Around this time last year, I was 10,000 words short of finishing the first draft of a dystopian novel provisionally entitled Snowflake, but failed to meet my overambitious target of getting it done before my “summer break”. Almost a year on, although I’ve done a fair amount ofsome editing, I still haven’t written those final scenes.
Aside from the usual dose of self-doubt, two things have held me back: one about plot, the other about genre. How do I get my characters in and out of the cave? With a fourteen-year-old narrator, ought I to position this novel as YA?
Two novels – the first set in Australia, the second in Syria – in which a family marks a milestone. While in the first it’s to celebrate a birthday in a city troubled by nothing more than a refuse workers strike and in the second it’s a burial in a war zone, I found both to be honest and unflinching portrayals of today’s world, and how we got here.
As my next novel, Matilda Windsor Is Coming Home, has three point-of-view characters, I’m always curious to see how others handle three-handers. But that’s not the main reason I chose to read these two novels. Both are set against the backdrop of the tangled web of history tying the Indian subcontinent with Britain. The first links the dying days of the Raj to a British-born woman of Bengali heritage settled in Wales. The second brings characters from Karachi, London and Portsmouth to the deserts of war-torn Iraq.
It’s a touchy subject, understandably, but I think there are ‘good’ psychological reasons by some women kill their babies. But the mothers in these two novels would very much have liked to have kept theirs had circumstances allowed. In the first, set in a bruised post-war Japan, Naoko is sent to an extremely dodgy maternity home when she becomes pregnant by an American sailor. In the second, set between 1860 and 1910, the women on a Maryland plantation will do anything to avoid their children growing up as slaves.
finding truth through fiction
events coming soon:
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
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