In a companion essay to her novella, Her Father’s Daughter, author Marie Sizun asks:
What is a father? That’s the real question. A father – even if he’s imperfect or absent – is a mythical, irreplaceable ﬁgure, especially for a girl. If he’s not there during her childhood, she’s likely to spend a long time drifting in vain in search of him.
Having deprived the male narrator of my second novel, Underneath, of a father, I would argue that the gap is equally damaging for a boy, as outlined in my recent guest post The impact of the absent father in Underneath.
Both these novels are about Nigerian women and their relationships with their culture, politics, their children and their men.
Today I’m sharing two short reviews of short translated novels about coming-of-age in Europe at the end of the last century.
I decided to pair these novels after reading blurbs suggesting both were about young women adapting to significant losses: the mother’s disappearance in Swimming Lessons and a close friend’s suicide in Our Magic Hour. But, on reading the latter, I felt the main character’s issues predated that particular tragedy, originating with a highly ambivalent mother in a difficult marriage. Unfortunately for the character, but very accommodating for my reading and blogging schedule, the same applies to the first novel. I hope one or both of these will appeal but, if not, you’ll find several other posts and reviews on the theme of family dynamics if you follow the link.
This post, my last before Christmas, features two novels about men with marginalised identities. Read on and see if either takes your fancy for your holiday reading.
Following on from my review of The Fortunes, which fictionalises the lives of ought-to-be-more-famous Chinese Americans, I’m reviewing two novels featuring well-known European intellectuals at either side (in the temporal rather than allegiance sense of the word) of the Second World War.
Let me introduce you to two novels by established female authors about young people struck down by serious illness, set in the social context of the British National Health Service, the first in its contemporary incarnation and the second at its inception.
It’s UK publication day for two debut novels taking a look back at 1960s in the USA, with an emphasis (at least in my reading) on the subjugation of women. Thanks to Chatto & Windus and John Murray for my review copies.
Fourteen-year-old Lucia Stanton lives with her elderly aunt in a converted garage in the grounds of a large house. With her deceased father’s zippo lighter in her pocket, she rides the bus to visit the mother who doesn’t recognise her in a psychiatric hospital, after which she goes to a bar to get drunk. Intelligent and nonconformist, Lucia adheres to a strict moral code; unfortunately it differs widely from the one followed by teachers and the cool kids at school. She hasn’t considered setting fires until, in detention one evening, she hears some students refer to a secret Arson Club.
I’m pleased to recommend two California-set novels published this week about the fragility of masculinity, sibling loyalty and the impact on families of the Vietnam war, the first for the generation directly affected and the second for the children of men who served.
Today’s focus is on plot, with reviews of a psychological thriller about identity and a sophisticated crime novel against a backdrop of African-American politics.
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
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I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on writing and my journey to publication and beyond.
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