I’ve been interested in fictional Korea since coming across Adam Johnson's chilling novel about the cruelly crazy North Korean regime, The Orphan Master's Son. Later, I learnt that all is not rosy in South Korea either via The Defections by Hannah Michell, and about the brutal response to a rebellion in that country through the translated novel, Human Acts by Han Kang. Courtesy of Picador and Faber and Faber, I’m pleased for the opportunity to read two more novels, both debuts, providing insights into Korean politics, people and culture. Shelter is about a family of Korean immigrants to North America. How I Became a North Korean tells of the fortunes and misfortunes of North Korean defectors crossing the border to China.
Although, like many writers, I find autumn to be the best time to tackle major writing projects, I’ve never yet been tempted to register for National Novel Writing Month. For me, the pace is too fast and the outcome too limited, but there’s nothing to stop me joining in informally, which is what I decided to try two years ago. Starting with three character sketches and a rough idea of the main plot points, I averaged a thousand words a day from the beginning of November onwards and surprised myself with a rough first draft of just under 80,000 words by the middle of January.
Sometimes fiction furnishes a necessary escape from harsh reality. Sometimes it helps us interpret a confusing world. At other times it provides a safe space to explore disturbing issues we’d rather turn away from. These two books from small independent presses fall into the latter category: important stories, but I wouldn’t be supporting them if they weren’t also a good read. Personally, I’d rather dark truth than artificial light, but mostly, as these are, I want my stories well told.
After lapping up Anne Tyler’s updated Taming of the Shrew, I was keen to feast my eyes (and brain) on some of the other titles in the Hogarth Shakespeare series. Because the bones of the stories and characters are, to a greater or lesser extent, already familiar, the novels provide a unique insight into the workings on the authors’ imaginations. For the reader, the interpretations highlight the particular passions of our favourite authors. For the writer – especially one like me who continually asks herself How am I going to pull this one off? – they are a lesson in casting the spell that renders the most crazy plots convincing.
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
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