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I’m pleased to share my thoughts on two recent reads which focus on collecting the testimonies of women wounded by policies and practices rooted in racism: the first set in the early 1960s and the second century before.
My final two reviews of 2022 are tenuously linked by being set in closed communities in which unempathic people hold vulnerable creatures in their power. I refer to creatures less because the staff of the nightmare care home in the first novel don’t seem to regard their charges as human and more because the inmates of the second – where the compassion of the lowliest employee almost compensates for the attitude of her senior colleagues – are dolphins.
Black, Queer and marginalised: Didn’t Nobody Give a Shit What Happened to Carlotta & Crosshairs12/12/2022 Two novels about the shit that can happen when you’re Black and gender nonconforming that also acknowledge the joy of living true to oneself.
These two recent reads are about challenging women’s traditional roles as homemakers in the mid twentieth century. The first focuses on the barriers facing a woman seeking a career in science in early 1960s America. The second follows the fortunes of three sisters and their mother as the times change in 1970s France.
I’m busy working towards the publication of my next novel, Lyrics for the Loved Ones, the sequel to Matilda Windsor Is Coming Home, in May 2023. It’s set mostly in a care home leading up to, and in the early weeks of, the pandemic. So I’m happy to showcase a couple of other novels on the theme, with the bonus that they feature places I’ve been. The first is set during the second UK lockdown in November 2020; the second in North and South America when the world closed down in March that year.
I was unsure how – or whether – I’d connect these two recent reads until I was pondering my response to this week’s flash fiction challenge. Although very different stories, both address how difficult it can be to find an escape route from repeating patterns of self-destructive behaviour. In the first, a woman approaching middle age faces up to her tendency to fall into abusive relationships. In the second, a young man admitted to a psychiatric ward wonders if his own future is written on the faces of his fellow patients, stuck in a cycle of relapse and remission. The wheels keep turning – will they manage to jump off?
I love the freedom fiction gives me to make things up, but I also enjoy the facts I discover in the course of my research. In my novella, Stolen Summers, I gave my character, Matilda, a dancing partner who attracted and intrigued her, partly because he came from a different background.
A woman lives with her husband on a farm a short distance from a small town. There’s a distance between the partners also but they’re bound by habit and circumstance. When strangers arrive on their land, convention dictates they should chase them away. Instead, a tentative friendship develops, much to their neighbours’ disapproval and it’s not too long before violence ensues. The link is often tenuous when I pair my reviews. But, even when there’s a common theme, it’s unusual for a four-sentence summary to serve both. Heck, even the covers match! Yet, while both brilliant debuts, these are very different novels: the first a near-future cli-fi dystopia; the second a historical novel set at the end of the American Civil War. Read on to see which you’ll pick up first!
Here are two recent reads about a woman’s experience of serious illness and associated treatments and surgeries. The first is a translated novella and the second a chunky mélange of memoir, popular psychology and self-help. But, genre aside, what distinguishes them is their tone: the first, distant and matter-of-fact; the second, unashamedly emotional. See which you prefer.
I’ve shed more tears than usual in the past few months. Shall I tell you what helped me most? It wasn’t reminders of the many good things in my life. It wasn’t unfounded assurances things would turn out fine. What helped most was a straightforward acknowledgement of my feelings and that I had every right to grieve. 
Here are two novels in which issues of female disempowerment are explored within a murder narrative. The first is a modern classic, translated from Arabic, set in a culture where women have no custody over their own bodies. The second is a contemporary Irish crime novel, set in a society where men have learnt ways of controlling their partners without leaving a physical mark.
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About Anne Goodwin
My published books
entertaining fiction about identity, mental health and social justice
My latest novel, published May 2021
My debut novel shortlisted for the 2016 Polari First Book Prize
My second novel published
May 2017.
Short stories on the theme of identity
published 2018
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
reader, writer, slug-slayer, tramper of moors, recovering psychologist, struggling soprano, author of three fiction books. LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list), some linked to a weekly flash fiction, plus posts on my WIPs and published books. Your comments are welcome any time any where. Get new posts direct to your inbox ...
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