Welcome
I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist. I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.
As someone who’s drawn to subtle stories with complex characters and hates being bludgeoned with being told what to think and feel, I shouldn’t be surprised that there are times when my expectations aren’t met by the book in my hands and I’m tempted to give up. Usually I try to unravel why it didn’t work for me, with the aim of both getting a stronger sense of what I like and don’t like, and what I can learn from this for my own writing. But sometimes I feel quite disorientated by my bafflement, by my lack of connection with the author’s words. If I’ve been unlucky – or chosen unwisely – and experienced a string of disconnections, I can feel quite low. The activity that has always been my refuge becomes a claustrum. It’s like being internally homeless or losing a good friend. (Or finding your compatriots have voted overwhelmingly for xenophobia, which still has me reeling almost a week on.)
What does the working-class child aspire to? In my case, I couldn’t dream of joining a middle-class profession I’d never heard of. Nor, even though I was addicted to writing from the start, did I believe that someone like me could become an author. Books never seemed to be based in the places with which I was familiar: they were set in boarding schools rather than comprehensives; in country houses rather than a small semi-detached; in cities rather than small industrial towns. So how could I resist a novel set in my birthplace, the small northern town from which my odd accent derives? As if that weren’t enough, I’m offered a novel set where my parents grew up, a similar down-at-heel out-of-the-way place where I had my first restaurant meal. Sixty miles separates these two towns, as well as some breath-taking countryside, as depicted in The Wolf Border, one of my favourite reads from last year. But Workington and Barrow don’t have the beauty of the Lake District. Thanks to Vintage Books and Legend Press, I had the chance to discover whether they could nevertheless shine on the page. I’d be interested in your thoughts on using real places as fictional settings.
I’m discussing two novels in translation about philosophy-obsessed / philosopher-obsessed men who travel from Europe to New York in pursuit of their interests. Yet, as is often the case when I partner one novel with another, they are very different books. Because of the mental-health slant, I also could have paired either with A Cure for Suicide, or, because of the identity issues, with The Diver’s Clothes Lie Empty and/or The Life and Death of Sophie Stark.
In her declining years, as her memory for the past overtakes her connection to the present, Meggie Tulloch sets out to write her life story. Addressed (in the mid-1970s) to her hippyish granddaughter, and kept secret from her daughter, Kathryn, the girl’s mother (although, as time goes on, Meggie increasingly confuses the two), it’s a story of migration from north-east Scotland and the Shetlands to Fremantle, Australia, a journey through the elements of water, air and earth, and finally (in a contemporary strand picked up by the daughter herself) fire. Identity and make-believe: The Diver’s Clothes Lie Empty & The Life and Death of Sophie Stark4/2/2016 Lately, I’ve been contemplating my identity as a novelist: how, on the one hand, it’s a simple statement of fact while, on the other, it represents an existential anxiety about what I’d be if I couldn’t describe myself in terms of something that sounds like a job. So these two novels exploring identity and make-believe, albeit with reference to film rather than fiction, have come along at exactly the right time.
I was a little surprised to find that Marvellous Ways is a character, rather than a method, in Sarah Winman’s second novel but, as she reviews her long life in the company of a bereft young soldier, it turns out that a life lived according to her own ways is rather marvellous after all. Aged eighty-nine when we first meet her in 1947, her years have passed mostly alone in a remote Cornish creek. Her mother, she’s been told, was a mermaid and her father found a place “between God and medicine” in administering to the dying in their final hours, perhaps a precursor to the hospice movement featured in a couple of other novels. Marvellous finds a role for herself at the other end of life, as a very different kind of midwife to Gugu in Mo Yan’s Frog.
A severe cold has meant very little writing in the last few days, but a copious amount of reading (completing my reading “challenge” of 100 books in the year), albeit with not a great amount of depth. These three short reviews of novels about three very different women’s quests for a life, and a mind, of their own is part of the result.
