Category: Sugar And Snails

Taking our characters to work

10/9/2018

If there is one area where struggling-to-be-noticed writers have the advantage over those who’ve been published since they were barely out of school, it’s our inside knowledge of the world of work. Coming to writing later in life, or merely being part of the majority unable to support themselves through writing, we have the experience to bring our characters’ jobs alive. But there can still be challenges in taking our characters to work.

For example, while setting your novel in your current workplace obviates the need for a research trip, you might have to smooth some colleagues’ ruffled feathers once the book is out in the world. From another angle, if you’ve gained your work experience in settings crowded with colleagues, you face the challenge of rendering it authentically without overwhelming the reader with an overabundance of characters.

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The toddler in my laptop

3/8/2018

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Imagine a virus has attacked your vocal chords, when your livelihood – not to mention your sanity – depends on clear communication. You can create sounds, but they are incomprehensible to others – a jumbled babble. Then, one day, as you jabber in frustration while preparing your children’s tea, your toddler’s voice rings out, perfectly articulating what you were trying to say.

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Shiny new novel versus shiny new car: no contest!

23/7/2018

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Three years ago today, we got a new car, all shiny and factory fresh. My husband went along to collect it without me as I had far more exciting things to do. It was publication day for my debut novel and I was basking in the early reviews and congratulatory tweets.

My husband was a little embarrassed to arrive at the dealership to be greeted with a large sign welcoming us both. And although you can’t giftwrap a car, they’d done the next best thing and perched a huge bow on the roof. I think the sales staff were disappointed when he declined their offer to take his photograph to commemorate the occasion.

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Come into my cave! #amwriting

24/6/2018

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As Britain hurtles towards the cliff edge of Brexit, and the President of the United States pays compliments to a dastardly dictator while referring to migrants as animals, it’s as if we’ve learned nothing from the run up to the Second World War. If politics were fiction – if only! – we’d be approaching the crisis point known as the cave.

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Unravelling the mystery of mystery #amwriting

24/4/2018

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Discovering a new review can make an author’s day. If that review emphasises the positives in your published work, even better. If the book has extended the review’s knowledge of the world, that’s a bonus. Then, if the reviewer has analysed the book from the perspective of developing their own writing – and not in identifying the pitfalls to avoid – it’s extra special. So excuse me for revelling in Marsha Ingrao’s review of my debut novel, Sugar and Snails. Her focus on the way I’ve managed mystery in my novel has prompted me to retrieve some of my prepublication thoughts on the matter that have languished on my phone for nearly three years. (With so many articles and blog posts already published, I’m surprised there’s anything still unsaid.) This post is an attempt to integrate those early reflections with what I’ve learned from reader feedback and reviews that might be of use to other writers building mystery into a novel that sits outside the mystery genre.

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Tale of a Tooth by Allie Rogers, plus a forest flash, or two

21/4/2018

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Four-year-old Danny lives with his Meemaw in a cramped rented flat. Like many little boys, he’s obsessed with dinosaurs and poo, loving the first and fearing the second, although perhaps not as much as he fears Karen, the new woman in his mother’s life. Is this down to Karen’s clumsiness around young children, or straightforward jealousy in a child accustomed to having his mother all to himself? Or does Danny intuit right from the start that Karen is bad news?

Danny is a highly intelligent and perceptive child, sensitive to the pressures his mother faces while raging when he doesn’t get his way. As the novel’s narrator, he’s extremely sympathetic and endearing, leaving the reader in safe hands. Despite his child-appropriate fixations, he shows the harshness of the benefits system and the way a disturbed personality can cause chaos in other lives. And how could I not love a story with more toilet scenes than the six novels I featured for World Toilet Day last year put together?

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What’s in a name?

24/3/2018

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Despite some concerns about how I prioritise my time, I recently allocated several hours to a task that is either brilliantly forward thinking or the biggest waste of time since ironing underwear (not guilty: I struggle even to assemble the ironing board). In the process of editing the short stories in my forthcoming collection, Becoming Someone, I altered the names of a few characters to avoid duplication. So far, so sensible. But I couldn’t leave it at that. I also trawled through my debut novel, Sugar and Snails, my second novel, Underneath, and my current WIP, with the aim of abolishing overlaps across my published work. Is this evidence of a professional approach to my writing or an overly obsessive and perfectionist personality?

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5 points to consider when commissioning a professional critique

11/12/2017

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Although I have suggested that the creative writing industry exists as much for the tutors’ benefit as the students’ (as is often the case with helping relationships), I’m not against writing courses, mentoring and professional critiques. I’ve drawn on all three in my own journey to becoming a published novelist, and have a new piece on The Literary Consultancy website about how separate critical readings from members of their panel of experienced writers and editors helped shape my recently published second novel, Underneath. But these appraisals don’t come cheap. If you’re thinking of commissioning one, here are a few questions to ask yourself first.

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Does a ‘first draft’ video reflect badly on my published fiction?

27/10/2017

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Since undertaking my desk time audit earlier this summer, I’m hyper-conscious of time spent away from fiction. It’s especially pertinent right now as I’m on a roll with yet another draft of my currently nameless WIP, about a brother and sister separated for fifty years. But with an event to prepare for recently, I thought it would be a good opportunity to make some videos about my novels. Was it?

