Category: Reviewing

How to write a negative review

18/8/2017

You’ve read the book, and now you wish you hadn’t. You begrudge the time or money you’ve given to words of little worth. You hated it and don’t care who knows it. Which you are entirely at liberty to do. But before you give vent, do give a little thought to how to go about it. Read on for the who, how, what, why, where and when from someone who’s been both author and recipient of negative reviews.

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How a one-star review is a gift to people pleasers

5/7/2017

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After being turned down by multiple publishers and agents, I was pleasantly surprised at how well my debut novel, Sugar and Snails, was received, even going on to be shortlisted for the Polari First Book Prize. But you can’t take anything for granted in this business. Two years later, my second novel, Underneath, brought me, on the eve of publication, my first one-star review on Goodreads (and a little later on Amazon). Ouch! Someone has looked at my baby, declared it ugly and wants the world to know.

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The Messiah Narrative

13/4/2017

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Even if you’re not a fan of Baroque music, you’d probably recognise at least one of the magnificent choruses from George Frideric Handel’s Messiah. If not the jolly “For Unto Us a Child Is Born”, perhaps the main justification for its popularity at Christmas, then you must know the exuberant “Hallelujah”. But there are fifty-one other choruses and solos that make up the three-hour long oratorio. This beautiful book tells the story of its composition and musical afterlife.

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Do spoilers spoil? The impact of personality style on narrative selection and enjoyment

30/1/2017

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Having written a novel with a secret at the heart, I’ve been touched by the care taken by reviewers to avoid divulging the truth behind my character Diana’s façade. In fact, I’m aware of only one review with a spoiler, and that was posted with my approval on the valid assumption/aspiration it might attract readers interested in the novel’s gender theme. But, even if bloggers were less conscientious, I wasn't worried, as research suggested that spoilers don’t spoil, and might even enhance the reading experience. However, when I blogged about this some time ago, my fellow booklovers didn’t seem convinced. Now that new evidence has come to light, it seems that they were right and I shouldn’t have been so complacent.

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More of the same, please, but with nicer politics

31/12/2016

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We approach the New Year as if we’re trading in the old one for a better model, but it’s not like replacing a car. Or if it is, it’s with the old car rusting in the garage while we’re driving around in the new one, hoping the weather won’t tarnish its shine. Alas, a change of digit won’t cancel out our bad decisions – I’m looking at you Brexit and Trumpeteers – but it can provide the impetus to strive to fail better next time. While I think it’s weird that the traditional time for taking stock and recalibrating our intentions for the future should be now – rather than synchronised with the winter solstice the first day of spring (for those of us in the northern hemisphere) – I am sufficiently obsessional to join in.

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From 146 books to my top 12 novels of 2016

29/12/2016

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It’s been a good year for fiction – and I don’t mean the lies and denial that have blighted politics on both sides of the pond. But when isn’t it rosy for readers? For every novel that leaves us baffled and bludgeoned or tempted to give up, we’ll always find another dozen that provide comfort or relaxation or, with or without prickly characters, transport us on a magical mystery tour.

My book consumption has increased since I started reviewing from around 60 a year to over 100. But I’m slightly embarrassed to have “beaten” last year’s pinnacle of 120 by, at the time of writing, 26. I know I devote a lot of time to the printed word, but 41,783 pages smacks of greed.

Just a few of the books I've read this year!

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Do you read for relaxation?

31/10/2016

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Reading, in fact produces its own forms of anxiety. Worries and preoccupations suggested by some other person’s prose start flurrying into my brain, preventing me from sleeping through the night.

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Clear destination or magical mystery tour? #amreading

30/9/2016

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at Bakewell bookshop last month

As I’ve been out and about talking about my novel, I’ve been surprised to meet – in stark contrast to the predominant aversion to spoilers – a couple of people who like to look at the ending, perhaps the last couple of paragraphs, before turning to the first page. Now, I like the ending of Sugar and Snails, although it’s been suggested that some might find the issues insufficiently resolved. (I do get asked if I’m planning to write a sequel!) Because it tells of a destination rather than the journey, I don’t think reading it in advance would constitute a spoiler (although, prattling on at one talk about how I was pleased with the ending, I did have a friend tell me afterwards she thought my ending wrapped things up too much).

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Any advice on questions for book groups?

30/8/2016

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Children’s need to belong, or the fear of exclusion, can be as intense as the need for sleep and sustenance, so they often band together in cliques and clubs. One of the weirdest fictional clubs I’ve come across, is the arson club in Jesse Ball’s novel, How to Set A Fire and Why. Memoirist, Irene Waters, is after your memories of joining a club: when did you join, why did you join and are you still a member?