Disaffected youth: Before the Fire by Sarah Butler and Here Are the Young Men by Rob Doyle6/11/2015
If I was breathless last Monday, announcing Week 1 of the Sugar and Snails blog tour, I must be on the verge of a swoon this week as I begin another round of visits. The first week has gone brilliantly (you can catch up with those first five posts via the links on my blog tour page), so how could I not be excited about the second? I start today under Julie Stock’s Author Spotlight, with a piece about setting part of my novel in Cairo. As a writer of contemporary romance from around the world, Julie has a particular interest in the challenges of setting fiction in real places, the subject of her own post on Susanna Bavin’s blog this week. Tomorrow, Helena Fairfax is interviewing me about where my own life is set, among other things. Helen lives in an interesting place herself, the UNESCO World Heritage Site and former mill town, Saltaire, which you can discover more about in her fascinating post. Then I’m off to chat with my namesake, Shaz Goodwin on Jera’s Jamboree. With her day job as a school Inclusion Lead, I was interested in her interest in novels that tackle a social barrier, as Sugar and Snails most definitely does. On Thursday, I’m on Our Book Reviews discussing the various transformations of my novel from its initial inception as a story of masculinity across three generations. This post arose out of a Twitter conversation after Mary, one half of Our Book Reviews, read and reviewed an advance copy. Obviously, I was delighted to be invited back. Finally, Friday sees me in Australia, quite fittingly discussing the theme of friendship in the novel and in its realisation (extending the theme of my previous post on gratitude) with one of my dearest blogging friends, Norah Colvin. As Norah has already hosted me once before, I know the tour bus will be safe to leave there over the weekend until I get behind the wheel again on Monday. I’m generally not in favour of “update” posts, but I can’t ignore the perspective shift since I posted five days ago. As of last Thursday, I’m a published novelist, and enjoying it immensely. With each review (six to my knowledge so far), with each supportive tweet at #SugarandSnails, I’m claiming more of my authorial authority. I’m even infiltrating the more traditional media, with a feature on Sugar and Snails in the Lincolnshire Echo and a nerve-wracking but not too dreadful outing on BBC Radio Nottingham (my bit is at about 2.15 p.m. and the link expires in about three weeks). The highlight of the last few days was, of course, my Nottingham launch party, which I’ll be sharing more about in due course. But in the meantime, there’s this lovely and unexpected post on the event from The Mole, the other half of Our Book Reviews. Two twelve-year-olds from separate states are abducted and kept for six weeks in a cabin in the woods. The girls are strangely compliant, fearful of what might happen but excited to be plucked from their neglectful parents and dreary lives. Spelling-bee champion, Lois, and beauty-pageant veteran, Carly-May, crave adult attention, and are thrilled to find themselves chosen, competing and cooperating for the approval of their kidnapper, the mysterious Zed. Decades later, they know they’re damaged by the experience, although unsure exactly how. Lois has become a university lecturer, specialising in nineteenth century English literature, with a secret side-line as a writer of popular fiction. Carly-May has reinvented herself as Chloe, an actor too pretty to be taken seriously, still hankering after a more intellectually challenging part. A man who’s always been suspicious of computers goes to buy an iPad. Unfortunately, he’s also highly suspicious of people, especially the white-shirts who seem intent to frustrate him with paperwork. The ensuing argument almost has him evicted from the shop. Meet Ove: a crotchety old geezer who’s thwarted every way he turns. He can’t even be left in peace to end his own life. I’m always intrigued when a novel worms its way so deeply under my skin I start behaving like the main character. So what if this was a million-copy bestseller, I wasn’t going to trust a writer who reckons the first thing I need to know is the age of his main character (fifty-nine), closely followed by the kind of car he drives (a Saab). To hell with the respectful approach I’d outlined in my post on my reading for reviews, this one was going to be a meditation on the minutiae of getting it wrong. Never mind that, in going to test drive a new car (not a Saab) recently, my husband and I found ourselves embroiled in a disagreement similar to the one Ove engenders in the computer shop. My grumpiness was nothing to do with me, or even the fact that I was reading the novel while still enraged about the result of the recent election. Following the death of her mother, Elaine returns to her childhood home to care for her disabled father and aged dog after an absence of over thirty years. Her feelings are at best ambivalent (p10): He arrives to heel, an old dog again, half-blind and utterly exhausted, then he folds himself down on the ground and looks at me sideways, as if ashamed of his own frailty. And I find myself wondering which I will be left with in the end, the dog or my father, then try not to think which one I’d prefer. The enclave of absent men and frustrated women, the suburban homes hide their quiet violence beneath a mask of respectability (p40): Some detached, some semi-detached. Redbrick to steep roof. Some gardens bigger than others. Apron of lawn front and back; elbows of lawn at the sides of a detached house. A driveway. Square pillars, double gate. A hedge to the front: not so high that the house could hide behind it, but not