About the author and blogger ...
Anne Goodwin writes entertaining fiction about identity, mental health and social justice. She has published three novels and a short story collection with Inspired Quill. Her debut, Sugar and Snails, was shortlisted for the Polari First Book Prize. Her new novel, Matilda Windsor Is Coming Home, is rooted in her work as a clinical psychologist in a long-stay psychiatric hospital.
I’ve linked these two very different novels via the theme of compromised freedom, partly because that’s how I feel myself right now. In the first, an elderly widow frees herself from pity by casting a stranger as her grandson but fears being found out. In the second, women are magically freed from misogyny at a cost of losing the men and boys they love.
Allow me to introduce two novels about the marginalisation of women’s experience: the first set in sixteenth century Strasbourg where the church rules hearts and minds; the second in contemporary a South Africa grappling with its colonial past. Both include a scene of arson, but that is not the worst of the violence.
These two novels depict a character’s reflections on their life following the sudden death of their spouse. Both the male writer in the first novel and the female teacher in the second are mourning not only the loss of a partner but of the promise of their original romance.
Two novels about women whose identities stem from the supernatural: the first, a vampire who moves to London to work in a gallery; the second, a traditional healer in rural Mexico and the journalist who wants to write her story.
Two fabulous fiction books about ordinary people in historically significant times. The first is a family saga set in China, Taiwan and America across six decades of the twentieth century. The second is a snapshot of Swiss history on a single day in 1959 when the male half of the populace denied their mothers, sisters and wives the right to vote.
Although fire has a significant role in both of these novels, I intended this post’s title metaphorically: along with the pandemic, the climate crisis and the (sometimes related) refugee emergency are the defining themes of the 2020s. If you like to explore our times through fiction, as I do, see if you think you’d enjoy The Forests, a translated cli-fi novel and/or The Bones of Barry Knight, a poignant portrayal of people literally or figuratively estranged from their homes.
Here are two books featuring different kinds of caring: the first a translated memoir about a healthcare professional who looks after people’s minds along with their feet; the second a novel about an actor who opens his home to his struggling father and to his childhood friend.
These two recent reads feature characters who find themselves in morally compromised situations, partly of their own making. The first, set in the contemporary US art world, is about a young man’s relationship with a middle-aged man he saves from drowning. The second, set during a turbulent time in American history, focuses on a family of thespians, drinkers and dreamers.
These novels – the first contemporary YA; the second historical fiction – address radically different responses to mental health issues wrapped up in page-turning stories. I enjoyed them both in different ways.
Do you remember that song about the sisters, devoted to each other … unless a man should come between them? Here are two versions of the novelisation of that story. In the first, set primarily in the Philippines, the two daughters of a former dissident compete for the affections of a powerful man. In the second, a YA dystopian novel, thirty teenagers who’ve been raised together, and think of each other as sisters, also hope to be chosen a high-status man. In both cases, their position is bleak, but the culture and politics of the society they inhabit render the alternative bleaker still.
Two translated novels – the first from Hebrew, the second from French – about young people invited to apply for grants to support their ambitions, which lead them into damaging situations. The first is about a tour guide to the Nazi death camps; the second about a teenage dancer groomed for abuse (with a section from the point of view of her school boyfriend, who feels burdened by his Jewish heritage). They question whether the legacy of such cruelty is to forgive, forget or become monsters ourselves. Difficult subjects, but both an easy and worthwhile read.
Let me present two chunky novels, both published in the UK on 3rd February, about which I had some reservations but came to love. Despite a decade’s difference in age between the novels’ protagonists, both are coming-of-age stories in which an unexpected kind of love – or unconventional for their particular communities – teaches these young women about family, ambition, identity and themselves.
I’ve paired these two novels because they both address human failings in unconventional ways. The first, translated from the Danish, illustrates the barriers to connection via a large cast of characters. The second is a zany take on our collective complicity in environmental collapse. Oh, and because the title of the first reminds me of Dali’s telephone, while I can only assume the enigmatic title of the second is intentionally surreal.
Here I introduce two translated novellas – the first from Italian, the second from French – about the bond between siblings, survivors of damaging childhoods. They illustrate the difficulties of closing the door on the past.
We can choose our friends but not our neighbours, unless we happen to own a plot of land with cottages to rent or offer free to selected guests. In which case we should choose carefully: in a crisis, out in the countryside, we might have to rely on our neighbours more than we’d expect. But as renters and guests we might not have a say in the matter, as these two novels highlight. The first is about a woman unsettled by the folk beliefs of her neighbours in rural Scotland; the second about a temporarily covid-free community in upstate New York.
When I selected these books for my first reviews of 2022, I thought all they shared was their UK publication date of January 6th. I was wrong. Both are unconventionally structured novels by and about migrants, from the Indian subcontinent, to rich countries founded on the genocide of their indigenous populations, where truth is sometimes sacrificed on the altar of populist politics and the realities of racism and the climate crisis denied. Read on for the different ways these authors handled their theme.
entertaining fiction about identity, mental health and social justice
Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on my WIPs and published books.
Your comments are welcome any time any where.
Get new posts direct to your inbox ...
or click here …