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Humour is a tricky business, especially around serious subjects. Get it right, and you can entertain while inciting rage at injustice. Get it wrong, and you risk becoming the target of rage. So what did I make of these two comic novels? The first set in Blitz-blasted London, the second in contemporary Atlanta, which draws you most and are you able to guess which I’d prefer?
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The titles themselves are reason enough to pair these recently published American novels. What I didn’t expect when I picked them from my TBR shelf is that they’d both feature the painful shock, especially among women, of Donald Trump’s election to president. The first zooms in on alienation, perceived inadequacy and a painful discovery of one’s own propensity to violence. The second forefronts the anxiety engendered by the climate crisis and rampant capitalism. I wonder if either of these authors is considering a sequel about their characters’ relationships with the coronavirus pandemic!
Strange bedfellows these two translations: the first an historical novel from France; the second a contemporary slipstream novel from South Korea. My excuse for linking them is an issue that was on my mind the day I finished the first and started the second, thanks to a non-fiction book I had ordered. Although women being blamed for sexual abuse and harassment is only a minor issue in these novels, it’s so important I make no apology for ushering it into the limelight.
My two most recent reads are of novels that map cultural changes within two very different communities. The first is set in rural Ireland during the BSE crisis at the end of the twenty-first century, as more and more people turn their backs on a traditional form of butchering. The second starts and finishes in the two decades before the first begins, in the community of recent migrants to the UK from Bangladesh. While both include scenes of violence, the second is overall a cosy story of adaptation and resilience, while the first is a literary novel of linguistic and psychological depth.
How do boys become men and what happens to those whose journeys go wrong? The first of these novels, set in Scotland, looks at what boys learn from their fathers when the son of a bully goes on to murder his family, apart from his younger son. The second is about a traditional coming-of-age ceremony in South Africa and the physical, psychological and social consequences of a botched circumcision.
Miguel seems to have won life’s lottery, a beauty from birth. Christina was born into deprivation, but winning the lotto can’t put that right. An Italian translation set in Mexico and coming-of-age story on the Californian coast, these two recent reads explore the ups and downs of being blessed with something many people crave.
I’ve read a lot of excellent historical novels by female authors, but they don’t always (and this isn’t necessarily a criticism) forefront the female experience. For Women’s History Month I’ve plucked from my shelves, real and virtual, a few that particularly highlight the lives of women in days gone by. Firstly, I’m recommending 8 novels fictionalising famous and relatively unknown women; secondly I’ve selected 8 (from potentially hundreds) exploring historical happenings through a female perspective. All are from female authors who might yet become historical figures themselves!
Although these two historical novels are very different, both sparked some deep reflection about the workings of the human mind, and especially how our reasoning and problem-solving is influenced by beliefs and assumptions which, in turn, are shaped by the times and cultures in which we live. Both are set primarily in mainland Europe – the first in the seventeenth century and the second towards the end of the nineteenth century and the beginning of the twentieth – and feature – predominantly in the first and latterly in the second – countries ravaged by war.
Both these novels feature characters who are challenged and/or challenge others with their different-from-average minds. In the first, it’s a young man with Down’s syndrome, viewed from the perspective of his loving father. In the second, it’s a young woman, latterly diagnosed with schizophrenia, who inadvertently time travels to Elizabethan England. If that doesn’t sound like your kind of book, do give me the chance to persuade you otherwise!
What happens when childlessness develops from being a personal matter to a problem for society as a whole? In Margaret Atwood’s imagined Gilead an alarming drop in the live birth rate calls for Draconian measures, building a society where a woman’s mind and body are subservient to her reproductive potential. In Perumal Murugan’s rural South India, childlessness is a threat to the established order, with friends and neighbours pitching in with advice and criticism, indifferent to the infertile couple’s private grief.
In both these novels, the first set in contemporary New York and Nice and the second in a hypothetical future Tokyo, an older man is looking after a young relative in less than ideal circumstances. In different ways, they illustrate generational interdependence and how the past actions, or inactions, of the older generation have brought about some of the difficulties experienced by the young.
How far should we go to maintain order? Are the winners responsible for the wellbeing of those who’ve drawn the short straw? I’ve recently read two quirky novels in which character is secondary to situation, exploring dystopian societies with elements uncomfortably mirroring our own. The first focuses on tech infiltration of the political and personal; the second on the violence inherent in safeguarding resources for ourselves.
If I’ve reviewed any other novels set during the Black Death that swept across Europe in 1348, I’ve forgotten them. These two, published in the UK this summer, are likely to stay in my mind for some time. The first set in Ireland, the second in southern England, they’re very different, although both original in their language and style. And disturbingly topical as we’re catapulted towards an apocalypse – both politically and climatically – of our own.
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Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
reader, writer, slug-slayer, tramper of moors, recovering psychologist, struggling soprano, author of three fiction books. 
My second novel published
May 2017.
My debut novel shortlisted for the 2016 Polari First Book Prize
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