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About the author and blogger ...

Anne Goodwin’s drive to understand what makes people tick led to a career in clinical psychology. That same curiosity now powers her fiction.
A prize-winning short-story writer, she has published three novels and a short story collection with small independent press, Inspired Quill. Her debut novel, Sugar and Snails, was shortlisted for the 2016 Polari First Book Prize.
Away from her desk, Anne guides book-loving walkers through the Derbyshire landscape that inspired Charlotte Brontë’s Jane Eyre.
Subscribers to her newsletter can download a free e-book of award-winning short stories.

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The Memory by Judith Barrow … a review and a videoed conversation

20/10/2021

4 Comments

 
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Irene is eight when her sister Rose is born, and she can’t understand why her mother isn’t more excited. Her family used to be fun, laughing and playing, but now her mum hardly does anything, leaving Irene, her dad and her nanna to attend to the baby.
 
Presumably, Lillian, the mother, is suffering from postnatal depression, but this drags on and on. She can’t accept that she has a daughter with Down’s syndrome. As Irene takes on the mothering duties, Lillian seems less and less part of the family.

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Memories and mothers: The Leftovers & Small Forgotten Moments

22/9/2021

6 Comments

 
The human mind has a wonderful capacity to protect us from unbearable memories, but there’s always a cost. As the narrators of these two novels discover when circumstances compel them to spend time with the mothers from whom they’ve grown apart. Read on to see which takes your fancy; I can heartily recommend reading both.
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Elder care: Red Crosses, As We Are Now, The Girls from Alexandria & At the Jerusalem

4/8/2021

4 Comments

 
Let me tell you about these four novels featuring older women looking back at their lives, and forward, some with dread, to what’s left of it. The first is a translated novel set in Belarus. The second and fourth are set in care homes around the middle of the twentieth century. The third is a contemporary novel set in a London hospital with flashbacks to a glittery Alexandria. All illustrate the vulnerability of old age, but also the strength and spirit of the central characters.


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Love and loss: Empire of Wild, The Exile and the Mapmaker & Suiza

12/7/2021

10 Comments

 
Three short reviews of novels on the theme of love and loss: the first, set in Canada, about a woman whose husband disappears and turns up a year later with a new identity; the second, set in France, is about a man who yearns to be reunited with the lover from his youth before he loses himself to dementia; the third, a translated novel set in Spain, is about the tender relationship that develops between two brutalised people.

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Rereading Mr Loverman & The Secret Scripture

5/4/2021

6 Comments

 
These two recent rereads focus on older characters who have been diminished by their culture’s punitive attitudes to their sexuality. In the first, a contemporary Londoner has hidden his love for his closest friend on account of the Caribbean community’s homophobia. In the second, a woman has been ostracised in twentieth-century Ireland because of the misogyny and genophobia among the powerful Catholic clergy. Yet a degree of redemption is offered to the characters, albeit late in life.
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A woman of substance: Moon Tiger by Penelope Lively

19/2/2021

6 Comments

 
Claudia Hampton is writing a history of the world, and of herself, but only in her head. Lying in a hospital bed, she is visited by memories of a rich and vivid life, beginning with scrambling up a cliff on a Dorset beach as a child in 1920. Narcissistic to the core, she seems to prefer her dreams to the flesh-and-blood characters who sit intermittently at her bedside: her daughter, Lisa; Jasper, her former partner and Lisa’s father; Laszlo, her semi-adopted Hungarian son. But the only two people she’s ever loved are dead: her brother, Gordon, and Tom, the soldier she met when she was a journalist in Cairo during the Second World War.
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Losing it: Ten Days & Gratitude

31/1/2021

2 Comments

 
Wolf has lost his wife and, if he doesn’t get his act together, he might lose his daughter, at exactly the moment he needs her most. Michka is losing her words, but is desperate to use those remaining to express her gratitude to a couple she lost touch with in childhood, even though they saved her life. Although I’ve posted a few reviews already this year, these are the first of fiction published in 2021.

