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Welcome

I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist.​  I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.

ANNE GOODWIN'S WRITING NEWS

Out with the old, in with the new (once we’re all vaccinated, of course)

31/12/2020

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See what I THOUGHT 2020 would bring

Adieu 2020, you won’t be missed! Although we won’t be fully done with you until we’ve all been vaccinated (and for we poor Remoaners, until we rejoin the EU). Nevertheless, our internal clocks insist it’s stocktaking season: the time to review our successes and failures, to measure ourselves against January’s goals. Starkly unblinkered this year, we gaze back at what seems the Age of Innocence, adjusting our aspirations for 2021. But however we’ve fared, since the pandemic makes staying alive an achievement, we can congratulate ourselves on arriving here.
 
Amid the lows and lows, I’ve made some progress with my reading, writing and promotion, with some positives that wouldn’t have happened without lockdown. Let’s have a closer look!


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Beat the lockdown blues with a book

10/11/2020

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As night arrives ever earlier across the northern hemisphere, and Europe returns to lockdown, there could hardly be a better time to curl up with a book. If you have a UK address, you can enter a competition to win a signed copy of one of my novels and five other novels I’ve read and enjoyed.

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Caterpillars, Butterflies, Sugar and Snails

20/7/2020

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Whoever designed[1] butterflies, must’ve been having a laugh. No mere shapeshifters, the creepy crawlers must dissolve completely for their winged alter egos to emerge. No wonder the butterfly is considered a metaphor for transformation. Where else does nature deliver such a dramatic change?
 
Thanks to our gorgeous garden meadows, I can observe this metamorphosis almost at my back door. And it strikes me that it’s an oversimplification to view this as a transition from ugly to beautiful: some of the caterpillars are rather attractive too. Take, for example the brown-and-yellow striped creature that feeds on ragwort, or the bright[2]-eyed elephant hawk moth caterpillar (pictured) that graced our willow herb last year.

[1] Don't mistake me for a Creationist, I mean this metaphorically!
[2] Obviously these aren't its real eyes.

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From lockdown hair to Buxton Fringe

3/7/2020

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For those fearing lockdown more than government mismanagement of the pandemic, July 4th is England’s Independence Day. (Apart from Leicester, where restrictions have been tightened due to a sudden surge in coronavirus cases.) If the response to the reopening of inessential shops is anything to go by, a mass of masked and unmasked people will flock to pubs, restaurants and hairdressers, but I won’t be among them. The former would never have been a priority, but I’ve hesitated over the third: I’m fond of my hairdresser, I’ve missed her through three missed appointments, but I’ve grown surprisingly attached to my lockdown hair.


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A few things I’ve learnt through my first foray into self-publishing with a short story e-book freebie

15/2/2020

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Big round of applause, please people! The year’s still in its infancy and I’ve already achieved one of my aims for 2020. On the other hand, in terms of literary or commercial benefit, I’ve spent way too much time putting together my little e-book of short stories as a giveaway for subscribers to my newsletter. But, once I got going, I enjoyed most of the twists and turns of the journey, with even the hairpin bends and U-turns a chance to admire the view. As a small-press published inbetweenie author, I’ve always tried to stay abreast of what’s happening in self-publishing, but there’s a huge gap between reading about something and doing it yourself. Let’s see if I can consolidate my learning by describing the process and perhaps helping others to reach the destination without too many wrong turns.


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Every picture paints a story

1/7/2019

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Although I’m generally more articulate in words than visuals, sometimes the balance swings the other way. Still playing catch-up a busy week and weekend, and with a few things to share before I can fully embrace a new week and new month, I’ve gone for an image-heavy post today. First up, is the gorgeous cover of my debut novel, Sugar and Snails, about a woman who has kept her past identity secret for thirty years, which is battling with nine others on cover wars. If you can spare a moment, please follow the link and vote for the one you prefer.
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The refugee voice: Shatila Stories & Ukelele Jam

16/6/2018

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Annecdotal is marking refugee week with two new translations: a novella and novel by authors with direct experience of being a refugee. The first is an innovative collaboration between current residents of the Palestinian camp in Shatila and a London-based publisher; the second is by and about a Bosnian Muslim exiled to Croatia who later arrived in Scandinavia as a refugee.


