Category: Nonfiction

The Course of Love by Alain de Botton

20/7/2016

It will take Rabih many years and frequent essays in love … to recognise that the very things he once considered romantic … are what stand in the way of learning how to sustain relationships. He will conclude that love can endure only when one is unfaithful to its beguiling opening ambitions; that for his relationships to work he will need to give up on the feelings that got him into them in the first place. (p6)

In a nutshell, The Course of Love is about the need to adjust our ideas of marriage in order to make it a success. In a similar vein, let me suggest the reader adjust her expectations of this book in order to fully appreciate its wisdom and compassion.

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What connects a popular psychology book and a novel about psychosis?

29/1/2016

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I hadn’t been reviewing for very long, when I was invited to contribute to the book recommendation site, Shiny New Books. Honoured as I was, I didn’t feel ready back then, but kept it in mind. After Victoria posted a lovely early review of Sugar and Snails on the site and hosted my guest post on writing about secrets, I resolved to keep an eye out for suitable books to review. I’m pleased to announce that my reviews of The Social Brain and Playthings were accepted for the latest edition so if you’re satisfied with the easy answer to my question you can go straight to the reviews by clicking on the images. But if you’d like to discover another connection, then read on.

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A novelist meets a psychotherapist: The Good Story by JM Coetzee and Arabella Kurtz

26/11/2015

I’ve mentioned before that I think novelists and psychotherapists are in a similar business, yet the fictional therapists we encounter on the page sometimes fail to convince. So what better way for the writer bent on creating a credible fictional therapist than to eavesdrop on a conversation between a winner of the Nobel Prize for Literature and a clinical psychologist, lecturer and psychoanalytic psychotherapist? As JM Coetzee and Arabella Kurtz toss ideas back and forth about the intersection between truth, story and morality, the writer is afforded a remarkable insight into the workings of the therapist’s mind.

Why read? The Nearest Thing to Life by James Wood

25/10/2015

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Why do we read fiction and why do we need a literary critic to comment on what we read? Seduced by a review in the Guardian and beguiled by the title, despite feeling distinctly unqualified, I thought I’d give this short book, a blend of memoir and criticism, a go. I was looking for ideas on how to improve my own fiction writing and reviewing and, failing that, insights into why so many of us have a passion for books.

The latter was the subject of the first section and, for me, the most engaging. As a child, James Wood found in fiction, as I did, “an utterly free space, where anything might be thought, anything uttered” as a refuge from the restrictions of the religious culture of his home. Wood argues that, while in principle we have the freedom to think what we like, we’re afraid of that freedom: “we nervously step up to the edge of allowable thought, and then trigger the scrutiny of the censuring superego” (p11). Fiction lets us explore that otherness in a containing manner, the fictional characters whose minds we are privileged to inhabit, holding our hands along the way.

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An African Odyssey: A Man of Good Hope by Jonny Steinberg

11/1/2015

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This is the story of an epic conversation between two African men: shopkeeper and Somalian refugee, Asad Abdullahi, and white South African academic and journalist, Jonny Steinberg. Their conversation begins in Cape Town in 2010, a time of violent attacks on foreign nationals in the run-up to the World Cup, travelling back in time to plot Asad’s history of migration from the moment when, at eight years old, his mother was shot in front of him, to end in 2013 when he is resettled with his family in Kansas City, USA. It’s the tale of a child subject to multiple betrayals, “kicked through life like a stone” (p278), drifting between countries and cultures, from a refugee camp as barren as the first concentration camps to the cosmopolitan streets of inner-city Nairobi to a desert settlement deep in the Ethiopian hinterland, who nevertheless has “lived a fully human life … [altering] radically the course of his family’s history, so that his children and their children … live lives nobody in Somalia at the time of his own birth could have imagined” (p313). It’s also, to a lesser extent, the account of the practical and ethical hurdles faced by both men in bringing Asad’s story to the attention of the wider world.

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How to be a heroine

7/3/2014

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On a pilgrimage to Wuthering Heights, Samantha Ellis got into a debate with her best friend as to which Brontë heroine was best: Cathy Earnshaw or Jane Eyre. The shock of finding herself persuaded by her friend’s argument sent her stumbling back to revisit the heroines of her thirty-odd years’ devotion to fiction. How to Be a Heroine, part memoir, part feminist literary critique, is the result.

When I ‘won’ a copy on Twitter, I thought I’d nailed this year’s blog post for International Women’s Day. Unlike last year, I wouldn’t have to do search around for my own fictional heroines. Samantha Ellis would do the job for me.

Although I shy away from non-fiction these days (The Examined Life by Stephen Grosz a rare and exceptional exception), I quickly became engrossed in the book. I warmed to the voice, and the meticulous attention to detail balanced with touches of self-mocking humour:

When Rhett sees that [Scarlett’s] hand is scarred, rough from work, sunburnt, freckled, the nails broken, palm calloused, thumb blistered, he spits, ‘These are not the hands of a lady.’ (The most direct result of reading Gone With The Wind again is that I have become more assiduous about using hand cream.) (p88)

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7 Reasons Why Lovers of Fiction Should Read The Examined Life by Stephen Grosz

4/1/2014

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Published at the beginning of 2013, The Examined Life by Stephen Grosz is a gem of a book about psychoanalysis. Heavy with insight into the human condition while light on the jargon, it’s a most-read for any thoughtful individual, but I’m here to argue its particular value for readers and writers of fiction. If you like stories, I think you’ll be interested in these, and if you’re engaged in producing your own fiction, there’s as much to learn from these tales from the therapist’s couch as from any creative writing textbook. Here are 7 reasons why:

1. It’s unashamedly upbeat about the power of stories.

Many psychoanalytic case studies read like stories, but these are especially exquisite. Beautiful prose, tightly structured, these are moral stories without being moralistic, gentle fables in the manner of Aesop and Kipling that leave us pondering the big questions of how to live. Alongside the stories from the consulting room, there’s an examination of Dickens’ A Christmas Carol and Melville’s Bartleby the Scrivener, and ordinary incidents from the author’s life. Without being heavy handed, he leaves us in no doubt as to the centrality of storytelling, that without our stories we are diminished:

[O]ur childhoods leave us in stories … we never found a way to voice, because no-one helped us find the words. When we cannot find a way of telling our story, our story tells us – we dream of these stories, we develop symptoms, or we find ourselves acting in ways we don’t understand. (p10)

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