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I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist. I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.
These two unconventional novels address the difficulties of reconciliation to individual and societal involvement in the exploitation and annihilation of other communities and ethnic groups. Neither tells a straightforward story, but I struggled most with the structure and style of the first. This is a pity, as I’d like to have learned more about the persecution and murder of Guyana’s indigenous people. I found the second, about the legacy of the Holocaust for contemporary Germans, an easier read.
Here we have two novels about (celebrity, and the darker side of men whose virtue is part of their fame. In the first, translated from the Italian and set in Rome, an author, teacher and public intellectual can never completely relax into his positive reputation for fear a secret he shared with a former lover will be revealed. In the second, set in New York and rural Tamil Nadu, a young man brought up to believe he’s a living god has to decide whether to continue in the role his father and his followers have given him when he discovers the truth about himself.
Allow me to introduce you to two translated novels, set on different continents a century apart, in the aftermath of wars that, for some, will never end. The first is set in contemporary Angola, a country rich in minerals but economically poor, hampered by twenty-five years of civil war; the second takes place in France, at the end of the First World War, a war which will continue to impact on the members of one small family for the rest of their lives.
Let me tell you about these four novels featuring older women looking back at their lives, and forward, some with dread, to what’s left of it. The first is a translated novel set in Belarus. The second and fourth are set in care homes around the middle of the twentieth century. The third is a contemporary novel set in a London hospital with flashbacks to a glittery Alexandria. All illustrate the vulnerability of old age, but also the strength and spirit of the central characters.
Three short reviews of novels on the theme of love and loss: the first, set in Canada, about a woman whose husband disappears and turns up a year later with a new identity; the second, set in France, is about a man who yearns to be reunited with the lover from his youth before he loses himself to dementia; the third, a translated novel set in Spain, is about the tender relationship that develops between two brutalised people.
Both these novels address mid-20th-century fascism from unusual angles: the first through the preoccupations of a Jewish family in Mussolini’s Italy; the second through an alternative history in which Britain, instead of going to war against the Nazis, has succumbed to colonisation in everything but name.
Forgive the tenuous connection between these recent reads, the first featuring harem women in Egypt at the beginning of the twentieth century and the second a contemporary Italian girl who grows into a woman while imprisoned in a container. While you might shudder at the latter, I urge you to give it a chance, as it’s one of my favourite reads of 2021.
Allow me to introduce two recent reads featuring a teenage girl’s sexual awakening with a physically attractive but morally suspect young man, arousing the envy of her less confident suitor. Both novels also emphasise her passion for the place in which she lives: in the first, a derelict asylum in southern England; in the second, the family farm in rural France.
Let’s consider two novels published this month which direct the reader’s gaze towards the characters’ inner lives, mentally and physically. The first, set in Australia during the recent rampaging bushfires, focuses on the characters’ wandering minds as they watch a play. The second, set in the Americas, looks in on the body and outwards to the stars.
Salina roams aimlessly through the desert, sequentially accompanied by each of her three sons. Harold is physically and mentally unprepared for his epic journey, although he does have a specific destination in sight. Salina’s story unfolds in a newly-published novella, translated from the French; Harold’s in a deceptively light bestseller, published in 2012.
I’ve been reading about fictional male vulnerability in this contemporary translation and this classic from seven decades ago. In the latter, a man has lost his infant son in Nazi-occupied France. Although he’s had an easier war in England, he’s almost as lost as the child. In the other, a family flees poverty in Russia, ostensibly in the hope of better health care for an orphaned boy. But perhaps it’s not him, but his grandparents, who need help most.
Large gatherings at country houses are common enough in fiction, but these two recent reads, both involving family secrets, couldn’t be more different. It’s not so much that the first is set in England and the second in Japan, but one’s crime and the other literary translation. But even within those genres, they’re oddballs. In a good way? Read on for my thoughts!
A novel and a novella featuring twins pulled apart when one is targeted to be a pawn in a war they don’t fully understand: in the first, nineteen-year-old Londoners; in the second, boys in an unnamed Arab country brainwashed into self-sacrifice at only nine.
Only one of these three recent reads is classed as a horror novel and, although not my usual genre, it turned out to be my favourite of the three. But we don’t need to evoke the supernatural to scare ourselves: there are real-life horrors in each of these stories. In the first, a translation, war has killed many and put the survivors’ lives on hold. In the second, set in rural Cumbria, the spooky happenings are extra disturbing for a man with unprocessed memories of violence from childhood, as well as his helplessness in the face of his wife’s agonising three-day labour. The third is a 1960s classic set in a horrific – but typical of its time – psychiatric hospital where the regime seems designed to make a bad situation worse.
I’m sharing my thoughts about three recent reads set in communities slightly apart from the mainstream: the first two in contemporary residential care settings and the third in a dystopian future world. In genre they’re also slightly apart from my usual fare: the first mass-market commercial fiction; the second, a translation (and therefore closest to my usual); the third, cyberpunk. Each offered something to intrigue and enjoy.
I’ve recently read two novels about women whose damaging childhoods lead to adult relationships where they can’t manage to separate psychologically from someone who fails to meet their needs. In the first, a French translation, the enmeshed relationship is with a man who is less than a partner but more than a friend. The second, set in India, centres on a toxic mother-daughter relationship, a common theme in my reading and writing, which has sparked this week’s 99-word story.
These two novels defy easy categorisation, but I’ve paired them for the combination of depth and humour, innovative structure and switching points of view. Both feature the dynamics of family and coupledom, and a holiday – the first in Scotland, the second in Italy – with destructive consequences.
These two recent reads are narrated by girls whose young lives are blighted by parental conflicts, secrets and lies. We follow them over a period of years: Tatty, the middle child of a largish Dublin family, from around three to twelve, which is the age that Giovanna, an only child, begins to learn to navigate her home city of Naples.
Just as colours look different to the eye depending on the hues surrounding them, stories read differently according to the arrangement on our mental shelves. When I read it almost two months ago, I didn’t tag the first under the theme of conformity to community mores; when I drafted my review of the second, narrated in a collective voice, the story flipped in my head into one of the conflict between the drive to belong and the fear of being engulfed. Admittedly, this pairing stems also from a niggling guilt at the widening gap between receiving my copy and posting my review. Read on, and let me know whether or not you think they fit.
These two recent reads evoke the cultural climate immediately before the fall of the Berlin Wall in 1989. The first is a zany novel about the political demise of a former Stasi agent. The second is a translation from German set around a family dinner table in dread of the tyrannical father’s return.
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entertaining fiction about identity, mental health and social justice
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
reader, writer, slug-slayer, tramper of moors, recovering psychologist, struggling soprano, author of three fiction books. LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list), some linked to a weekly flash fiction, plus posts on my WIPs and published books. Your comments are welcome any time any where. Get new posts direct to your inbox ...
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March 2024
BLOGGING COMMUNITIES
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