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    • Reading around the world

Three women, one man: The Geography of Friendship & The Secret Lives of Baba Segi’s Wives

1/2/2019

6 Comments

 
I can recommend both of these novels about women whose lives are entangled with that of one man. In the first, three Australian friends are stalked by an unpleasant character when they embark on a long-distance walk. In the second, three Nigerian women have managed their common husband successfully, until he introduces a fourth wife into their home.

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Taking our characters to work

10/9/2018

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If there is one area where struggling-to-be-noticed writers have the advantage over those who’ve been published since they were barely out of school, it’s our inside knowledge of the world of work. Coming to writing later in life, or merely being part of the majority unable to support themselves through writing, we have the experience to bring our characters’ jobs alive. But there can still be challenges in taking our characters to work.

For example, while setting your novel in your current workplace obviates the need for a research trip, you might have to smooth some colleagues’ ruffled feathers once the book is out in the world. From another angle, if you’ve gained your work experience in settings crowded with colleagues, you face the challenge of rendering it authentically without overwhelming the reader with an overabundance of characters.

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How to have a fruitful research trip

19/8/2018

4 Comments

 
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Your characters are acquiring quirks and foibles. You’ve got an arc, however wobbly, from beginning to end. A couple of twists are lurking in your sleeves and you’ve got a sentence, or maybe more, that sings. But your setting’s an empty stage, or weighed down with enough clutter to break the boards. Perhaps it’s time for a real-world site inspection visit to check out what your novel does and doesn’t need. Read on for my reflections on how best to go about it, stemming from my (not-so-)recent trip to Cumbria to soak up the atmosphere and check a few facts for my hopefully third novel, Matilda Windsor Is Coming Home.


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Derwent Pencil Museum: a must-visit venue for writers and artists

18/5/2018

11 Comments

 
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When Janice, one of the viewpoint characters in my current WIP, and hopefully my third novel, Matilda Windsor Is Coming Home, had a friend to entertain on a wet weekend in the Lake District, I sent them to the pencil museum in Keswick. Although I’d known of it since childhood, I’d never visited until, on a wet Wednesday at the end of my research trip to Cumbria, I had the chance to put that right. Entering into a single room through a rather kitsch mock-up of a graphite mine, I thought I’d be in and out in five minutes. Not so! I’m sure that anyone who writes or draws would find the museum fascinating.


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Secrets of the house: The Two Houses & The Hoarder

27/3/2018

4 Comments

 
I’ve recently been reading two second novels in which a woman sets out to uncover a family’s tragic secret lodged within a large historic house, aided and abetted by a presence that might or might not be a ghost. In the first, the woman and her husband buy a crumbling manor house as a weekend retreat from London; in the second, the woman is employed in the London mansion as carer for a man who can’t throw anything away. Both have strong voices and characterisation, with beautiful descriptions, but differ sufficiently that you could happily read both. For other novels about mysterious houses see Fell by Jenn Ashworth and post What’s haunting these houses?

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Alienation in contemporary England: Missing Fay & Jihadi Jane

24/10/2017

2 Comments

 
Has my country always been this conflicted, or is the second decade of the twenty-first century a particularly sour time for England? Can fiction help us understand our current disaffected state? If so, these two very different novels – the first a gentle exploration of fear of difference among the largely white population; the second addressing the attractions of Islamic State to young people of South Asian descent, and its more violent repercussions – might help.

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Two fictional young Americans wondering what it’s all about

6/10/2017

6 Comments

 
If we leave home at eighteen, it’s often to a particular kind of institution. For me, as for Selin in The Idiot, that means university; for Billy Lynn, as for many young working-class adults who are less academically inclined, it’s the military. While, as Selin discovers, universities encourage questioning, not all questions are received with equal relish. On the other hand, as Billy learns, the army might discourage independent thought, it can’t prevent his wondering. Will these young people find the answers they’re looking for? Read on!