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Consequences: The Man Who Saw Everything & Things That Fall from the Sky

27/8/2019

5 Comments

 
So often our actions, or inactions, have dramatic consequences, impossible to foresee. In very different ways, these two novels address this issue, the first in relation to carelessness, the second in life-transforming chance events. Each also explores the non-linearity of time. In addition, while the first includes a translator as character, the second is a translation itself – from the Finnish, my fourth for Women in Translation month.

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What should you read when unwell?

27/2/2019

22 Comments

 
A virus nabbed me at the end of January, and kept me captive right through this month. Confined to barracks if not to bed, it’s deprived me of walks and singing, and standing at my desk. But I could sit and edit, although I’ve done no new writing, apart from a couple of 99-word stories, and a helluva lot of reviews. February might be the shortest month, but perhaps the greatest in my book-reading tally.
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I’m not telling you

19/6/2018

8 Comments

 
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I’m in a children’s playground, awaiting my turn at the top of the slide. I sit, push off with my hands, and down I go. Wheeeee! There’s no-one to catch me at the bottom, but that’s okay. I sit and wait, scanning the faces of the grown-ups, wondering which one of them will come and claim me. It’s only as the light begins to fade that I get nervous. As the metal beneath my buttocks cools. That’s when I realise no-one’s coming, and get up to wander alone through the world.

This episode came to me the way my stories sometimes do: vivid, urgent and determined to be told. But this wasn’t fiction. This was a
metaphor for the origins of me.


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Degenerative disorders: Every Note Played & May

2/4/2018

4 Comments

 
Would you rather lose the use of your body or lose your mind? Both so dreadful to contemplate; perhaps it’s just as well we don’t get to choose. And neither need we choose in fiction: both these novels about brain degeneration are worth your time. In the first, a concert pianist’s encroaching paralysis due to motor neurone disease is mirrored by the psychological immobility of his ex-wife. In the second, the reader can gradually make sense of the obsessions of a woman with senile dementia through the memories of her family and carers. Painful topics but, for those who need it, these novels provide a note of lightness too.

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Curiosities: Orphans of the Carnival & The Museum of Cathy

2/2/2017

6 Comments

 
Blogger and memoirist, Irene Waters, has been collecting memories of ordinary activities across the generations and across the world. Last October’s theme, collections, sparked some interesting reminiscences about stamps, birds’ eggs and the dysfunctional parts of ballpoint pens, to name but a few. The latter came to mind when I was reading about Cathy, the protagonist of the second novel reviewed in this post, and I’ve linked her with Julia, whose unusual life, and posthumous career, is the subject of Orphans of the Carnival, who was less a collector than an object of curiosity herself. I hope you’ll be curious enough to read on.

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Beyond the sum of their parts?

26/12/2016

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Every novel is comprised of different parts that writers, readers and reviewers hope will combine into a satisfying whole. My last two reviews of 2016 – before I reveal my favourites of the year – are of novels for which finding that coherence is a particular challenge, but extremely worthwhile if achieved. Both published this summer, neither seems to have attracted many reviews on Goodreads, but I’m impressed with both (albeit one more than the other) so I hope you’ll at least give my reviews a chance.

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If you’ve lived an interesting story, should you write about it?

12/12/2016

17 Comments

 
A few months ago I was talking about my reading to a friend who’d just published his first e-book. I thought he might enjoy Belonging which, I said, features aspects of recent Indian history that appear in fiction less often than Partition, the backdrop to Where the River Parts. Oh, I was there, said my friend – or more eloquent words to that effect. You were there during Partition? quoth I. You should write about it!
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Two novels about “Everything”

27/11/2016

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Not really, of course! But I thought it would be fun to combine my reviews of two novels with “Everything” in the title, especially when both explore the nature of memory and require the reader to work a little harder to figure out who is speaking sometimes. Oh, and they both have blue covers!

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Reviewing the past in new novels from Louise Doughty & Jane Rogers

22/11/2016

8 Comments

 
As the world goes crazy, I crave, in my reading, not escapism, but a reflection of the flawed complexity of human beings and the things we do to make life that bit harder. But I need to be in safe hands to do so. So thanks to Louise Doughty and Jane Rogers – both established British authors unafraid to tackle difficult subjects – for providing that in their latest novels. Although quite different in their focus, both involve the characters reviewing painful pasts and their own culpability in order that their next mistakes might be that bit smaller.
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The aftermath of war in The Gun Room & Now and Again

10/11/2016

2 Comments

 
These two novels explore the impact of two of America’s controversial wars (Vietnam and Iraq) on combatants, observers and their nearest and dearest.

