If I’m lower on reviews this month, blame my book group! We’ve been ploughing through a Russian novel that gets mentioned in the same breath as War and Peace, although Vasily Grossman’s Life and Fate was written in the twentieth century and concerns a war still within living memory. An epic tale of the human costs on both sides of the Battle of Stalingrad, it’s a fine achievement in its scope and in exposing the similarities between totalitarian states across the ideological divide. As with a short story collection recently smuggled out of North Korea, it faced a turbulent journey to publication, having been confiscated by the KGB on completion in 1960 and not published until twenty years later, long after the author’s death. But am I glad to have read it? I can’t honestly say I am.
Two historical novels addressing Spain’s internal conflicts: the first, set in Granada, takes us back 500 years to the last Muslim Court; the second, set mostly in London, begins eighty years ago with the International Brigades and resistance to Franco. Both weave a thread of hope for humanity with a romantic storyline – or two.
The Greek myths bubble with revenge and betrayal, while the bloodthirsty tyrants of history are themselves made into to myths. Let me present two novels which reinterpret these legendary stories for the modern era, emphasising the human motivations behind the murder and mayhem. Both novels focus on famous families: in the first, the violence turns inwards in an orgy of self-destruction; in the second, the family will do almost anything to ensure their own survival. In both, the gods of the time are co-opted to sanction sacrifice and murder, while the women use their limited power as best they can.
If we leave home at eighteen, it’s often to a particular kind of institution. For me, as for Selin in The Idiot, that means university; for Billy Lynn, as for many young working-class adults who are less academically inclined, it’s the military. While, as Selin discovers, universities encourage questioning, not all questions are received with equal relish. On the other hand, as Billy learns, the army might discourage independent thought, it can’t prevent his wondering. Will these young people find the answers they’re looking for? Read on!
Much as we like to think we’d be willing to risk our own safety to come to the aid of a fellow human being, history shows that many of us aren’t brave enough to go against the grain. But even if we do find the courage to stand apart and make a difference, is the act that feels right necessarily the right thing to do? The conundrum of humanitarian responses to wartime atrocities seems to be the central question of these two historical novels, both set in a European winter, the first during the Second World War and the second in Bosnia, this latter by one of the founders of the humanitarian organisation Medecins Sans Frontieres.
I didn’t expect to pair these two novels. I’d already begun reading another Second World War novel to accompany The Sixteen Trees of the Somme, and The Angel in The Stone was going to wait for another novel on mental health. But the latter seemed a good fit for the latest flash fiction challenge and, as I’ve mentioned recently, it’s fun to find unexpected links. Both these novels feature families across three generations; address conflict between brothers; are wholly or partly set in Scotland; and showcase the characters’ musical tastes. Both fictional families have hidden some of their history from the younger generation in a manner that makes life just that little bit harder. Read on, and see what you think.
Should mistakes made in adolescence be allowed to blight a life? Both having spent over two decades safeguarding their own secrets, the protagonists of these two novels would hope not. While both Mark and Sheen’s mistakes have had serious consequences, they’d argue they were seduced into situations they were too young or too blinkered to understand. But now their pasts are catching up with them: Mark’s because his former lover has confessed to murder; Sheen’s because the man who stole her future refuses to face the truth. Can they confront their own responsibility without losing everything they’ve gained? And how did these students get embroiled in such a mess?
It’s my pleasure to introduce two recently published short novels about westward migration. The historical perspective of the first, driven by the aftermath of the Second World War, and the allegorical style of the second, with a contemporary and/or future orientation, shine a hopeful light on a phenomenon currently depressingly exploited by right-wing politicians. These novels remind us that no society is ever static and, wherever we are positioned on the immigration issue, humans and the communities we build are highly adaptive.
Both these novels are about Nigerian women and their relationships with their culture, politics, their children and their men.
In literature, as in life, revolution often entails blood loss and drama. In these reviews we eavesdrop first on an assassination plot at the beginning of the Russian Revolution, while the second features an unexplained domestic death against the backdrop of the French Revolution.
My first two reads of 2017 are linked by one of last year’s favourites: like The Underground Railroad, The Golden Legend is about outsiders on the run, while Homegoing explores the before, after and meanwhile of the slave trade between Africa and America. Both novels also reference the role of literature in challenging partial accounts of the lives of the powerless.
This post, my last before Christmas, features two novels about men with marginalised identities. Read on and see if either takes your fancy for your holiday reading.
As the first African-American president approaches the end of his two terms of office, the politics of the creature waiting to replace him send shivers down many a spine. So timely to remind ourselves how western wealth was built on the trade in human beings with two novels about the slave trade between Africa and America and its aftermath. It’s not an easy subject to write – or read – about and, although I’ve read a couple of good ones (Blonde Roots by Bernadine Evaristo and Property by Valerie Martin come to mind, but there may be others), I believe these are the first I’ve reviewed.
Following on from my review of The Fortunes, which fictionalises the lives of ought-to-be-more-famous Chinese Americans, I’m reviewing two novels featuring well-known European intellectuals at either side (in the temporal rather than allegiance sense of the word) of the Second World War.
I’ve enjoyed these two novels from established female British writers exploring a possible future. The first speculates on the consequences of climate change and a low birthrate, whereas the second subverts gender politics imagining a world in which women have no reason to be afraid of men.
Read on, and see which takes your fancy!
As the world goes crazy, I crave, in my reading, not escapism, but a reflection of the flawed complexity of human beings and the things we do to make life that bit harder. But I need to be in safe hands to do so. So thanks to Louise Doughty and Jane Rogers – both established British authors unafraid to tackle difficult subjects – for providing that in their latest novels. Although quite different in their focus, both involve the characters reviewing painful pasts and their own culpability in order that their next mistakes might be that bit smaller.
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
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I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
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