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About the author and blogger ...

Anne Goodwin’s drive to understand what makes people tick led to a career in clinical psychology. That same curiosity now powers her fiction.
A prize-winning short-story writer, she has published three novels and a short story collection with small independent press, Inspired Quill. Her debut novel, Sugar and Snails, was shortlisted for the 2016 Polari First Book Prize.
Away from her desk, Anne guides book-loving walkers through the Derbyshire landscape that inspired Charlotte Brontë’s Jane Eyre.
Subscribers to her newsletter can download a free e-book of award-winning short stories.

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My twelve favourite reads of 2017 #amreading

29/12/2017

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I’ve read 150 books this year (the image shows only a selection); according to Goodreads that’s 40,927 pages, with an average rating of 3.5. That’s slightly more books, but fewer pages, than last year. All but nine of this year’s reads were fiction, of which 19 (13% – slightly down on last year) are translations. An analysis of my first 100 reads found 71% were from independent publishers. Enough with the figures, let’s take a closer look at the year’s overall favourites.

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My writing year

28/12/2017

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My second novel published and significant progress on the third. Dozens of 99-word stories and a few longer short stories released into the world. Well over 100 blog posts and three articles published in print magazines. Lots I haven’t managed to do this year, of course, but those omissions will ensure I’m not bored in 2018. For now I’m celebrating another satisfying writing year.

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Two novels about contemporary inequalities

26/12/2017

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Some moral questions to end the year and see us into the next! Is it okay for some to go hungry while others feast? Is it okay that the accident of where we are born, and to whom, determines our life chances? Does it matter that, with modernity and the march of capitalism, the gap between the haves and have nots is widening? Neither this tragicomedy set in Edinburgh nor this scattershot novel set in India have the answers, but they can entertain us while making us reflect on the issues.

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Two novels about young men’s journey into Otherness

23/12/2017

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When I’m not sure what to make of a recent read, it sometimes helps if I couple it with something equally enigmatic. A common thread, even if it’s not the theme the author intended, affords me at least the illusion of understanding. So following White Tears, in which a young white man in contemporary America experiences the terror of a black man in the 1920s arrested for a crime he didn’t commit, with My Falling Down House, in which a former Tokyo “salaryman” experiences homelessness, helped me gain my bearings on both.

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Three single-author short story collections

20/12/2017

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With my own short story collection scheduled for November next year, I thought I should give more blog space to the short story. But although I managed to pick the winner of the BBC short story award, the first two of these collections knocked my confidence in my ability to review the short form. Listed in the order I read them, the third has me fizzing with excitement about what the short story can achieve. See what you think!

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8 fictional Christmases #amreading

17/12/2017

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Although I’m not enamoured by the prospect of Christmas in real life, I do appreciate it makes fine fictional fodder. With a fixed date recognised across the world, it’s better for marking time than Easter. With raised expectations and family get-togethers, the season also provides the perfect backdrop for the conflict that fires a story. My second novel, Underneath, dedicates around twenty pages to Christmas and its buildup: from a new couple’s negotiations over where to spend it through a flashback to boy being painfully disabused of the myth of Santa to a retreat from the outside world with a love nest in the cellar that subsequently becomes a prison. You can read an extract later in this post, but let’s unwrap some other fictional Christmases.

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A day / week under the skin of a community: Johannesburg & Histories

14/12/2017

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From a day in the life of a city in mourning to a week in a busy hospital, in both these novels a large cast of characters tell not only their individual stories, but the story of the settings that shape their interlinked lives.

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5 points to consider when commissioning a professional critique

11/12/2017

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Although I have suggested that the creative writing industry exists as much for the tutors’ benefit as the students’ (as is often the case with helping relationships), I’m not against writing courses, mentoring and professional critiques. I’ve drawn on all three in my own journey to becoming a published novelist, and have a new piece on The Literary Consultancy website about how separate critical readings from members of their panel of experienced writers and editors helped shape my recently published second novel, Underneath. But these appraisals don’t come cheap. If you’re thinking of commissioning one, here are a few questions to ask yourself first.

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Three novels about intersecting lives

8/12/2017

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Apologies for the less-than-inspiring title – and anyway, aren’t all novels about how lives intersect? – but I’m pulling this post together in a bit of a rush to move a backlog of reviews before the end of the year. Each of these novels is by an established writer who isn’t dependent on my short-out whose previous novel I reviewed very positively here, both Laird Hunt’s and Maggie O’Farrell’s eliciting instructions-for-a-novel posts. Their new novels are listed in ascending order of number of point of view characters. (Of course!)

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Two novel types of depraved love of fathers for their daughters and sons

5/12/2017

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I recently featured four novels depicting the impact on children of a father’s absence. These two debut novels present the other side of the story: the terrible harm that a father’s presence can do. In both, the fathers control their children’s minds and bodies through violence and a perverted kind of love. Although fiction, each reflects the darker side of society today.

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What do friends mean when they say There must be a novel in there?

2/12/2017

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Writers, does this happen to you? Catching up with friends, someone will relate an amusing and/or interesting and/or convoluted anecdote. When they reach the end, instead of being satisfied with a few moments’ entertainment, they – or another from among the group – will quip There’s a novel in there somewhere! A novel? Excuse me, but it shouldn’t take a novelist to recognise this is not the case. But is the reference to novels an innocent, albeit clumsy, metaphor, or are nastier issues afoot?