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Two novel perspectives on childhood friendship lost

6/9/2017

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After reading The Things We Thought We Knew shortly before its publication back in June, I decided to hang back for another novel on psychosomatic illness or acquired disability with which to pair my review. But picking up The Burning Girl more recently, I was struck by the commonalities between these two novels, not only in the obvious sense of a girl in her late teens looking back on an intense friendship, but in the depth of disturbance resulting from its loss. As happened when I coupled two novels on male infidelity, discovering the similarities enhanced my appreciation of both. While neither pairing uncovered themes of particular personal relevance for me (which can enhance my enjoyment), the fact that they matter sufficiently for more than one author persuades me that other readers might find more to savour. Do let me know if that applies to you!

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A huge thank you, as a second novel is born!

25/5/2017

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Happy publication day to me! I must admit it doesn’t feel the huge leap it did the first time round, but I’m still excited, albeit not breathlessly so. There’s a quieter satisfaction in having more than one of my own novels on the shelf, making the transition from writer to author to novelist. This post is to thank those who’ve helped me on my way. While writing is a solitary activity, no writer is an island. Our achievements arise through hard work, good luck and not a little help from our friends.


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What connects a popular psychology book and a novel about psychosis?

29/1/2016

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I hadn’t been reviewing for very long, when I was invited to contribute to the book recommendation site, Shiny New Books. Honoured as I was, I didn’t feel ready back then, but kept it in mind. After Victoria posted a lovely early review of Sugar and Snails on the site and hosted my guest post on writing about secrets, I resolved to keep an eye out for suitable books to review. I’m pleased to announce that my reviews of The Social Brain and Playthings were accepted for the latest edition so if you’re satisfied with the easy answer to my question you can go straight to the reviews by clicking on the images. But if you’d like to discover another connection, then read on.
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Restaurant meals: Memoir as social history

10/1/2016

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I know, I know, who cares but me that, despite my respect for the memoirists with whom I associate in the blogosphere, I remain averse to memoir. Or did, until
Irene Waters’ New Year challenge finally showed me the way. As I admitted during my brief residency on Sherri Matthews’s Summerhouse, I have an interest in putting the personal into fiction. Thanks to the ensuing discussion, I’ve been thinking about fiction as a metaphor for the personal stories that shape us as individuals, but are impossible to tell. (Of which I hope to see more in a later post.) But even a Guardian article towards the end of last year, in which Blake Morrison explores several reasons for writing memoir, didn’t help me understand why writers are drawn to bare their souls.
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What kind of light do you shine?

21/12/2015

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These dark mornings, Mr A often finds me pottering about the house in the dark. “Why don’t you turn on the light?” he says. I shrug, but of course he can’t see me. “I like the dark.” In the safety and familiarity of my home, I prefer to wait for the natural light to seep in gradually through the windows, rather than with a sudden burst of artificial light. Of course, it’s never completely dark in a town with a streetlight at the end of the garden and, if I’m at the computer, it emits light of its own. But, within these wishy-washy constraints, I cling on to what passes for darkness as long as I can.

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On pop, pirates and plagiarism

7/12/2015

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I recently shared an extract from my next novel, Underneath, in which a little boy is dancing with his mother to Cliff Richard’s Living Doll. The words are taken all too literally by the child who becomes the man who keeps a woman imprisoned in a cellar but I knew, from the very first draft of this novel, to be wary of quoting song lyrics. Yet, in the version I sent my publisher, I’d retained six words that furnished a neat link between past and present, while demonstrating the narrator’s disturbed and disturbing state of mind. But as publishing becomes a (still fairly distant) reality, I thought I’d better get some advice from the Society of Authors on copyright law. Based on what I was told – and this is only my interpretation – I’ve decided to paraphrase instead of quoting: I don’t want to risk having lawyers on my back; nor do I want to renege on my own personal vow never to pay to be published (it’s the author’s, not the publisher’s, responsibility to seek out and pay for permissions).