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Memory, memoir and fiction (again): A Daughter Your Age & Washday Blues

20/2/2016

17 Comments

 
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I once had a summer job in a pickle factory in Germany. The work was boring, smelly and noisy but the money, even though being foreign and female entitled the management to pay us at a lower rate, was good. I shared some of the memories for a
bite-size memoir challenge on first jobs a couple of years ago, but I didn’t expect I’d turn it into fiction. To be honest, I didn’t find interesting enough.

I wrote recently about how
fiction can function as a metaphor for the personal stories we struggle to tell. This post is about the reverse side of that, of how, in fiction, we can take a mundane, or shapeless, event from our lives and stretch it into a more intriguing story.

The pickle factory was in a village with a couple of pubs, but we had to travel to a larger town in the Netherlands to do our food shopping. If we missed the bus, we’d hitch across the border. Only once did I have any concerns about my safety.

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Restaurant meals: Memoir as social history

10/1/2016

13 Comments

 

I know, I know, who cares but me that, despite my respect for the memoirists with whom I associate in the blogosphere, I remain averse to memoir. Or did, until
Irene Waters’ New Year challenge finally showed me the way. As I admitted during my brief residency on Sherri Matthews’s Summerhouse, I have an interest in putting the personal into fiction. Thanks to the ensuing discussion, I’ve been thinking about fiction as a metaphor for the personal stories that shape us as individuals, but are impossible to tell. (Of which I hope to see more in a later post.) But even a Guardian article towards the end of last year, in which Blake Morrison explores several reasons for writing memoir, didn’t help me understand why writers are drawn to bare their souls.
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Music, memory, and maintaining order: The Chimes by Anna Smaill

18/3/2015

6 Comments

 
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Have you ever walked into a room and forgotten what you came for and had to retrace your steps until you know? Have you ever forgotten something you were sure you’d remember and ended up repeating the self-same mistake you’d made the last time? Do you bring back souvenirs from holidays; do you treasure pictures, ornaments and other miscellany, not for their monetary value, but for the memory of how they came your way?

Have you ever been touched by music in a place where words hardly signify? Have you ever been affected by a sound so loud you hear it, not just in your ears, but in your entire being? If your answer to any of these questions is yes – and I’d be surprised if it isn’t – you’ll connect with the themes in Anna Smaill’s exceptional debut novel, but you might need to hold onto these ideas to see you through the disorientating opening chapters.

The plot is a classic quest: two young men gradually uncover the tangle of lies perpetrated by the elite of their country and set off to infiltrate the seat of power and destroy the source of their destitution, risking their lives in the liberation struggle. It’s a straightforward plot, but deployed with sophistication; there’s no simple demarcation between good and bad. Reaching the hallowed halls, Simon, the narrator wonders (p273):

But what did we have to offer her in return, next to this beauty? the voice in my head says. No answers, no order. Nothing but mess, questions, fear.



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The cabin in the forest: Our Endless Numbered Days by Claire Fuller

14/3/2015

8 Comments

 
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The daughter of a German concert pianist and her (one-time stand-in page-turner) younger husband, Peggy Hillcoat is eight in the hot summer of 1976  when her father tells her to pack her rucksack and come with him on a journey. As they travel across Europe by car, train and, latterly, on foot, Peggy is less and less confident that this is a holiday. But the stories her father has told her about the secret cabin in the forest spurs her on, and even when she loses her shoe on a perilous river crossing she doesn’t completely give up hope. Yet when they finally reach the cabin, even her father is disappointed at its dilapidated state. Peggy is ready to return home until her father tells her that, not only is her mother dead, but the rest of the world beyond the river is no more.

