Life’s tough on the fringes of society, perhaps particularly if you’re female. Not only have you your own vulnerability to contend with, but the projections of others who feel safer dwelling on your difference than on your similarity to them. Let me take you into the worlds of three such fictional females: The Parcel is harrowing novel about sex workers in Bombay; Dance by the Canal is a lighter novella about a homeless woman in East Germany; my recently published short story, “Ghost Girl” is about an African girl with the wrong colour skin.
A historical novel about Arctic exploration or a novel set in a near-future South Africa? A romance or an account of a relationship falling apart? A motherless girl or a fatherless boy? Wild animals or ice? Both of these novels explore the conflict and compassion that connects us to the natural world, but it was a bonus for me to read that the protagonist of Green Lion told his friend that his father was killed in a hunting accident in the Arctic, the setting of Under a Pole Star. Read on to see if I was right to pair these reviews.
Londoner Neve is married, New Yorker Andrea is single, but they’re both struggling with similar attachment issues. Both have tried and abandoned therapy, and not only because of complex relationships with their mothers. They’re both creative types, although Andrea has given up on her art. Two women in their thirties, I’d like to put them in a room together to see if that would emphasise their individual difficulties or they’d help each other out. Failing that, I’m relying on you to judge what they can tell us, either separately or together, about contemporary women’s lives.
Let me introduce you to two debut novels about young men forced out of their retreat from life by a determined young woman. Both feel responsible for the deaths of a younger sister, both have absent fathers and serious mental health issues induced by trauma. Both are about to get a rude awakening. But, as you’ll see, the authors have dealt with these bare bones in very different ways.
Each of these novels provides a behind-the-scenes perspective on tourism, the first raging at the inequalities, the second poking gentle humour at those who mediate between traveller and native. Having anticipated some of the themes in a recent 99-word story composed before I read either, both, while very different from each other, are definitely my kind of book.
If you’ve ever held back from having an affair for fear of the hurt it might cause other people, let me offer you a risk-free alternative. These two novels about women with roots in America who stray from marriages to European men can furnish the excitement and eroticism without the guilt or fear of discovery. If you like to read on-screen, no-one need even know you’re having a fictional affair.
Both these novels are about Nigerian women and their relationships with their culture, politics, their children and their men.
Like Workington and Barrow, Morecambe is a small, slightly rundown, coastal town in north-west England to which I have personal connections: my parents lived there for many years and, coincidentally, one of my good friends, whom I met in Cairo, has a house overlooking the bay which, for a short while, she ran as a guesthouse. Although I don’t refer to it by name, it’s also one of the settings, along with Nottingham, for my forthcoming novel, Underneath. So when I discovered Owl Song at Dawn was set in Morecambe, I was keen to read it. I was even happier to be offered a slot on the blog tour when the author agreed to write a post on the setting. I hope you enjoy Emma Claire Sweeney’s piece as much as I did. My mini review follows at the end.
Stand by for two haunting short books published in the UK today about different facets of the lives of women.
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
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