Middle-aged siblings, Marion and John Zetland, rattle around the crumbling Georgian townhouse that has been their home since childhood. Timid and childlike, Marion has never had a job, and her more educated brother hasn’t worked since being dismissed from his teaching post at a boarding school twenty years before. She spends her time with her large collection of cuddly toys, dozing in front of the TV and heating the tinned food on which they subsist. John occupies himself with making model aeroplanes and attending to the visitors in the cellar, an unpleasant part of life which Marion does her best to ignore. Who is she to judge whether it’s right or not? John has always known better than her and, as the reader discovers as the story unfolds, her parents, teachers and schoolmates were never any help in teaching her how to be a person.
About the author and blogger ...
Anne Goodwin writes entertaining fiction about identity, mental health and social justice. She has published three novels and a short story collection with Inspired Quill. Her debut, Sugar and Snails, was shortlisted for the Polari First Book Prize. Her new novel, Matilda Windsor Is Coming Home, is rooted in her work as a clinical psychologist in a long-stay psychiatric hospital.
Each of these novels provides a behind-the-scenes perspective on tourism, the first raging at the inequalities, the second poking gentle humour at those who mediate between traveller and native. Having anticipated some of the themes in a recent 99-word story composed before I read either, both, while very different from each other, are definitely my kind of book.
Allow me to introduce you to two novels looking back on Ireland’s recent history through the eyes of a man whose life has been limited by secrets, subterfuge and hypocrisy.
I’ve enjoyed these two novels about how we manage the end of life, the first through old age and the second through assisted dying. Mortality gets us all sooner or later; what better way to face it than with a novelist holding our hands?
Is satire redundant when the World’s Most Powerful Narcissist tweets his outrage at the slightest scratch on his orange-tinged carapace, while She Who Should Be Humbled files for divorce from Europe in the full knowledge that this will leave her dependants economically and morally depleted, and literally humbles the Bejewelled Great-Grandmother by committing her to take her New Suitor for a spin in her horse-drawn carriage? Publication proceeding at a slower pace than populist politics, these two novels – the first set in a dystopian near-future and the second in 2013 – were conceived prior to the dystopia that was 2016 but can still evoke a shudder in these early days of 2017.
In between celebrating my book’s first birthday – and finding the clichéd book-as-baby metaphor more apt than ever – I’ve had the pleasure of reading three novels about the begetting of real human babies: a debut scientific thriller from England; a second gritty comedy from Scotland; a third novel in the literary genre from the USA. As if the authors have responded to a writing prompt to bring a novel angle to “having” a baby, there should be something for everyone in this selection. If you’d like to recommend any others, you can do so via the comments.
What does the working-class child aspire to? In my case, I couldn’t dream of joining a middle-class profession I’d never heard of. Nor, even though I was addicted to writing from the start, did I believe that someone like me could become an author. Books never seemed to be based in the places with which I was familiar: they were set in boarding schools rather than comprehensives; in country houses rather than a small semi-detached; in cities rather than small industrial towns. So how could I resist a novel set in my birthplace, the small northern town from which my odd accent derives? As if that weren’t enough, I’m offered a novel set where my parents grew up, a similar down-at-heel out-of-the-way place where I had my first restaurant meal. Sixty miles separates these two towns, as well as some breath-taking countryside, as depicted in The Wolf Border, one of my favourite reads from last year. But Workington and Barrow don’t have the beauty of the Lake District. Thanks to Vintage Books and Legend Press, I had the chance to discover whether they could nevertheless shine on the page. I’d be interested in your thoughts on using real places as fictional settings.
Paul and Veblen are engaged to be married. They’re clearly in love and clearly, with their mismatched attitudes to the world beyond themselves, unsuited for the decades of companionship we hope will follow a wedding. It is obvious from the moment Paul gives her a ring, with a diamond so large it interferes with her obsessional typing.
Unlike Veblen, who espouses the anti-capitalist values of her namesake, the economist Thorstein Veblen, Paul is ambitious. A research neurologist, when the pharmaceutical empire Hutmacher offers him the opportunity to begin clinical trials on the device he’s developed to minimise battlefield brain damage, he dismisses his ethical reservations with the word Seropurulent “an ironic superlative they used in med school for terrible things that had to be overlooked” (p62). Raised by hippies, the trappings of the consumerist world spell safety for Paul (p66):
I’m delighted to introduce you to two quirky short novels about finding and creating a place of one’s own, the first from Sweden and second South Africa. Both novels have pared down characters and plot and are nevertheless highly compelling in their eccentricity.