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No feelings? #amwriting #mentalhealth #Flash4Storms

9/10/2017

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One day last summer, I had an errand to do ten minutes’ drive or half an hour’s walk away from home. Even though the route, along a fairly busy road, isn’t particularly pleasant, I prefer to walk, both for the exercise and to feed my writing. So I grabbed my raincoat (it was that kind of summer) and laced up my boots. On the way back, the sun came out at the moment I levelled with a track I’d never previously taken. It was time to investigate.

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How to have a book launch party

11/8/2017

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While babies might have naming parties, couples wedding parties, a book launch party can be both celebration of a significant milestone and a marketing opportunity. I might be only on my second novel, but I have a fat party-to-publication ratio of 3:2. So, still buzzing from my latest, I hope these pointers based on my experience of hosting a launch party might be of use to others who have yet to foist one on your friends.

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The Unconscious, Dreams and Hallucinations in Fiction

26/6/2017

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Writers are rightly interested in the unconscious as both a source of creativity and a means of revealing our characters’ unacknowledged anxieties and desires. Since Freud considered dreams the royal road to the unconscious, perhaps we should also be curious about dreams. I’m also interested in what happens when the boundary between dreams and reality breaks down, as in hallucinations and delusions, and the thoughts that arise in a hypnagogic state. How do we use these in our fiction? How do we avoid getting it wrong?

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Four Fictional Absent Fathers

17/6/2017

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In a companion essay to her novella, Her Father’s Daughter, author Marie Sizun asks:

What is a father? That’s the real question. A father – even if he’s imperfect or absent – is a mythical, irreplaceable ﬁgure, especially for a girl. If he’s not there during her childhood, she’s likely to spend a long time drifting in vain in search of him.

Having deprived the male narrator of my second novel, Underneath, of a father, I would argue that the gap is equally damaging for a boy, as outlined in my recent guest post The impact of the absent father in Underneath.

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Games in the schoolyard: New Boy by Tracy Chevalier

11/6/2017

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Dee is excited when she spots the new boy in the playground. The son of a Ghanaian diplomat, Osei Kokote is the only black child in the school. When their class teacher entrusts her to show him around, their friendship develops an intensity that takes everyone by surprise. But bully boy Ian can’t let that happen. He rules the playground. He knows how to split the couple apart.

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Going away to come home again

5/6/2017

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One of the themes of my second novel, Underneath, is the complex relationship between homecoming and travel, a topic explored in my recent guest post, The passion for travel and the concept of home. Although, as reflected in a recent post on my two accidental visits to Bangladesh, I’m nostalgic for my youthful travelling, these days I much prefer to stay at home and do my travelling in my head.

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Nineveh: Trading in painless pest relocations

13/5/2017

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It’s strange, what disgusts people. Who would scorn the friendship of a gecko, for example: golden-eyed, translucent-skinned, toes splayed on a farmhouse wall? Who could resent a long-legged spider, knitting its silver in the corner of the room? But they do: people will pay to have them killed, poisoned, destroyed.

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Ireland’s Subterfuge and Fury

10/5/2017

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Allow me to introduce you to two novels looking back on Ireland’s recent history through the eyes of a man whose life has been limited by secrets, subterfuge and hypocrisy.

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Two new novels about the lives of Nigerian women

1/4/2017

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Both these novels are about Nigerian women and their relationships with their culture, politics, their children and their men.

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Art’s capacity to disturb

20/3/2017

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With a little over two months until the publication of my second novel, the focus has moved from improving the text itself – apart from scouring the proofs for a stray comma or worse – to ways of articulating what the story is about. You’d think that page upon page of carefully selected words could speak for themselves, but no. To interest readers, I have to write and talk about what’s between the covers.

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Debunking the gendered myths: Testosterone Rex by Cordelia Fine

8/3/2017

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Having written a novel about the enigma of gender, I remain fascinated and baffled that something so vague and ill-defined should impact so strongly on our social structures and beliefs about ourselves. Fortunately, Cordelia Fine, psychologist and Associate Professor at the Melbourne Business School, is somewhat sharper in demolishing the dodgy science surrounding sex and gender and International Women’s Day seems the perfect time to review her new (non-fiction) book.

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<<Previous

Taking our characters to work

The toddler in my laptop

Shiny new novel versus shiny new car: no contest!

Come into my cave! #amwriting

Unravelling the mystery of mystery #amwriting

Tale of a Tooth by Allie Rogers, plus a forest flash, or two

What’s in a name?

5 points to consider when commissioning a professional critique

Does a ‘first draft’ video reflect badly on my published fiction?

No feelings? #amwriting #mentalhealth #Flash4Storms

How to have a book launch party

The Unconscious, Dreams and Hallucinations in Fiction

Four Fictional Absent Fathers

Games in the schoolyard: New Boy by Tracy Chevalier

Going away to come home again

Nineveh: Trading in painless pest relocations

Ireland’s Subterfuge and Fury

Two new novels about the lives of Nigerian women

Art’s capacity to disturb

Debunking the gendered myths: Testosterone Rex by Cordelia Fine

2019 Reading Challenge

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