so low that a child could climb up and hurt itself – or, worse, ruin the line of the hedge. Tom Keely has come down in the world. Two years ago he lost his marriage; a year ago his job as the public face of an environmental NGO, martyring himself as a whistleblower for a lost cause. Sealing himself off from former friends and colleagues in the sweltering heat of his apartment, waking up with a hangover from hell and a disturbing damp patch on the sitting-room carpet, the only “up” in his life seems to be the view over Fremantle, Western Australia, from his tenth floor balcony. Mired in the wreckage of his life, Tom steers clear of the neighbours. But Gemma Buck, living alone with her six-year-old grandson, Kai, working nights stacking shelves in the supermarket, is persistent. After all, she recognises him from their childhood on Blackboy Crescent, where Tom’s dad, Neville, was the only adult who tried to calm her violent father, Tom’s parents subsequently taking in Gemma and her sister when their mother was hospitalised and their father imprisoned. I think I, ah, sort of lost my mind this year? Ha ha ha ha ha. Ha ha ha ha ha ha! Yeah, he says finally. I think a lot of women go through that. What, abandon their dissertations? Lose their minds. Having a kid. It’s a year now since Walker was born, and Ari is still struggling. Most days, the baby goes to a childminder so she can go through the motions of working on her dissertation, about how feminist organisations implode (p46) and even her supervisor is beginning to see through the façade (p22): There’s a curt email from Marianne about the dissertation. How is the thinking coming? … Does Marianne actually think I’m working on my dissertation? Does she think I give a flying fuck about my dissertation? It’s all I can do to bathe occasionally, keep the house reasonably tidy, feed us, launder, get some sleep … Have you ever walked into a room and forgotten what you came for and had to retrace your steps until you know? Have you ever forgotten something you were sure you’d remember and ended up repeating the self-same mistake you’d made the last time? Do you bring back souvenirs from holidays; do you treasure pictures, ornaments and other miscellany, not for their monetary value, but for the memory of how they came your way? Have you ever been touched by music in a place where words hardly signify? Have you ever been affected by a sound so loud you hear it, not just in your ears, but in your entire being? If your answer to any of these questions is yes – and I’d be surprised if it isn’t – you’ll connect with the themes in Anna Smaill’s exceptional debut novel, but you might need to hold onto these ideas to see you through the disorientating opening chapters. The plot is a classic quest: two young men gradually uncover the tangle of lies perpetrated by the elite of their country and set off to infiltrate the seat of power and destroy the source of their destitution, risking their lives in the liberation struggle. It’s a straightforward plot, but deployed with sophistication; there’s no simple demarcation between good and bad. Reaching the hallowed halls, Simon, the narrator wonders (p273): But what did we have to offer her in return, next to this beauty? the voice in my head says. No answers, no order. Nothing but mess, questions, fear. It’s 1993 when two young Englishmen meet up in a hostel in California and agree to spend the next couple of weeks travelling together. Handsome, upper-class Adam is fresh from university, while Neil, two years older in years but younger in confidence, has just been laid off from his dull job as a salesman for a pharmaceutical company. The pair bond over late-adolescent pranks, assuming false identities to chat up women and fleeing restaurants without paying their bills. On return to London, their friendship continues in a sporadic manner, revealed to the reader over the ensuing 18 years, as Neil gets progressively richer while Adam fails to achieve the promise of his gilded beginnings. Initially, The Faithful Couple seems a radical departure from AD Miller’s first novel, Snowdrops, about corruption in modern Russia, which was short-listed for the 2011 Man Booker prize. Marketed as the story of male friendship (although, from first glance at the title, I had it logged as a gay romance) and its limitations (p101): A bunch of teenagers lounge about in a country house on a remote island. They form gangs, their leaders battling for supremacy, though, with nurses and teachers standing on the sidelines, it’s not quite Lord of the Flies. Drugs also help to maintain order, in the form of the nightly “vitamins” that the narrator, Toby, secretes in his bedpost, leaving him free to wander through the house while the others sleep. Although, when he witnesses one of the boys being taken at night to the top-floor sanatorium, he almost wishes he’d stayed in bed. Everyone knows why they’ve been wrenched from their families to live in the Death House yet, through a mixture of boredom, bravado and emotional distancing, they try to defend themselves against the truth. Blood tests have shown that their defective genes have been activated; the adults are merely keeping watch for the signs of their sickness to show. |
entertaining fiction about identity, mental health and social justice
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
reader, writer, slug-slayer, tramper of moors, recovering psychologist, struggling soprano, author of three fiction books. LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list), some linked to a weekly flash fiction, plus posts on my WIPs and published books. Your comments are welcome any time any where. Get new posts direct to your inbox ...
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