I recently shared an extract from my next novel, Underneath, in which a little boy is dancing with his mother to Cliff Richard’s Living Doll. The words are taken all too literally by the child who becomes the man who keeps a woman imprisoned in a cellar but I knew, from the very first draft of this novel, to be wary of quoting song lyrics. Yet, in the version I sent my publisher, I’d retained six words that furnished a neat link between past and present, while demonstrating the narrator’s disturbed and disturbing state of mind. But as publishing becomes a (still fairly distant) reality, I thought I’d better get some advice from the Society of Authors on copyright law. Based on what I was told – and this is only my interpretation – I’ve decided to paraphrase instead of quoting: I don’t want to risk having lawyers on my back; nor do I want to renege on my own personal vow never to pay to be published (it’s the author’s, not the publisher’s, responsibility to seek out and pay for permissions).
Many of us are fascinated by where we came from: the parents and places that made us who we are. While it seems we need to leave home, either physically or geographically, to become ourselves, at some point we’re drawn back to reconcile ourselves to the gap between the reality of our personal origins and the myths we’ve been sold or created. Ambivalence about home is such a core feature of my own reading and writing, it’s a struggle to condense it into the ninety-nine words Charli Mills has requested this week on the theme of returning to a place of origin. Join me on a tour of my literary bookshelves while I contemplate my own take on the prompt.
In the late 1970s, when teenage Jess’s schoolmates would be going to Benidorm for their summer holidays, she accompanies her mother to a summer course for English teachers in East Germany. They spend the other eleven months of the year attempting to interest their fellow residents of a small West Midlands town in the Morning Star, working through their TODO lists and holding branch meetings with just the two of them, cheered on by occasional news from their friends on the other side of the Iron Curtain, widower, Peter, and his daughter, Martina. With Jess’s father dead before she was even born, mother and daughter think and act as one, and Jess has no need for friends at the stuffy grammar-school where she’s marked out as an oddball. With her high ideals and youthful optimism, Jess is content to play her part in the fight against capitalism. Yet the time will come when Jess will question, not only the decisions of her own mother, but the values of the Motherland she’s dreamt of making her home.
Lulu Davenport is the proprietor of Los Rocques, a clifftop hotel on the Mediterranean island of Mallorca, frequented by a certain type wealthy Brit who holds themselves aloof from the package-tour hordes. It’s also a popular hangout for the teenagers who spend their summers on the island, roaming freely after months of more orderly education abroad. For almost sixty years, Gerald Rutledge has lived in a small house just a kilometre away from The Rocks (as everyone calls it), but he’s rarely set foot on the premises. It’s not just because, having married a local woman and made his living from the land, he’s more assimilated into the Spanish community, but also because he’s persona non grata to Lulu following their brief and calamitous marriage only a few years after the end of the Second World War.
It’s 2008, and the financial crisis signals the death throes of New Labour; what’s the millionaire head of a publishing dynasty to do, but throw a party? Sherard Howe’s proclivity to entertain enables author Tim Glencross to assemble a wide cast of characters under one roof whose love and work trajectories the reader follows over the ensuing three years. While Philip Devereux, partner at a prestigious law firm that “advised the banks while they were getting into a mess, and now … [advises] them on how to finish themselves off” (p143), commissions his former fag (a word whose meaning I did know, but wish I didn’t), Sherard to curate a modern art exhibition on the theme of the crisis, fittingly entitled Turmoil, and the minister, Alec Merton, escapes a tedious family Christmas to defend the government to the news media, Sherard’s wife, the feminist philosopher Daphne Depree, is having second thoughts about the pending publication of her book, The Prodigal Sister, a “virtuosic deconstruction of third-way politics” (p121).
Marie Gillies has always feared – and hated and loved – her father and has lived a limited life according to his rules. But now he’s dead she wants to take her mother, Flavia, on holiday to her native Italy, and that requires a meeting with the solicitor who manages the trust fund from her father’s estate. Arthur Gillies, coming home from London only at weekends, had been in business; neither Marie nor her mother had needed to concern themselves with what type. But it turns out he’s had a portfolio of expensive properties in the capital, and Marie decides she’d like to get her hands on some of his dosh.
Rita is an ageing sex-worker tottering out, despite being prone to falls, in high heels to find a new man to pay the bills. Now with her own small flat, she makes daily visits to the dilapidated house in Primrose Hill where she used to work, to check up on its remaining occupants: Joseph, the son of Sal, the brothel’s deceased madam, who spends his days riding the buses, and Annetta, a former colleague, prone to fugue states since childhood and now suffering from dementia, who regularly escapes from her locked bedroom to shed her clothes in the park.
entertaining fiction about identity, mental health and social justice
Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
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