Category: Nonfiction

Do you read differently in anxious times?

29/3/2020

As I said earlier this month, in a more optimistic – or head-in-the-sand mentality – there are good things about the coronavirus pandemic, an obvious one to this blog’s readers being more time to read. On the other hand, while we might find unexpected gaps in our schedules, anxiety consumes vast quantities of headspace, reducing our capacity for, on some days, anything more taxing than watching cat videos and repurposing unloved paperbacks as toilet tissue. So I’ve been wondering whether I, you, or anyone else, reads differently in times of high anxiety. What do you think?

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Locating ourselves in literature and life: A New Sublime & Wayfinding #nonfiction

25/2/2020

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As these might be the only non-fiction books I read this year, I was keen to link them. So following on from two novels about dislocation, I’m delighted to share reviews about the opposite. Unfortunately I got myself lost in the first, aimed at readers with a more solid grounding in Greek and Roman antiquities, but managed to navigate better through the second, which is about literally and metaphorically finding and losing our way.

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Short stories: Protest & The Best of Fiction on the Web

14/1/2020

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Having begun the year’s reviews with a Kindle catch-up, including a couple of single-author collections, my attention was drawn to another couple of multi-author short-story anthologies waiting on my physical shelf. I don’t know why I’d neglected them. Perhaps because anthologies are harder than novels to review? Whatever reason, I’ve finally read them. Enjoyed them. And now I’m here to tell you why.

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The personal is political: Happening & Natives: Race and Class in the Ruins of Empire

13/2/2019

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Two books using the author’s personal experience and celebrity (although I’d heard of neither) as an entryway for exploring and publicising important socio-political issues. The first is a memoir about abortion; the second is a hard-hitting analysis of race and class discrimination. Which balance of personal-sociological do you prefer?

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Is there a new trend for fiction with footnotes?

29/9/2018

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I might have mentioned before that I’m something of a traditionalist in my reading. Print suits me better than ebooks and, while I’ve enjoyed novels narrated on the radio, I don’t think I’ve ever chosen an audiobook in preference to text. Regarding the content, while I relish originality, novelty for its own sake can be a turnoff. Post-modernism gives me the shivers. So I was surprised to read three novels in as many months with footnotes. Is this a new trend?

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Celebrating female literary friendships: A Secret Sisterhood blog tour

8/3/2018

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For International Women’s Day this year I'm taking part in the blog tour for the paperback publication of A Secret Sisterhood, an erudite and engaging celebration of literary friendships between Jane Austen and amateur playwright, Anne Sharp; Charlotte Brontë and the feminist Mary Taylor; George Eliot and Harriet Beecher Stowe; Virginia Woolf and Katherine Mansfield. The book is the product of a contemporary literary friendship between the authors who, in addition to writing and teaching, host the website Something Rhymed, profiling a range of additional female writing buddies.

Follow the link for my review (originally posted for the hardback publication in May 2017).

Read my review of A Secret Sisterhood

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Perfect communities? from Celeste Ng & Thomas More

8/1/2018

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Given the chance, wouldn’t you live in a comfortable right-on community where none of your neighbours voted for Brexit or Trump? Where people read books, and supported libraries, and no-one hung plastic bags of dog poo from the trees? But you know what would happen if you packed up and moved there? You’d have the neighbours on your back for putting out the bins too early, or letting your dandelions run to seed. Because it’s in the nature of utopian societies to have a downside, often manifest in a denial of our baser human instincts and/or excessive control. It makes great fodder for fiction, however, as I hope to show in my review of Celeste Ng’s latest novel set in 1990s suburban America. Alongside that, I’ve gone back to basics with my first-time read of the original Utopia, published 500 years ago.

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My writing year

28/12/2017

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My second novel published and significant progress on the third. Dozens of 99-word stories and a few longer short stories released into the world. Well over 100 blog posts and three articles published in print magazines. Lots I haven’t managed to do this year, of course, but those omissions will ensure I’m not bored in 2018. For now I’m celebrating another satisfying writing year.

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Fiction versus non-fiction: which do you prefer?

31/8/2017

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When my mother took me to the library as a child she always insisted I take out one non-fiction book along with the novels I readily devoured. An obedient child, I did as instructed, but I wasn’t happy about it. Although I can remember one notable title (although I imagine I was quite young when I read The Air Is All Around Us), I’m not sure much was achieved. Even though I loved a series of biographies of the childhoods of the famous (which felt like cheating, as these were stories), very few of the facts have stuck. A half century on, my preference for fiction over non-fiction has not budged.

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A Secret Sisterhood by Emily Midorikawa & Emma Claire Sweeney

1/6/2017

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And so, misleading myths of isolation have long attached themselves to women who write: a cottage-dwelling spinster; an impassioned roamer of the moors; a fallen woman, shunned; a melancholic genius. Over the years, a conspiracy of silence and obscured the friendships of female authors, past and present. But now it is time to break the silence and celebrate this literary sisterhood – a glimmering web of interwoven threads that still has the power to unsettle, to challenge, to inspire.

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The Messiah Narrative

13/4/2017

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Even if you’re not a fan of Baroque music, you’d probably recognise at least one of the magnificent choruses from George Frideric Handel’s Messiah. If not the jolly “For Unto Us a Child Is Born”, perhaps the main justification for its popularity at Christmas, then you must know the exuberant “Hallelujah”. But there are fifty-one other choruses and solos that make up the three-hour long oratorio. This beautiful book tells the story of its composition and musical afterlife.

