Now that I rarely go away, I tend to forget that normal people go on holiday in the summer. Now that I read well over 100 novels a year, I also forget that holidays are when most people pick up a book or e-reader. But at this time of year I can’t help noticing that both the broadsheet weekend supplements and the blogosphere abound with holiday reading recommendations, which got me wondering what constitutes a holiday read?
As I’ve been out and about talking about my novel, I’ve been surprised to meet – in stark contrast to the predominant aversion to spoilers – a couple of people who like to look at the ending, perhaps the last couple of paragraphs, before turning to the first page. Now, I like the ending of Sugar and Snails, although it’s been suggested that some might find the issues insufficiently resolved. (I do get asked if I’m planning to write a sequel!) Because it tells of a destination rather than the journey, I don’t think reading it in advance would constitute a spoiler (although, prattling on at one talk about how I was pleased with the ending, I did have a friend tell me afterwards she thought my ending wrapped things up too much).
As someone who’s drawn to subtle stories with complex characters and hates being bludgeoned with being told what to think and feel, I shouldn’t be surprised that there are times when my expectations aren’t met by the book in my hands and I’m tempted to give up. Usually I try to unravel why it didn’t work for me, with the aim of both getting a stronger sense of what I like and don’t like, and what I can learn from this for my own writing. But sometimes I feel quite disorientated by my bafflement, by my lack of connection with the author’s words. If I’ve been unlucky – or chosen unwisely – and experienced a string of disconnections, I can feel quite low. The activity that has always been my refuge becomes a claustrum. It’s like being internally homeless or losing a good friend. (Or finding your compatriots have voted overwhelmingly for xenophobia, which still has me reeling almost a week on.)
I must confess I’m rather suspicious of the word brave. On the one hand, the term is overused, especially when referring to endurance in the face of tragedy. (Is it brave not to succumb when your life is threatened or is the human drive for survival? Do we call people brave to avoid having to empathise fully with the enormity of their trauma or to deny their despair?) On the other hand, I think bravery, even when applied to cases in which the person has a genuine choice whether to act, is overrated. Sure, if I were drowning I’d be grateful to anyone who dived in and rescued me, but if a stranger were in the same situation I’d rather my loved ones didn’t risk their own lives to save them. So it was with some trepidation that I picked up these two novels with the b-word in the title. Read on to see whether the characters’ bravery convinced me. (Incidentally, I wasn’t aware when I decided to pair them based solely on the titles that both are partly influenced by the author’s grandfather’s experience in the Second World War, and both featuring the ordeal of hunger.)
As I’ve mentioned before, I was surprised when a literary agent who turned down my debut novel did so because the sample I’d sent her was written in the first person present tense. But if you read for a living, being familiar with your preferences and prejudices can save a lot of time. After all, we can’t all appreciate the same thing. Reading for reviews is helping me clarify my own likes and dislikes although, despite the title of this post, a sense of accountability to publishers who’ve provided me a free copy and a belief in the value of diversity will see me rarely abandoning a book. (I think I ditched three out of well over 100 books I read last year.) But since “11 reasons I don’t want to read your book” has a nasty ring to it, for the purposes of this post I’m extending the definition of “abandon” to encompass books I’m not even tempted to start. Practical or blinkered, considered or arbitrary, undoubtedly contradictory, in reverse order of annoyingness, these are my 11 reasons I won’t give a novel my time.
I could point out that a difficult childhood is not uncommon but, in my head, I’m already somewhere else. It won’t make me feel any better to correct his misapprehension. I concentrate on making the right non-verbals and wait for my discomfort to pass.
Last year, I set out to read 60 books and read 96. This year, I set a target of 100 books, and read 120. This suggests I’m reading more each year and making more accurate predictions. Of course, it’s not a competition, even against myself, but I do like figures. And, daft as it seems, I do like producing an annual report!
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on writing and my journey to publication and beyond.
Your comments are welcome any time any where.
Get new posts direct to your inbox ...
or click here …
Or follow the link to sign up for my newsletter with updates 3-4 times a year.
Read BLOOD my latest short story hot off the press.
Looking for something in particular? Sorry the blog has no search facility, but typing Annecdotal plus the keyword into Google usually works.
Or try one of these:
I'm honoured to receive these blog awards:
but no more, thanks, your comments are awesome enough