Welcome
I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist. I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.
Here are reviews of two different types of English political novel. The first is contemporary and addresses how political events impact on an ordinary London family. The second is a historical novel that gets right to the heart of one of the most turbulent periods of British history.
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Five recent reads about characters facing life challenges that are almost too much to bear: bereavement; chronic illness; relationship crises and more. See what you think.
Woman Power: Daisy Jones and the Six; The Birdcage; The Witches of Vardø; Amazing Grace Adams14/2/2023
I think there is a deep-seated fear and resentment of female power even in situations where we don’t have much of it, so I make no apologies for grouping these novels that touch on the theme from vastly different angles. The first is a historical novel about misogyny manifest in a fantasy of witchcraft. In the second, three half-sisters are haunted by the harm done when they tried to claim their power in adolescence. In the third, a seemingly powerless and self-loathing woman takes a tortured journey through her city and her mistakes. The final novel contemplates the relative power of the singer with a rock band versus the homemaker wife who stands by her man.
I’ve recently read two very different novels in which traumatised mothers suffer a second blow in being distanced from both their children, albeit the separation is for very good reasons. The first is a translation set against the backdrop of the Rwandan genocide. The tragedy in the second is less widespread, restricted to one particular family, but nevertheless extremely painful for those concerned. Read on to discover how these books are about so much more.
My final two reviews of 2022 are tenuously linked by being set in closed communities in which unempathic people hold vulnerable creatures in their power. I refer to creatures less because the staff of the nightmare care home in the first novel don’t seem to regard their charges as human and more because the inmates of the second – where the compassion of the lowliest employee almost compensates for the attitude of her senior colleagues – are dolphins.
Black, Queer and marginalised: Didn’t Nobody Give a Shit What Happened to Carlotta & Crosshairs12/12/2022 Two novels about the shit that can happen when you’re Black and gender nonconforming that also acknowledge the joy of living true to oneself.
I’m busy working towards the publication of my next novel, Lyrics for the Loved Ones, the sequel to Matilda Windsor Is Coming Home, in May 2023. It’s set mostly in a care home leading up to, and in the early weeks of, the pandemic. So I’m happy to showcase a couple of other novels on the theme, with the bonus that they feature places I’ve been. The first is set during the second UK lockdown in November 2020; the second in North and South America when the world closed down in March that year.
I’ve linked these two very different novels via the theme of compromised freedom, partly because that’s how I feel myself right now. In the first, an elderly widow frees herself from pity by casting a stranger as her grandson but fears being found out. In the second, women are magically freed from misogyny at a cost of losing the men and boys they love.
Allow me to introduce two novels about the marginalisation of women’s experience: the first set in sixteenth century Strasbourg where the church rules hearts and minds; the second in contemporary a South Africa grappling with its colonial past. Both include a scene of arson, but that is not the worst of the violence.
These two novels depict a character’s reflections on their life following the sudden death of their spouse. Both the male writer in the first novel and the female teacher in the second are mourning not only the loss of a partner but of the promise of their original romance.
These two recent reads feature characters who find themselves in morally compromised situations, partly of their own making. The first, set in the contemporary US art world, is about a young man’s relationship with a middle-aged man he saves from drowning. The second, set during a turbulent time in American history, focuses on a family of thespians, drinkers and dreamers.
Do you remember that song about the sisters, devoted to each other … unless a man should come between them? Here are two versions of the novelisation of that story. In the first, set primarily in the Philippines, the two daughters of a former dissident compete for the affections of a powerful man. In the second, a YA dystopian novel, thirty teenagers who’ve been raised together, and think of each other as sisters, also hope to be chosen a high-status man. In both cases, their position is bleak, but the culture and politics of the society they inhabit render the alternative bleaker still.
Let me present two chunky novels, both published in the UK on 3rd February, about which I had some reservations but came to love. Despite a decade’s difference in age between the novels’ protagonists, both are coming-of-age stories in which an unexpected kind of love – or unconventional for their particular communities – teaches these young women about family, ambition, identity and themselves.
When I selected these books for my first reviews of 2022, I thought all they shared was their UK publication date of January 6th. I was wrong. Both are unconventionally structured novels by and about migrants, from the Indian subcontinent, to rich countries founded on the genocide of their indigenous populations, where truth is sometimes sacrificed on the altar of populist politics and the realities of racism and the climate crisis denied. Read on for the different ways these authors handled their theme.
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entertaining fiction about identity, mental health and social justice
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
reader, writer, slug-slayer, tramper of moors, recovering psychologist, struggling soprano, author of three fiction books. LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list), some linked to a weekly flash fiction, plus posts on my WIPs and published books. Your comments are welcome any time any where. Get new posts direct to your inbox ...
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