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Two historical novels about love and land appropriation in Scotland and Australia

3/9/2017

6 Comments

 
With my shameful disregard for non-fiction, I glean many of my facts from fiction. So I was delighted to receive advance copies of two debut novels published this month that I hoped would extend my knowledge of shameful periods of Australian and Scottish history that still resonate to this day. Lucy Treloar and Mhairead McLeod have woven engaging stories around historical facts of land appropriation in the 19th century. Although my reviews focus more on the psychological aspects, these novels clearly articulate the socio-political context of the European colonisation of Australia in Salt Creek and the Highland Clearances in The False Men.

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Two novel takes on family secrets and vulnerability

14/8/2017

8 Comments

 
I didn’t expect to pair these two novels. I’d already begun reading another Second World War novel to accompany The Sixteen Trees of the Somme, and The Angel in The Stone was going to wait for another novel on mental health. But the latter seemed a good fit for the latest flash fiction challenge and, as I’ve mentioned recently, it’s fun to find unexpected links. Both these novels feature families across three generations; address conflict between brothers; are wholly or partly set in Scotland; and showcase the characters’ musical tastes. Both fictional families have hidden some of their history from the younger generation in a manner that makes life just that little bit harder. Read on, and see what you think.
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Ireland’s Subterfuge and Fury

10/5/2017

8 Comments

 
Allow me to introduce you to two novels looking back on Ireland’s recent history through the eyes of a man whose life has been limited by secrets, subterfuge and hypocrisy.

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Bunnies and chocolate eggs: does Easter work for marking time in fiction?

16/4/2017

6 Comments

 
If the events of a story unfold over more than a season, how do you evoke the passage of time? We can allude to the weather, seasonal flowers and the nakedness or otherwise of trees, but not all readers, and especially those looking in from other climates, will be grounded by these changes in the natural world. We can also, as I sometimes do for blog posts, draw on key events in the annual calendar to show that time has moved on. Christmas is an obvious choice, but what about Easter, when the date changes from year to year?

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Amid the splendid scenery of Orkney and the Monros

10/4/2017

3 Comments

 
Let’s take a look at a couple of debut novels with some fine evocations of the natural world and a strong sense of place published by small independent presses based in Scotland.

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Country (dis)connections: The Other Side of the World by Stephanie Bishop & His Whole Life by Elizabeth Hay

2/9/2016

6 Comments

 
For my first post of meteorological autumn, I bring you two novels with a strong sense of season and climate. But what particularly connects them is their explorations of how conflicting attachments to place risks fragmenting family life. The first takes us from England to Australia, with a brief visit to India, and the second back and forth between Canada and the USA, so between them these novels cover a large proportion of the English-speaking world.

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#OwlSongatDawn blog tour: Morecambe’s White Hope

11/7/2016

4 Comments

 
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Like Workington and Barrow, Morecambe is a small, slightly rundown, coastal town in north-west England to which I have personal connections: my parents lived there for many years and, coincidentally, one of my good friends, whom I met in Cairo, has a house overlooking the bay which, for a short while, she ran as a guesthouse. Although I don’t refer to it by name, it’s also one of the settings, along with Nottingham, for my forthcoming novel, Underneath. So when I discovered Owl Song at Dawn was set in Morecambe, I was keen to read it. I was even happier to be offered a slot on the blog tour when the author agreed to write a post on the setting. I hope you enjoy Emma Claire Sweeney’s piece as much as I did. My mini review follows at the end.


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All Things Cease to Appear by Elizabeth Brundage

4/6/2016

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Upstate New York in the early 1970s and George and Catherine Clare move into a farmhouse at the foot of the hill. Previously, the hub of a working dairy farm, the house feels haunted by the woman who held it all together and, unbeknown to Catherine, died along with her husband in the master bedroom. Because of this unhappy legacy, the Clares got it cheap, which causes some resentment in the close-knit community centred on Chosen, the nearby town. Yet George, a professor of art history at the local college, charms them initially, but it’s Catherine, a former artist and now stay-at-home mother of three-year-old Franny, whom they take into their hearts. So everyone is shocked and saddened when George comes home one evening to find her with an axe through her head.
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Greater than the sum of their parts?

