A black-and-white photograph links two of the three point-of-view characters in my new novel, Matilda Windsor Is Coming Home. In Henry’s interpretation, it shows a father, his glamorous teenage daughter and his young son on holiday at Blackpool, a popular English seaside resort. Matty’s version has a ragged edge and shows only two people: an unknown woman in a polka-dot dress holding the hand of a boy with the Eiffel Tower sprouting from his head. If these two renditions of the same events can be reconciled, perhaps brother and sister will be reunited. Perhaps Matilda Windsor will make it home.
In the dying days of the old asylums, three paths intersect.
A brother and sister separated for fifty years and the idealistic young social worker who tries to reunite them. Will truth prevail over bigotry, or will the buried secret keep family apart?
Told with compassion and humour, Anne Goodwin’s third novel is a poignant, compelling and brilliantly authentic portrayal of asylum life, with a quirky protagonist you won’t easily forget.
Pity the poor governess: an educated woman obliged to earn her living finding few other options in nineteenth century Britain. But this lesser known of the Brontës’ novels led me to pity her charges too. The three governesses in the second novel are worlds away from Agnes Grey, not only because they’re in France. Although employed by the couple who own the sprawling estate, they’ve brought their charges with them, so aren’t subjected to the condescension of the mini monarchs of the house.
Two novels about the antecedents and consequences within the family when one of their female members is severely injured, both drawing on multiple perspectives to tell the story. In the first, set in Canada, the women rally around when a teenage girl is assaulted; in the second, set in southern Italy, and focusing primarily on the viewpoints of the men, the violent death of a daughter/sister/wife threatens to lift the lid on a web of corruption.
I’ve awarded eighteen books 5-star ratings so far this year, so I’m sharing them in instalments. These five are from my reviews between May and August.
Two novels with an unusual perspectives on mothers and mothering: the first an Indian dystopian novel about a woman’s rapid descent down the social scale after her husband and three-year-old daughter are taken from her; the second an English psychological thriller about a woman who never had, nor wanted, children who receives a Mother’s Day card in the post.
The digital revolution has massively changed the way we listen to music, yet vinyl has been revitalised in some quarters in recent years. Perhaps it’s no surprise that contemporary novelists should review their record collections in search of new ways of exploring the human condition. But two published within three months of each other? That’s quite a coincidence. Read on to see how these established British authors have addressed the topic in very different ways.
It’s my pleasure to introduce two recently published short novels about westward migration. The historical perspective of the first, driven by the aftermath of the Second World War, and the allegorical style of the second, with a contemporary and/or future orientation, shine a hopeful light on a phenomenon currently depressingly exploited by right-wing politicians. These novels remind us that no society is ever static and, wherever we are positioned on the immigration issue, humans and the communities we build are highly adaptive.
Happy publication day to me! I must admit it doesn’t feel the huge leap it did the first time round, but I’m still excited, albeit not breathlessly so. There’s a quieter satisfaction in having more than one of my own novels on the shelf, making the transition from writer to author to novelist. This post is to thank those who’ve helped me on my way. While writing is a solitary activity, no writer is an island. Our achievements arise through hard work, good luck and not a little help from our friends.
For Valentine’s Day, I’m reviving a post that appeared in October 2015 on the Reading Writers website, which is now defunct.
entertaining fiction about identity, mental health and social justice
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on my WIPs and published books.
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Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)