Nine years later, Peggy is back with her mother in London, struggling to adapt to a world of overwhelming luxury and choice (p41):


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Awaiting the Grim Reaper: The Love Song of Miss Queenie Hennessy and The A-Z of You and Me

12/3/2015

10 Comments

 
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Ivo lies in bed in a hospice, part of him, at only forty, unable to accept that he’s there. His favourite nurse, Sheila, suggests he play a game to keep his mind occupied: composing an A-Z of body parts, each linked to a tale about his life. He addresses these to an initially unnamed other – using as a form of the second-person point of view I’ve discussed in a previous post – who turns out to be his girlfriend, Mia, now sorely missed.

Ivo was born into a loving family but, after his father died when he was only six, he’s always had difficulty avoiding the influence of the wrong kind of friends. An insulin-dependent diabetic from his late teens, like some other young people with the condition, he doesn’t always attend sufficiently to his self-care. On top of this, there’s Malachy, his best friend from school and his elder sister’s partner, tempting him to sample a cornucopia of drug-fuelled highs. As Ivo’s condition worsens, and the hospice staff recommend morphine for the management of this pain, he becomes increasingly anxious about the prospect of a visit from Malachy from whom he’s become estranged.


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The lives we choose: My Real Children by Jo Walton

14/12/2014

15 Comments

 
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One of the joys of fiction is its capacity to let us sample alternative lives. But even in fiction, a character can follow only one path. Or can they? Some writers have played with our human desire to know what would have happened had we chosen that route rather than this by following both. In The Post-Birthday World (described in a mini review here from Safia Moore) Lionel Shriver shows us the consequences of the main character Irina’s decision to both give into and resist the temptation to have an extramarital affair. My Real Children follows a similar structure, with alternate chapters focusing on the Tricia who marries Mark and the Pat who doesn’t.

The novel begins with Patricia reviewing her life. Nearing ninety and resident in a care home, she is often described by the staff as “very confused”. But her confusion has an extra layer to the usual fictional dementia: she has vivid memories of two separate selves with two distinct sets of children.

Both threads begin with a little girl called Patsy, playing on the beach with her father and brother. They also include Patty evacuated with her school at the outbreak of the Second World War which kills both her father and brother. Patty makes it to Oxford University where she almost crosses paths with Wittgenstein and Alan Turing and, only a few days before graduation, falls for the somewhat intense Mark. After a two-year separation and countless passionate letters, Mark phones her to ask her, somewhat hopelessly, to marry him.


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How to live after survival? The Narrow Road to the Deep North by Richard Flanagan

2/10/2014

16 Comments

 
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Around the sixtieth anniversary of the ending of the Second World War, there were whispers in the media about old men being traumatised by the memories of the horrors of their youth that were triggered by the worldwide commemorations. As a psychologist, I’d long been interested in repressed memories and, as the offspring of a World War II veteran, I was curious about the impact on my generation, one of the themes I wanted to address in my novel, Sugar and Snails. So my ears pricked up when, earlier this summer, I caught a BBC radio broadcast about a novel exploring one of the greatest atrocities of that war by a man whose father had survived it. I liked the way Richard Flanagan refused to provide easy answers: he’d spent twelve years trying to understand what evil was but ended up no wiser. I strongly recommend you listen to his interview with Mariella Frostrup – it starts about two minutes into the broadcast and lasts about 10 to 12 minutes – who does a much better job at selling the novel than I can. But I’ll give it my best shot … 


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Literary Dementia: novels by Emma Healey, Fiona McFarlane, Julie Cohen and Michael Ignatieff

26/9/2014

30 Comments

 
With Alzheimer’s research in the news again lately, I thought I’d better knuckle down to my much foreshadowed post on literary dementia. For readers and writers who are wary of fictional old age, the spectre of dementia might seem a definite no-no. Yet there’s so much potential in the condition for creative exploration and expression: the poignancy of loss; the enigma of memory and identity; the frustrations experienced by family and other carers; even, for those who can achieve the right tone without denigration, humour. So it’s heartening to discover young women writers who are addressing these themes in their debut novels: Emma Healey in the UK with Elizabeth Is Missing, and Fiona McFarlane in Australia with The Night Guest. I thought I’d draw on those novels, along with two less recent novels from more established writers, Getting Away With It by Julie Cohen and Scar Tissue by Michael Ignatieff, to explore fictional representations of dementia.
Dementia as mystery