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The art of the long-distance blog tour

23/8/2015

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The year I turned fifty, I undertook a long-distance walk: 190 odd miles across northern England from the west coast to the east. Instead of trying to cajole a group of friends into joining me, I chose to do the whole thing alone, but arranging for various friends and family to accompany me for a day at a time. Sometimes I walked solo, sometimes with individuals or a small group of four or five, with my husband – not an aficionado of rambling – valiantly attempting to fill in the gaps. Although the planning process stretched my organisational capacities to the limit, the event itself was wonderful, despite blisters, inadequate navigation skills and the vagaries of the English weather. After two and a bit weeks hiking across three national parks, I reached my destination at Robin Hood’s Bay, exhausted and exuberant. Back home, with a couple of days free before returning to work, I began writing the novel that became Sugar and Snails.


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Approaching the end of the trail? #SugarandSnails Blog Tour Week 5

15/8/2015

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The Sugar and Snails blog tour takes a different shape this week; still the five posts but kicking off a day early, beginning on Sunday (tomorrow) with a short midweek break. Firstly, after my Q&A with Shaz Goodwin in week two, I have the pleasure of meeting up with a namesake from the front half of my name on Being Anne. Anne Williams has posed some interesting questions about my novel and, ingeniously, readers’ reactions to it, so I hope you’ll pop over and check my answers. Then I’m off to Writing Ourselves Well to tell Kate Evans, along with anyone else who wants to eavesdrop, why I’m thanking my therapist. Kate, trained as a psychotherapeutic counsellor, and I have wrung our virtual hands together over the portrayal of therapists in fiction; Kate took that a step further by featuring a fictional therapist of her own in her debut novel, The Art of the Imperfect. She’s been a fabulous champion of Sugar and Snails, reflected in this lovely review and in travelling up to the Newcastle launch where we met in person for the first time.

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Welcome to the real world as the blog tour enters week 4

10/8/2015

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It’s been another hectic week on the blog tour: sharing the novels that have helped me find a mind of my own  with Urszula Humienik; examining how contemporary novels feature scientific research with Gargi Mehra; talking attachment with Safia Moore stemming from my character’s difficulty in “telling a story about when you were a little girl”; confessing and commiserating with Clare O’Dea regarding our shared difficulty in  articulating what our novel’s about; to come to port on Friday with Lori Schafer to address the question of how much my novel might be autobiographical.

After my weekend in a virtual California, I’m heading northward today to join lead buckaroo, Charli Mills on her fabulous Carrot Ranch in Idaho. She’d already set my place at the table with this lovely introduction on her blog. I’m heading back to the UK for the rest of the week, stopping off first with novelist and psychologist Voula Grand, who was the first to feature in my series Psychologists Write, to explore a shared interest in transgenerational trauma, both on and off the page. Then it’s a second guest post (the first, on Day One of the tour, being on debuting as an older author) with my publishers, Inspired Quill, to reveal my responses to the thoughtful questions put to me by one of the team, Hannah Drury. With all this travelling I wonder if I’ll have time to tidy up before Thursday, when I’ll be showing everyone around my Writers’ Room, courtesy of novelist, former prison governor and Costa Short Story Award winner, Avril Joy. Friday, I’ll be hot-footing it to London to join novelist, blogging addict and reader of an early version of Sugar and Snails, Geoff LePard, for a post on how walking facilitates my writing with, hopefully, a few photographs of the walk that features in my novel. (Yikes, did he realise that’s the day he launches his second novel, My Father and Other Liars, or is his attention to me an excuse to avoid a launch party?)