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Debunking the gendered myths: Testosterone Rex by Cordelia Fine

8/3/2017

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Having written a novel about the enigma of gender, I remain fascinated and baffled that something so vague and ill-defined should impact so strongly on our social structures and beliefs about ourselves. Fortunately, Cordelia Fine, psychologist and Associate Professor at the Melbourne Business School, is somewhat sharper in demolishing the dodgy science surrounding sex and gender and International Women’s Day seems the perfect time to review her new (non-fiction) book.

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High Tide, Low Tide: The story of a remarkable friendship

2/3/2017

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In May 2011, Martin Baker posted what he hoped was an encouraging comment on the social media page of someone who was clearly struggling. A response came almost immediately from Fran Houston that challenged his thinking on how to support someone who is experiencing suicidal thoughts. That was the beginning of a remarkable friendship: remarkable in its intensity; remarkable in its focus; remarkable in that these best friends live three thousand miles apart. High Tide, Low Tide is the story of that friendship, told in the hope of inspiring others to try something remarkable too.

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A conversation like no other: In Therapy by Susie Orbach

25/11/2016

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Psychotherapists face a dilemma when it comes to sharing the fruits of their discoveries with a wider public. The technical language, especially regarding psychoanalytic psychotherapy, which practitioners use to communicate between themselves, can be cumbersome, offputting and open to misinterpretation by the uninitiated. Case studies, such as those assembled by Steven Grosz, can be both extremely readable and illuminating, but they do present a problem of confidentiality: even when clients give their consent, some would question whether, within the power dynamics of the relationship, this can ever be freely given yet, the more the details are anonymised, the greater the potential distortion. Susie Orbach is a British psychotherapist, activist and writer who has done much to demystify psychoanalytic thinking (e.g. with several comment pieces in the Guardian, including this recent one on Brexit trauma). Her latest project, on which this short book is based, is a radio series mimicking the experience of the consulting room.

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Prickly characters

4/10/2016

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We all know a prickly character, someone around whom we need to tread carefully so as not to get stung. In our social lives, we might keep them at a distance but, in therapy, they’re often intriguing and we might relish the challenge of discovering what lies underneath that porcupine skin. In fiction, they can also be appealing but, like the shy character with whom there might be an element of overlap, they aren’t so straightforward to write.

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Our Panoptic World: I Am No One by Patrick Flanery

5/8/2016

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What is crazy is to imagine we are living private lives, that a private life is a possibility any longer, and this is not just true for those of us living out our sentence in the developed world, but anyone anywhere, except perhaps those hidden underground, for the satellites we have launched into space and the aircraft, manned and unmanned, patrolling the air above the Earth, gaze down upon us, producing finely detailed images of all our lives, watching us, perhaps you could say we are merely watching ourselves …

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The Course of Love by Alain de Botton

20/7/2016

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It will take Rabih many years and frequent essays in love … to recognise that the very things he once considered romantic … are what stand in the way of learning how to sustain relationships. He will conclude that love can endure only when one is unfaithful to its beguiling opening ambitions; that for his relationships to work he will need to give up on the feelings that got him into them in the first place. (p6)

In a nutshell, The Course of Love is about the need to adjust our ideas of marriage in order to make it a success. In a similar vein, let me suggest the reader adjust her expectations of this book in order to fully appreciate its wisdom and compassion.

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What connects a popular psychology book and a novel about psychosis?

29/1/2016

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I hadn’t been reviewing for very long, when I was invited to contribute to the book recommendation site, Shiny New Books. Honoured as I was, I didn’t feel ready back then, but kept it in mind. After Victoria posted a lovely early review of Sugar and Snails on the site and hosted my guest post on writing about secrets, I resolved to keep an eye out for suitable books to review. I’m pleased to announce that my reviews of The Social Brain and Playthings were accepted for the latest edition so if you’re satisfied with the easy answer to my question you can go straight to the reviews by clicking on the images. But if you’d like to discover another connection, then read on.

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A novelist meets a psychotherapist: The Good Story by JM Coetzee and Arabella Kurtz

26/11/2015

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I’ve mentioned before that I think novelists and psychotherapists are in a similar business, yet the fictional therapists we encounter on the page sometimes fail to convince. So what better way for the writer bent on creating a credible fictional therapist than to eavesdrop on a conversation between a winner of the Nobel Prize for Literature and a clinical psychologist, lecturer and psychoanalytic psychotherapist? As JM Coetzee and Arabella Kurtz toss ideas back and forth about the intersection between truth, story and morality, the writer is afforded a remarkable insight into the workings of the therapist’s mind.

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Why read? The Nearest Thing to Life by James Wood

25/10/2015

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Why do we read fiction and why do we need a literary critic to comment on what we read? Seduced by a review in the Guardian and beguiled by the title, despite feeling distinctly unqualified, I thought I’d give this short book, a blend of memoir and criticism, a go. I was looking for ideas on how to improve my own fiction writing and reviewing and, failing that, insights into why so many of us have a passion for books.

The latter was the subject of the first section and, for me, the most engaging. As a child, James Wood found in fiction, as I did, “an utterly free space, where anything might be thought, anything uttered” as a refuge from the restrictions of the religious culture of his home. Wood argues that, while in principle we have the freedom to think what we like, we’re afraid of that freedom: “we nervously step up to the edge of allowable thought, and then trigger the scrutiny of the censuring superego” (p11). Fiction lets us explore that otherness in a containing manner, the fictional characters whose minds we are privileged to inhabit, holding our hands along the way.