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#Bookbirthday celebrations and beyond

2/8/2016

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I spent my book’s first birthday observing customer behaviour in a bookshop, and chatting to those who weren’t so adept at avoiding my gaze. One was a self-declared non-reader, hanging around while awaiting her appointment with a tattooist. Not my thing at all, but I was intrigued enough to ask to see her chosen design as well as to enquire whether the process was addictive, given that she had a couple of earlier tattoos on display.

I might have had in mind my own addiction to blog tours, given the five-week tour I embarked on last year when I launched my novel. I was slap in the middle of another, this one much more modest – in its fortnight’s duration, if not in ambition – that has now come to an end. My thanks to you if you’ve been following, or hosting; here’s my summary of how it went … and what’s still to come.

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Supporting small-press published authors

24/7/2016

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Each time I’m baffled by a heavily-hyped but mediocre novel from one of the Big Five, I’m tempted to restrict my reviewing to small-press published novels. Not that there aren’t a fair number of turkeys among them, but at least the publishers aren’t screaming at us to read them each time we walk down the high street or go online. I know so well from my own experience with Inspired Quill how hard it is for the small publishers to get readers to take notice, but I don’t want to miss out on the good stuff that the heavyweights are putting out.

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It’s ONLY fiction? Not according to your brain!

30/5/2016

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As someone who spends more time with fictional characters than with flesh-and-blood people, I’m sometimes at risk of embarrassing myself in real-life interactions. Especially when it gets to the level of gossip; it’s not that I’m not interested, or don’t have anything to contribute, but that the anecdote I’m bursting to share is about some fictional character, and some people find that a little odd.

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Walk or gallop? The question of pace.

28/2/2016

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Walk. Trot. Canter. Gallop. Each of these words conjures up precisely both the speed and style of movement of the horse.

On a writing course once we were tasked with finding as many possible ways of replacing the word entered in the phrase She entered the room. I might never get the chance to use She hopscotched into the room in a piece of fiction, but I learnt something in thinking it up.

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What connects a popular psychology book and a novel about psychosis?

29/1/2016

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I hadn’t been reviewing for very long, when I was invited to contribute to the book recommendation site, Shiny New Books. Honoured as I was, I didn’t feel ready back then, but kept it in mind. After Victoria posted a lovely early review of Sugar and Snails on the site and hosted my guest post on writing about secrets, I resolved to keep an eye out for suitable books to review. I’m pleased to announce that my reviews of The Social Brain and Playthings were accepted for the latest edition so if you’re satisfied with the easy answer to my question you can go straight to the reviews by clicking on the images. But if you’d like to discover another connection, then read on.

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Time travel, insecure attachment and PTSD

24/1/2016

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A friend tells me about an exercise he remembers fondly from a management course. You’ve probably come across it; it’s the one where you create a timeline of the ups and downs of your life. I’m feeling uneasy even before he asserts confidently that of course we’d all start life in the peaks, the troughs not arriving until we take on adult responsibilities. That’s not the shape of my timeline, however, and perhaps not yours either.

I could point out that a difficult childhood is not uncommon but, in my head, I’m already somewhere else. It won’t make me feel any better to correct his misapprehension. I concentrate on making the right non-verbals and wait for my discomfort to pass.

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Why read? The Nearest Thing to Life by James Wood

25/10/2015

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Why do we read fiction and why do we need a literary critic to comment on what we read? Seduced by a review in the Guardian and beguiled by the title, despite feeling distinctly unqualified, I thought I’d give this short book, a blend of memoir and criticism, a go. I was looking for ideas on how to improve my own fiction writing and reviewing and, failing that, insights into why so many of us have a passion for books.

The latter was the subject of the first section and, for me, the most engaging. As a child, James Wood found in fiction, as I did, “an utterly free space, where anything might be thought, anything uttered” as a refuge from the restrictions of the religious culture of his home. Wood argues that, while in principle we have the freedom to think what we like, we’re afraid of that freedom: “we nervously step up to the edge of allowable thought, and then trigger the scrutiny of the censuring superego” (p11). Fiction lets us explore that otherness in a containing manner, the fictional characters whose minds we are privileged to inhabit, holding our hands along the way.

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An Author Abroad as the Blog Tour Reaches Week 3

3/8/2015

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For the first fortnight of the Sugar and Snails blog tour, I’ve been mostly confined to the UK. Apart from a visit to The Oak Wheel in California, I stayed, like the homebird I am, in my own country until pitching up at the end of last week in Australia. While Norah Colvin might live as far away from me as it’s possible to get, I knew I’d have a warm reception on her blog. Now she’s injected me with the travelling bug, I’m spending this whole week with blogging friends beyond my country’s borders, and greatly looking forward to the trip.