One of the tragedies of dementia is the way in which the ordinary is rendered unfamiliar. Names of people and everyday objects are forgotten; life becomes a mystery to be solved. This aspect of the condition is beautifully played out in Elizabeth Is Missing in which eighty-one-year-old Maud attempts to resolve the dual mysteries of the sudden absence of her good friend, Elizabeth, as well as the disappearance of her elder sister in her 1940s childhood. Maud, like a true detective, tells us how she tries

to be systematic, […] to write everything down. Elizabeth is missing and I must do something to find out what’s happened. But I’m so muddled. I can’t be sure about when I last saw her or what I’ve discovered. I’ve phoned and there’s no answer. I haven’t seen her. I think. She hasn’t been here and I haven’t been there. What next? I suppose I should go to the house. Search for clues. And whatever I find I will write it down. I must put pens into my handbag now. The thing is to be systematic. I’ve written that down too. (p22)

The Night Guest also starts with a mystery: Ruth, a seventy-five-year-old widow living alone in a house by the sea, is woken at four in the morning by the noise of a tiger in the next room:

Something large was rubbing against Ruth’s couch and television and, she suspected, the wheat-coloured recliner disguised as a wingback chair. Other sounds followed: the panting of a large animal; a vibrancy of breath that suggested enormity and intent; definite mammalian noises, definitely feline, as if her cats had grown in size and were sniffing for food with huge noses. (p1)

Dementia is also something of a mystery for those who witness the decline in a relative, as explored by a son trying to care for his mother in Scar Tissue:

When I could think about anything at all, I thought that the simplest facts about what had happened would never be clear: when her illness commenced, when she was first aware of it, whether the manner in which she had struggled with it delayed or altered its course in any way; whether the manner in which we cared for her and fought to keep her aware of her surroundings helped to slow its passage through her brain; whether it was an illness of memory or an illness of selfhood. Simple explanations will not do. They fail to accord her the necessary respect. (p170)

Second childhood

In their confusion, decreased competence and need for extra assistance with navigating the tasks of daily life, dementia sufferers might sometimes seem like children. This can cause frustration in relatives as in these two quotes from characters in Getting Away With It:

‘Sounds monstrous, doesn’t it? But it’s maddening, an adult acting like a child. And it isn’t like normal illness, because they won’t get better …’

‘If she were whole, herself, I could argue with her … I want her to be herself again so I can be angry with her properly …’ (p368)

Memories of the distant past are often sharper than those of more recent events, so it makes sense that Maud, in Elizabeth Is Missing, should return to an unresolved issue from her childhood. In The Night Guest, Ruth’s experience of the tiger prowling her lounge is reminiscent of a child’s conjuring of fairies, monsters or an imaginary friend. Unfortunately, her childlike innocence leaves her ripe for exploitation.

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    OUT NOW: The poignant prequel to Matilda Windsor Is Coming Home
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    About Anne Goodwin
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    My published books
    entertaining fiction about identity, mental health and social justice
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    My latest novel, published May 2021
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    My debut novel shortlisted for the 2016 Polari First Book Prize
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    My second novel published May 2017.
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    Short stories on the theme of identity published 2018
    Anne Goodwin's books on Goodreads
    Sugar and Snails Sugar and Snails
    reviews: 32
    ratings: 52 (avg rating 4.21)

    Underneath Underneath
    reviews: 24
    ratings: 60 (avg rating 3.17)

    Becoming Someone Becoming Someone
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    ratings: 9 (avg rating 4.56)

    GUD: Greatest Uncommon Denominator, Issue 4 GUD: Greatest Uncommon Denominator, Issue 4
    reviews: 4
    ratings: 9 (avg rating 4.44)

    The Best of Fiction on the Web The Best of Fiction on the Web
    reviews: 3
    ratings: 3 (avg rating 4.67)

    2022 Reading Challenge

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    Annecdotal is where real life brushes up against the fictional.  
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    Annecdotist is the blogging persona of Anne Goodwin: 
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