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I’ve recently read two novels about women whose damaging childhoods lead to adult relationships where they can’t manage to separate psychologically from someone who fails to meet their needs. In the first, a French translation, the enmeshed relationship is with a man who is less than a partner but more than a friend. The second, set in India, centres on a toxic mother-daughter relationship, a common theme in my reading and writing, which has sparked this week’s 99-word story.
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These two recent reads are about marriages under severe strain. In the first, set in the southern USA, a woman turns to a mutual friend when her husband is sentenced to twelve years’ in prison for the crime of being black in the vicinity of a sexual assault. In the second, set in the UK, a family is in crisis as a result of the husband and father’s combat PTSD.
These two novels defy easy categorisation, but I’ve paired them for the combination of depth and humour, innovative structure and switching points of view. Both feature the dynamics of family and coupledom, and a holiday – the first in Scotland, the second in Italy – with destructive consequences.
These two recent reads – the first non-fiction rooted in the UK, the second a novel visiting Australia, the USA and Iraq – involving characters and authors delving into recent and historical government injustice against its colonised peoples. Read, and use your vote accordingly – but of course you already do!
These two recent reads bring touches of humour to the serious extraordinariness of ordinary cohabiting relationships, and the impact on the couple of friendships and obsessions outside the partnership. The first features a thirty-something lesbian twosome in London (with one of the partners making frequent visits to Paris). The second focuses on a heterosexual marriage of some duration, the couple having moved to Bath on retirement.
These two recent reads are narrated by girls whose young lives are blighted by parental conflicts, secrets and lies. We follow them over a period of years: Tatty, the middle child of a largish Dublin family, from around three to twelve, which is the age that Giovanna, an only child, begins to learn to navigate her home city of Naples.
Just as colours look different to the eye depending on the hues surrounding them, stories read differently according to the arrangement on our mental shelves. When I read it almost two months ago, I didn’t tag the first under the theme of conformity to community mores; when I drafted my review of the second, narrated in a collective voice, the story flipped in my head into one of the conflict between the drive to belong and the fear of being engulfed. Admittedly, this pairing stems also from a niggling guilt at the widening gap between receiving my copy and posting my review. Read on, and let me know whether or not you think they fit.
This time last year, I was pleased to discover a small independent publisher of Latin American fiction, Charco Press. Unsure what to expect, I requested a review copy, and loved the novel that came my way. The Wind That Lays Waste is about the unexpected intimacy forced upon four lonely people – two motherless teenagers, an evangelical preacher and a cynical mechanic – when a car breaks down in the pause before a storm in rural Argentina. This year, I looked forward to the next book from the same author (Dead Girls) as a review copy, and bought a couple more. Here’s what I thought.
These two recent reads evoke the cultural climate immediately before the fall of the Berlin Wall in 1989. The first is a zany novel about the political demise of a former Stasi agent. The second is a translation from German set around a family dinner table in dread of the tyrannical father’s return.
Humour is a tricky business, especially around serious subjects. Get it right, and you can entertain while inciting rage at injustice. Get it wrong, and you risk becoming the target of rage. So what did I make of these two comic novels? The first set in Blitz-blasted London, the second in contemporary Atlanta, which draws you most and are you able to guess which I’d prefer?
When I studied the psychodynamics of organisations, I was encouraged to pay particular attention to how the system responds to a new arrival. Likewise in fiction, the introduction of an outsider is a useful strategy for delving under the skin of a community, especially one in crisis. In both these recent reads, the outsider is a teenage girl, bereft of family, who is smoothly absorbed into the existing structures and, to a small degree, starts to change them. In the first, a translated novella, set in Austria at the end of the Second World War, she is the main point-of-view character. In the second, a debut novel with a contemporary South African setting, she is one of several somewhat shadowy characters. But both books are more about historical and geographical place than person. See what you think.
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Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
reader, writer, slug-slayer, tramper of moors, recovering psychologist, struggling soprano, author of three fiction books. 
My second novel published
May 2017.
My debut novel shortlisted for the 2016 Polari First Book Prize
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October 2020
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