Category: Psychotherapy

The therapy journey and narrative structure

13/10/2020

Three years ago, I left my therapist’s consulting room for the last time. Stepping out into the street, I felt a rush of panic. What the hell had I done? My regrets at bringing an extensive therapy to a close lasted all of two minutes, or maybe three, and haven’t returned. Nor have I entertained a moment’s regret at the hours I invested in the endeavour, or the numerous cheques I signed to pay for it. A decent outcome, you might agree, but why am I telling you this? Because my reflections on my journey through therapy has a bearing on my thoughts about narrative structure.

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My favourite reads of 2018 Part 4 #amreading

5/1/2019

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Welcome to the fourth and final instalment of my favourite reads of the year. Here I’ll share micro-reviews of my four final favourites (from November and December) along with an overview of all 19. You’ll find links to the full reviews if you’re curious to read more. Plus I’ve got some pretty charts to show how these, and the 147 books I read in total, measured up against the targets I set last year.

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People studies: Sight & Consent

19/2/2018

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Although these two novels couldn’t be more different in tone – the first a literary exploration of a young mother’s development; the second tricksy thriller – I can’t resist pairing them for the other factors they have in common. Both feature thoughtful, philosophising, unnamed narrators; both take as their subject matter how we explore the inside and outside of other people, and ourselves. Both are ambitious and unusual in their approach; both are the author’s second book and a cracking read.

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My fast first draft three years on

15/1/2018

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Three years ago this week, I completed my first ever fast first draft of a novel. Four further drafts and a significant edit later, it’s ready for beta readers’ scrutiny. So it’s an ideal time to reflect on the overall process, and ask myself whether that’s a good way to go about creating a publishable book.

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Why I (and plenty of others) turn to crime (writing, that is) by Kate Evans

7/11/2016

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I’m delighted to welcome Kate Evans back to Annecdotal a year on from her popular post on Healing Words. As she’s just published the third novel in her Scarborough Mysteries series, I invited her to spill the beans on why she’s turned to (fictional) crime.

Read on for some fascinating insights into the crime writer’s mind.

We British like a crime novel, so says Alistair Horne, of Cambridge University Press. It is by far the best selling genre in the UK. Is this because we are a particularly heartless or ghoulish lot?

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Fictional psychologists and psychotherapists: 15. Border Crossing by Pat Barker

2/3/2015

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Imagine you’re out for a walk one weekend and see a young man swallow handful of pills and jump into the river. Without thinking – or perhaps even as a distraction from the torment of your failing marriage – you strip off your heavy coat and plunge into the river to save him. Much later, after the ambulance has driven him away and you’ve sloughed off the river’s mud in a hot bath, you realise you’ve got the young man’s coat and, more to the point, he’s got yours, with a set of spare house keys in the pocket, along with a bunch of letters bearing your name and address. So you hot-foot it to the hospital to do a swap.

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