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An Author Abroad as the Blog Tour Reaches Week 3

3/8/2015

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For the first fortnight of the Sugar and Snails blog tour, I’ve been mostly confined to the UK. Apart from a visit to The Oak Wheel in California, I stayed, like the homebird I am, in my own country until pitching up at the end of last week in Australia. While Norah Colvin might live as far away from me as it’s possible to get, I knew I’d have a warm reception on her blog. Now she’s injected me with the travelling bug, I’m spending this whole week with blogging friends beyond my country’s borders, and greatly looking forward to the trip.
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I’m starting today in Poland in the Monday Inspirations slot courtesy of former art therapist, writer and fellow broccoli addict, Urszula Humienik, to talk about the books that have inspired me. Tuesday finds me in Pune, India (one of the two calling-off points in this week’s tour I’ve visited in real life) to explore fictional research with Gargi Mehra, software engineer by day, prolific short-story writer by night. On Wednesday I’m off to Ras Al Kaimah (Arabic for Top of the Tent) in the United Arab Emirates to talk attachment with Safia Moore. Recent winner of the Bath Short Story Award, Safia posted a beautiful review of Sugar and Snails on her blog last week AND flew over from her native Belfast on Friday to join the launch party at Jesmond library. On Thursday, I’m visiting another expatriate Irishwoman, journalist turned fictioneer, Clare O’Dea, now a Swiss national, resident in Fribourg, to discuss not knowing what my novel’s about, a follow-up to her own popular post on the topic. Friday takes me back to California with writer of serious prose and humorous erotica, Lori Schafer, where I’m pondering the autobiographical element of fiction with the author of the prize-winning memoir On Hearing of My Mother’s Death Six Years After It Happened. If all that doesn’t show that the blogging community is truly international, I don’t know what would!


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Breathless with excitement as the blog tour departs

20/7/2015

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It’s publication week for Sugar and Snails and I’m breathless with excitement. The buzz is building with two reviews already (from Victoria Best and from Stephanie Burton) and some lovely tweets from early readers at #SugarandSnails. Now, thanks mainly to the generous response to my request for hosts, I’ve made two excursions to other blogs (firstly, to Shiny New Books to share my thoughts on writing about secrets, the false self and insecure identities; secondly to Isabel Costello’s literary sofa to discuss the pleasures of small-press publication), and my case is packed ready to depart on the blog tour proper.
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I’m starting off today at my publishers’, Inspired Quill, with a piece on being an older debut novelist. Tomorrow I’ll be having a virtual chat with award-winning novelist, Carys Bray, just over a year after she answered my questions here on annethology. On Wednesday, I’m talking transformations at The Oak Wheel, courtesy of Jeff Martin (who’s running a series on Inspired Quill authors). And then on Thursday, publication day, I’m in two places at once, sharing my experience of writing about “the awkward character” with Sacha Black, instigator of the Bloggers’ Bash, and answering questions put to me by bookworm Sonya Alford, at A Lover of Books. Do follow me as much as you’re able but it’s a gruelling schedule and I don’t expect you to read every word. I aim to update the links as I go but you can keep track at your own pace via my blog tour page.


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“I love this book” and other generous terms of adulation

9/7/2015

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What can be more excruciating than contacting your favourite reviewers and writers in advance of publication to beg them, not only to read, but to like, a proof version your forthcoming novel, and declare so publicly for all the world to see? Well, quite a lot, as it happens, but please indulge a first-time novelist’s egocentrism, if you can, for the duration of this post!

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From writer to author: claiming the authority of your book.

16/6/2015

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A couple of years ago, I published a post on the four criteria that make one a writer. Although I can appreciate the differing perspectives offered in the comments, I’m still happy with my description of a writer as someone who edits their work; understands the “rules” (although doesn’t necessarily follow them); has served their time; and has attracted readers beyond their immediate friends and family. Conveniently, this definition of a writer enabled me to claim the title for myself.

I didn’t really consider the word “author”, and certainly not as a stand-alone title (as opposed to “author of” such-and-such a work), until I joined The Society of Authors last summer. Even then, it was because I needed advice on my publishing contract rather than to club together with other “authors” – such an old-fashioned term, I thought, that ought to be abandoned in the way that “artists” have now rebranded themselves as “painters”. That changed when, last month, I attended an event on working with the media, led by the award-winning former BBC TV reporter, Alistair Macdonald.


