garden (a.k.a. feeding the slugs); partly because I’ve been grappling with the new General Data Protection Regulations which will become EU law later this week.

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What’s in a name?

24/3/2018

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Despite some concerns about how I prioritise my time, I recently allocated several hours to a task that is either brilliantly forward thinking or the biggest waste of time since ironing underwear (not guilty: I struggle even to assemble the ironing board). In the process of editing the short stories in my forthcoming collection, Becoming Someone, I altered the names of a few characters to avoid duplication. So far, so sensible. But I couldn’t leave it at that. I also trawled through my debut novel, Sugar and Snails, my second novel, Underneath, and my current WIP, with the aim of abolishing overlaps across my published work. Is this evidence of a professional approach to my writing or an overly obsessive and perfectionist personality?

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In a word: Asymmetry & Magnetism

18/3/2018

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I couldn’t resist pairing these recently published, unconventionally structured, debut novels about relationships: their intriguing one-word titles are almost interchangeable, with Alice in Asymmetry magnetically drawn to (and later repulsed by) her much older lover and the mother-daughter relationship explored in Magnetism inherently asymmetrical. My reading experience of both was mixed, strongly engaging with the second halves significantly more than the first. See what you think.