Category:

Envisioning the ice: The Surfacing by Cormac James

26/12/2014

In 1845, a British expedition to traverse the final section of the Northwest Passage led by Sir John Franklin became icebound in the Arctic and the entire crew lost. The Admiralty launched a search, popularised by Franklin’s prestige and the offer of a reward, to the effect that, in 1850, thirteen ships were patrolling the area. The Surfacing fictionalises the hope, hardship, and heroism of the men – and the one female stowaway – on-board one such ship risking their own lives in an attempt to locate the missing expedition.

Like Charlotte Rogan’s The Lifeboat and Richard Flanagan’s The Narrow Road to the Deep North, this is a story of people in extremis, dredging up their last reserves of strength to survive:

He knew this must be their last stop. He could see they were spent, almost. They had courage enough for only one more start. He was almost relieved. There was no more need for heroics, no choice to make. (p170)

15 Comments

Unlikely Neighbours: The Aftermath by Rhidian Brook

30/11/2014

15 Comments

We might be marking the centenary of start of the First World War this year, but here on Annecdotal there’s been an unexpected focus on the Second. From Louise Walters’s Polish pilots and land girls to Elizabeth Buchan’s code breakers and Danish resistance workers, from Audrey Magee’s Nazi marriage of convenience to Richard Flanagan’s Japanese prisoners of war, and forward in time to Peter Matthiessen’s Holocaust Memorial, we’ve viewed it from a range of angles but hadn’t, until now, considered the dynamics of the occupying powers overseeing the de-nazification process of a defeated Germany in the years immediately following the war. Step forward Rhidian Brook and his cast of characters strutting the rubble-strewn stage of a bombed-out Hamburg in 1946: Colonel Lewis Morgan, trying to bring compassion to the reconstruction of the city of shattered buildings and broken spirits; his grieving wife, Rachael, with mixed feelings about being reunited with her husband, blaming him for the death of their eldest son; Edmund, their eleven-year-old, whose pre-programmed prejudices cannot withstand his adventurous spirit; and the widower, Herr Lubert, and his teenage daughter, Frieda, whose palatial home they come to share. Add in Ozi, leader of the bunch of feral kids begging cigarettes from the soldiers to swap for bread or other items on the black market of use to the post-war German resistance, and we’re set for powerful drama on both a human and global scale.

15 Comments

How to live after survival? The Narrow Road to the Deep North by Richard Flanagan

2/10/2014

16 Comments

Around the sixtieth anniversary of the ending of the Second World War, there were whispers in the media about old men being traumatised by the memories of the horrors of their youth that were triggered by the worldwide commemorations. As a psychologist, I’d long been interested in repressed memories and, as the offspring of a World War II veteran, I was curious about the impact on my generation, one of the themes I wanted to address in my novel, Sugar and Snails. So my ears pricked up when, earlier this summer, I caught a BBC radio broadcast about a novel exploring one of the greatest atrocities of that war by a man whose father had survived it. I liked the way Richard Flanagan refused to provide easy answers: he’d spent twelve years trying to understand what evil was but ended up no wiser. I strongly recommend you listen to his interview with Mariella Frostrup – it starts about two minutes into the broadcast and lasts about 10 to 12 minutes – who does a much better job at selling the novel than I can. But I’ll give it my best shot …

16 Comments

Good men doing nothing? A History of Loneliness by John Boyne

13/9/2014

25 Comments

I’d come across John Boyne’s writing in the form of his bestselling novel for younger readers, The Boy in the Striped Pyjamas, a clever tale of friendship across the concentration-camp barbed-wire, but I’d never read any of his novels for adults. Like another Irish writer whose novel I reviewed recently, his most recent book is his fifteenth. But A History of Loneliness doesn’t read like the work of someone who’s exhausted their creativity. This is a powerful, thought-provoking and deeply disturbing novel about human limitations and the disastrous institutions we limited humans create.

Odran Yates is an ordinary well-meaning young man of no great ambition, who believes he is dedicating his life to the good when he enters a Dublin seminary to train for the priesthood. While some of his peers struggle to adapt to a life of sexual denial he, apart from one brief interlude, feels he is well suited to his role. But, as Irish culture evolves over the following four decades, and the extent of sexual abuse within the Catholic Church is eventually revealed, his moral courage is put to the test. How far Odran, and others like him, is guilty by association, by turning a blind eye to the clues that speak volumes to the informed reader, is one of the central questions of the novel. The quote attributed to fellow Irishman, Edmund Burke, a good two centuries previously, comes readily to mind: All that is necessary for the triumph of evil is that good men do nothing.

25 Comments

What was that all about, then? After Me Comes the Flood by Sarah Perry and Lucky Us by Amy Bloom

4/9/2014

6 Comments

Today I’m reviewing two novels about interpersonal connections that had me struggling to connect with the essence of the story. I’m hoping you can help me untangle why.

The opening of Lucky Us seemed promising:

My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.

She tapped my nose with her grapefruit spoon. “It’s like this,” she said. “Father loves us more, but he’s got another family, a wife, and a girl a little older than you. Her family had all the money. Wipe your face.”

Oh, how that mother had me hooked! She seemed much more resourceful in accommodating to the duplicate family than the poor woman I’d left contemplating the cracks in the ceiling in a recent flash. Would the narrator follow her lead? I wondered. Or would she struggle to adapt, like Mary, in Geoff LePard’s novel-in-a-flash? What I didn’t anticipate was that she would abandon both her daughter and the novel only four pages on. Reader, I was bereft. Rudderless, despite, I now discover, having been warned this would happen by the blurb. (But we don’t pay much attention to blurbs, do we?)

Eva is twelve when she meets Iris, her father’s other daughter. Over the next decade, we follow their fortunes as Iris seeks stardom in the movies in 1940s America and Eva follows in her slipstream. Through the sisters and their various friends, lovers and hangers on, the novel shows us Hollywood hypocrisy, new-money airs and graces, post-war plastic surgery and the internment camps and repatriation of supposed “enemy aliens”. There are even a few scenes on tarot that had me wondering about extending the criteria for my series on fictional therapists. All very interesting and entertaining, related with that touch of humour evident in the section I’ve quoted above, but I felt rootless, longing, despite my general refusal to bow to the law of motivation, for the narrator to have a little more agency, to come out and tell us what she wants. As Charli Mills says, motivation is movement but movement without motivation is passivity. With the lack of a clear narrative arc, Lucky Us resembled memoir or a truth-based story and, in my mind, that’s not necessarily a compliment.

6 Comments