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Four writing process blog hops: the what, how and why

9/12/2014

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Transferred from blogger to blogger like a virus, the blog hops and awards go round and round. If they enter your circle without touching you, you start deluding yourself you’re immune. Then you get clobbered by several simultaneously; it’s enough to keep you in bed. Some discover creative ways of declining but, like those childhood illnesses that confer adult immunity, there’s a lot to be said for getting them out of the way when you can.

Of course I’m flattered by the nominations, but there’s no denying that responding eats into your writing time. So, as I did a couple of months ago with my backlog of blog awards, I’ve decided to condense the four blog hop doo-dahs into a single post.

Lisa Reiter nominated me for the “my writing process” blog hop way back in June (hence the Sweet Williams on my desk). This involves answering four questions about the what, why and how of one’s writing and passing on the baton to another three writers whose work you admire. Easy: but I still hadn’t paid my dues when, almost three months on, Tricia Orr invited me to be her nominee for the same blog hop. Meanwhile, another mutation raised its head, focusing on the single question of “why I write” in greater depth, which came my way via Ruchira. Finally, a brand-new blog hop from #writingwithoutworkshops, again concentrating on the importance of why (via the tag #importantbook) infected me by one of my Liebster nominees, Juliet O’Callaghan. Let’s hope I can do justice to these lovely ladies’ confidence in me by providing some answers that aren’t as rambling as this introduction.


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The ingredients of a story ... but I won't follow a recipe

23/5/2014

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Following the super comments on a recent post, I’m still musing on the process of creating a story; not so much the nuts and bolts of tension, plot and character, but the medley of ideas that drives us to construct a tale. The weekly prompts I’m following, or choosing not to, for flash fiction and bite-sized memoir are bringing this into sharper focus. Normally, I don’t have to dig for ideas and it’s more a matter of waiting for the urge to grab me; now, the set topic gives these unconscious processes a less dominant role. Sometimes the constraint is an aid to creativity, sometimes not, but Wednesday’s challenge on the theme of surprise sparked my interest straightaway. While it was still a struggle to shoehorn my idea into those 99 words – and I’d very much welcome your feedback on how I’ve done it, especially as I’m considering extending it into a longer flash – I had no hesitation in choosing my subject. See what you think, and then I’ll tell you about the background influences of which I’m aware.

Tyres crunching on gravel snapped Mum out of her doze. “Oh, my!”
The grand house loomed ahead. “Do you recognise it?” said my sister.
I parked by the porticoed entrance. Beyond banks of rhododendrons, the lake shimmered. My sister hopped out and opened Mum’s door. “Bet you’re itching to explore.”
Mum stayed put.
“How about tea first?”
Mum didn’t budge.
My sister took her wrinkled hand. “It’s where you were evacuated, remember?” Mum’s tales of wartime escapades were embedded in our childhoods. “It’s a hotel now.” This mini-break, the perfect birthday treat.
Mum was almost retching. “No, please, no.”


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Our blogging interconnections

17/2/2014

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PictureLive Love Laugh Learn ... Norah's blog
Don’t you love connecting through the internet? It’s great fun peering into other people’s shop windows and, if we’re really lucky, being invited inside. I get quite excited about the way we feed off each other’s ideas (with appropriate credits, of course) and can visit places we wouldn’t otherwise go. I’m just back from a virtual flight to Australia to pontificate on Norah Colvin’s blog. My post, exploring the psychoanalyst’s Stephen Grosz’s thoughts on praise, blossomed out of <140-character interactions with Norah on Twitter. Why not climb aboard your own magic carpet¹ to have a look at what our creative dialogue has spawned? Thanks to Norah for the invitation and the lovely way she has presented my post.

I didn’t have to travel quite so far when I did my other g**st² blog post at This Itch of Writing. The theme of that was writer’s block, with a bit of psychoanalytic theory thrown in, and, if you’ve avoided my plugs so far, you’d better have a look now!