24/5/2016

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It’s not unusual for a novel to tell a story from different viewpoints, or from the same point-of-view character at different points and/or places of their lives. Some writers take this a stage further, structuring their novels as a series of related but stand-alone short stories, gradually building up to a whole. Examples among my reviews are This Beautiful, The Green Road, Sophie Stark, Prosperity Drive and Vertigo. Now I’ve found a couple more, in which the disparate narratives combine to create a sense of place.

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Workington and Barrow: Small towns, great fiction?

15/5/2016

4 Comments

 
What does the working-class child aspire to? In my case, I couldn’t dream of joining a middle-class profession I’d never heard of. Nor, even though I was addicted to writing from the start, did I believe that someone like me could become an author. Books never seemed to be based in the places with which I was familiar: they were set in boarding schools rather than comprehensives; in country houses rather than a small semi-detached; in cities rather than small industrial towns. So how could I resist a novel set in my birthplace, the small northern town from which my odd accent derives? As if that weren’t enough, I’m offered a novel set where my parents grew up, a similar down-at-heel out-of-the-way place where I had my first restaurant meal. Sixty miles separates these two towns, as well as some breath-taking countryside, as depicted in The Wolf Border, one of my favourite reads from last year. But Workington and Barrow don’t have the beauty of the Lake District. Thanks to Vintage Books and Legend Press, I had the chance to discover whether they could nevertheless shine on the page. I’d be interested in your thoughts on using real places as fictional settings.

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Hard on the outside: Armadillos by PK Lynch

1/4/2016

8 Comments

 
Fifteen-year-old Aggie lives on a Texas sheep farm. Her family are God-fearing folk but, according to her elder sister, Jojo, a subspecies, below human. Momma’s long gone and rarely referred to, except as a whore, but Pop needs an outlet, and he likes to keep it in the family. Jojo has tried to protect her, but there’s not just Pop, there’s their brother Cy although, fortunately, Ash refrains until the day he leaves. One day Aggie gets it into her head to leave also and, without packing a bag or even picking up a bottle of water, she walks.

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Held Captive by Neurodiversity: Truestory by Catherine Simpson

19/2/2016

14 Comments

 
Alice doesn’t get out much. In fact, the only time she is able to leave the Lancashire farm where she lives with her husband, Duncan, and eleven-year-old son, Sam, is for two hours on a Tuesday afternoon when she sits in a sad café nursing a cooling cup of tea and a shortbread biscuit. It’s not that she’s overly busy with farm work. It’s not that she’s kept away from the world by a controlling husband. But her life is restricted by her family: Sam is a boy with problems, averse to change, terrified of noise and the colour yellow, and, although he won’t let her comfort him the way a mother might, he’s liable to go into “meltdown” if she leaves him too long with a father who has little understanding of the boy’s needs.
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Restaurant meals: Memoir as social history

10/1/2016

13 Comments

 

I know, I know, who cares but me that, despite my respect for the memoirists with whom I associate in the blogosphere, I remain averse to memoir. Or did, until
Irene Waters’ New Year challenge finally showed me the way. As I admitted during my brief residency on Sherri Matthews’s Summerhouse, I have an interest in putting the personal into fiction. Thanks to the ensuing discussion, I’ve been thinking about fiction as a metaphor for the personal stories that shape us as individuals, but are impossible to tell. (Of which I hope to see more in a later post.) But even a Guardian article towards the end of last year, in which Blake Morrison explores several reasons for writing memoir, didn’t help me understand why writers are drawn to bare their souls.
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    Annecdotal is where real life brushes up against the fictional.  
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    Annecdotist is the blogging persona of Anne Goodwin: 
    reader, writer,

    slug-slayer, tramper of moors, 
    recovering psychologist, 
    struggling soprano, 
    author of two novels.

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    My second novel published May 2017.
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