I’m starting today in Poland in the Monday Inspirations slot courtesy of former art therapist, writer and fellow broccoli addict, Urszula Humienik, to talk about the books that have inspired me. Tuesday finds me in Pune, India (one of the two calling-off points in this week’s tour I’ve visited in real life) to explore fictional research with Gargi Mehra, software engineer by day, prolific short-story writer by night. On Wednesday I’m off to Ras Al Kaimah (Arabic for Top of the Tent) in the United Arab Emirates to talk attachment with Safia Moore. Recent winner of the Bath Short Story Award, Safia posted a beautiful review of Sugar and Snails on her blog last week AND flew over from her native Belfast on Friday to join the launch party at Jesmond library. On Thursday, I’m visiting another expatriate Irishwoman, journalist turned fictioneer, Clare O’Dea, now a Swiss national, resident in Fribourg, to discuss not knowing what my novel’s about, a follow-up to her own popular post on the topic. Friday takes me back to California with writer of serious prose and humorous erotica, Lori Schafer, where I’m pondering the autobiographical element of fiction with the author of the prize-winning memoir On Hearing of My Mother’s Death Six Years After It Happened. If all that doesn’t show that the blogging community is truly international, I don’t know what would!

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Ostriches, elephants and Amazon reviews

30/5/2015

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Following last month’s post on reading for my reviews, I thought I’d share a little of what I do with them once they’re written. Obviously the appear on Annecdotal, but where else? Well, there’s Goodreads which drew me in initially as an attractive way of keeping tabs on my reading. Another way I keep track is through the listings on my reading and reviews page although, because I’m better at remembering the book than the author, the alphabetical ordering doesn’t always help. Then there’s Twitter (along with the myriad hashtag days) which can generate some lively discussion and Facebook which, probably because I still don’t know how to work it properly, tends not to. Also, because most of the books I review come from the publishers, I tweet and email them the link; if it’s from one of the Hachette companies involved in Bookbridgr, I also log the review there. That’s quite a lot of admin, but there’s still one glaring omission that troubles me somewhat; it’s not exactly the elephant in the room, but the huge empty space where that elephant should be.

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READIN’ for HER reviews

29/4/2015

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I’ve been asked twice now about my approach to reading for reviews and, grateful for that interest, I’ve given it a little more serious thought. Coincidentally, after almost a year of regular book blogging, I’m probably in need of some kind of policy; until I develop something more formal, this post will have to stand for that. While it might appear somewhat back to front, it makes more sense to me to begin by outlining what I’m trying to achieve followed by how I go about it. Your feedback, as ever, would be much appreciated.

HER reviews

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Short and sweet with a sour kick: Andrew’s Brain by EL Doctorow

23/1/2015

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Andrew appears to be particularly accident prone, everywhere he goes he brings disaster, especially to those he loves. After one marriage has ended in divorce and the death of a baby, his second has left him as the hapless father of a motherless baby girl. In a purported conversation with his therapist, he reviews his life story, and the extent of his responsibility for the tragedies that have occurred.

Andrew is a “cognitive scientist” with a strong belief in the impact of brain biology on our actions as opposed to the more nebulous mind. Although not necessarily a likeable character, his voice is lively and appealing. At first the novel comes across as a parody of therapy, with the therapist’s questions and largely unhelpful interjections generally ignored. But as the novel progresses, we find ourselves embroiled in a far darker story of not only the wrongs unwittingly triggered by this one individual, but, via Andrew’s college-day friendship with a war-mongering president, of political shenanigans of the worst kind. By the end of the novel the dreams, “soundless voices” and speculation about how far studies of the human brain can take us, that have preoccupied Andrew from the early pages, and even the identity of the seemingly neutral therapist take on a more sinister significance, in which his only note of hope is in the science supposedly underlying his experience, along with his insistence on his inability to feel.

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A wonderful addiction: My year in books

30/12/2014

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Ever since I’ve been writing seriously, I’ve made a list of the novels I’ve read across the year, highlighting those that particularly impressed me. Halfway through 2013, I was seduced by the lovely book-cover icons on Goodreads into doing it electronically. At the beginning of this year, they invited members (?) to register for a reading challenge. Although I don’t need a challenge to motivate me to read, I signed up on the basis that their software could calculate my reading total more rapidly than I could. I set my target at 60 books, this being a rough average of the numbers read in recent years.

So I was somewhat surprised when, only two-thirds through the year, I passed it. Now, as I approach the year-end, it seems I’ll have read – gulp! – 96 books at around 29,000 pages. Even knowing that monitoring behaviour can bring about a change in the desired direction, an increase of over 50% seems rather a lot. I’m wondering if, in the process of becoming a book blogger, I’ve turned into an addict.