Since Annecdotal’s inception, I’d wondered about playing host to other writers, but my attempts to persuade friends who weren’t already blogging didn’t work out. But it’s time to cast the net a bit wider and think about recruiting other voices to vary the tone. There’s so much knowledge and talent around, it’s hard to know where to start, but I want to keep the focus on reading and writing. Let’s see how it goes.

What’s your experience of fruitful connections in the blogosphere? If you’ve played host on your own blog or been invited to appear on another, do you have any tips for the novice?

My next post will (probably) be on writing is the second person – do come back this weekend to share your thoughts on the ‘you’ narrator.

¹ Apologies for the whimsy, I’m dancing back and forth between this post and one I’m drafting for International Women’s Day next month, where Scheherazade gets an honourable mention.

² If you’re wondering why I’m nervous about the g**st word, I read somewhere that Google was very snotty about it. It might be a myth, but don’t want to mess up those SEO’s.

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Looking back over Annecdotist's year and a peak ahead to 2014

31/12/2013

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So, it's the time of year when the newspapers, half the staff on holiday and the other half nursing hangovers, fob us off with reviews of the year which are nothing more than a rehash of the articles they can most easily lay their hands on, much in the way a cook conjures up a curry from the leftover turkey. Now, I've got more respect for my readers, yet – blame the sherry and figgy pudding, if not the reruns of sentimental Hollywood films – I feel a similar urge to regale you with a look back at my reading and writing and blogging year.

I hope you'll find the generosity to indulge me and perhaps return the favour in the comments box below. And, because it's the time of year for tantalising puzzles, there's a connection between the numbers marked with an asterisk.


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Three reasons I started blogging

9/7/2013

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I'm not given to risk-taking, especially not on something as scary as the net where trolls can monitor your every move, so I thought long and hard before starting my blog. Mostly what I thought was: No, that's not for me. Quick, draw the curtains, you never know who might be peering in.
Then, all of a sudden, I had a new computer and a brand-new blog. Learning my way round both Windows 8 and Weebly at the same time, perhaps I should be grateful that it was the computer and not me that went into meltdown (miraculously only a couple of days shy of the end of the no-quibbles return period). Aside from the first post, which seems a bit pointless, but I'm leaving up as part of my ten-step programme for combatting shame (not that ten steps are anywhere near sufficient), I'm glad I've done it, but I'm still not sure what it's for. There's a part of me still thinks it's quite mad – but that might be the same part that thinks that any project not set up with the explicit purpose of pleasing my mother is mad, I'm not sure how seriously to take it.
Yet I’m seriously addicted and, I think, in a good way, so read on if you want to know the three reasons why I got into blogging and kept going.


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    Free ebook: click the image to claim yours.
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    Available now
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    The poignant prequel to Matilda Windsor Is Coming Home
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    Find a review
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    Fictional therapists
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    About Anne Goodwin
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    My published books
    entertaining fiction about identity, mental health and social justice
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    My third novel, published May 2021
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    My debut novel shortlisted for the 2016 Polari First Book Prize
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    My second novel published May 2017.
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    Short stories on the theme of identity published 2018
    Anne Goodwin's books on Goodreads
    Sugar and Snails Sugar and Snails
    reviews: 32
    ratings: 52 (avg rating 4.21)

    Underneath Underneath
    reviews: 24
    ratings: 60 (avg rating 3.17)

    Becoming Someone Becoming Someone
    reviews: 8
    ratings: 9 (avg rating 4.56)

    GUD: Greatest Uncommon Denominator, Issue 4 GUD: Greatest Uncommon Denominator, Issue 4
    reviews: 4
    ratings: 9 (avg rating 4.44)

    The Best of Fiction on the Web The Best of Fiction on the Web
    reviews: 3
    ratings: 3 (avg rating 4.67)

    2022 Reading Challenge

    2022 Reading Challenge
    Anne has read 2 books toward their goal of 100 books.
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    Annecdotal is where real life brushes up against the fictional.  
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    Annecdotist is the blogging persona of Anne Goodwin: 
    reader, writer,

    slug-slayer, tramper of moors, 
    recovering psychologist, 
    struggling soprano, 
    author of three fiction books.

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