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Welcome

I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist.​  I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.

ANNE GOODWIN'S WRITING NEWS

Young women battling to survive: Year of Wonders & The Marriage Portrait

5/11/2023

10 Comments

 
I’m sharing my thoughts on two historical novels I’ve read recently, both featuring young women struggling to survive against the odds. The first is set in England in the 1660s, the second in Italy a century earlier.

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Publication, platform, promo: My reading and writing plans and aspirations for 2022

24/1/2022

20 Comments

 
As with embarking on a novel project, so with setting goals for the year ahead: there’s a sweet spot between restraining oneself within an inflexible structure and leaving it all to chance. Now I’m clearer about how novels work, I’ve become a carefree planner – or is that an organised pantser? Now I know – in fact, I’ve always known – I’ll get some stuff done to progress my authorial career, I’m happy to set myself a mix of concrete goals and airy-fairy aspirations each January and review where they’ve got me at the end of the year. So here’s an overview of where I hope I’m heading; I feel I have a better chance of achieving some of my aims since I discovered, two days into the New Year, that toxic positivity is a thing.
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Dishonourable histories: Palace of the Peacock & The Bureau of Past Management

19/11/2021

4 Comments

 
These two unconventional novels address the difficulties of reconciliation to individual and societal involvement in the exploitation and annihilation of other communities and ethnic groups. Neither tells a straightforward story, but I struggled most with the structure and style of the first. This is a pity, as I’d like to have learned more about the persecution and murder of Guyana’s indigenous people. I found the second, about the legacy of the Holocaust for contemporary Germans, an easier read.

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How would you answer the covid novel’s call?

28/6/2020

8 Comments

 
History can’t have got the memo. The virus destined to put the world on pause has had us glued to the news: first with the exposure of right-wing government incompetence, then with the spotlight on racism we can no longer ignore. Whether this depresses or delights us, it’s hard to keep up. What’s the role of the writer – particularly writers like me with a tiny readership – in historic times? Should novelists switch to facts from fiction? Should we try to shape historic discourse or step back and observe?
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Teenagers trapped in houses of no hope: How We Disappeared & The Nickel Boys

30/9/2019

9 Comments

 
Two historical novels in which young people are subject to brutal institutional regimes: in the first as comfort women in Singapore under the Japanese invasion; in the second as supposed offenders in Jim-Crow-era Florida. Both novels contrast the main character’s aspirations prior to captivity with their struggle to survive unspeakable cruelties with their sanity intact, and the scars they carry for the rest of their lives. Thankfully, for the reader who can vicariously accompany them, there’s some hope of redemption by the end. Read on, or jump to the end of the post for this week’s 99-word story.

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On the margins: The Summer Stance & Travellers

7/9/2019

12 Comments

 
Two novels about marginalised people, the first actually about travellers – or tinkers as the often refer to themselves in this novel – in Scotland; the second about migrants from Africa in Europe, beginning in Berlin. My reviews are followed by this week’s 99-word story prompted by the Carrot Ranch.

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What is YA fiction? Learning from Paula Rawsthorne and Dorothy Winsor

29/7/2019

14 Comments

 
Around this time last year, I was 10,000 words short of finishing the first draft of a dystopian novel provisionally entitled Snowflake, but failed to meet my overambitious target  of getting it done before my “summer break”. Almost a year on, although I’ve done a fair amount ofsome editing, I still haven’t written those final scenes.
 
Aside from the usual dose of self-doubt, two things have held me back: one about plot, the other about genre. How do I get my characters in and out of the cave? With a fourteen-year-old narrator, ought I to position this novel as YA?

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Should I stretch this short story to a novel?

27/8/2018

12 Comments

 
One moonless night, when her daughter was but a few months old, Eve clawed back her silken baby skin and planted a bomb in her chest. It wasn’t as difficult as you’d imagine; a baby’s body is more malleable than an adult’s. Getting under her daughter’s skin was rather like peeling an orange. Or picking at the flap of a sealed envelope to slip an extra something inside.
 
It was only a small bomb, the size and shape of a button battery, albeit large in relation to her daughter. It was bigger, for example, than her daughter’s dainty fingernails, bigger than the snub of her nose. But, like a school uniform, the child would grow into it, grow until the bomb was eclipsed by the face of her wristwatch or an ornament she might hang from her ear. 


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I wouldn’t blame you if the opening has put you off my most recently published short story (or the length at over 3000 words) but, if you do choose to read it, you might be able to help me decide where, if anywhere, to take these ideas next.


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What’s behind those overambitious targets and self-imposed deadlines?

11/8/2018

12 Comments

 
The happier my life’s become, the less inclined I feel to take a holiday. Why go to the trouble of packing a suitcase – or worse, boarding a plane – when you’ve got (almost) all you want at home? Five nights’ in Cumbria seeing friends and family, and researching my possibly third novel, back in April, have furnished a perfectly adequate change of scene for this year, along with a three-day non-residential music course next week.
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Come into my cave! #amwriting

24/6/2018

4 Comments

 
As Britain hurtles towards the cliff edge of Brexit, and the President of the United States pays compliments to a dastardly dictator while referring to migrants as animals, it’s as if we’ve learned nothing from the run up to the Second World War. If politics were fiction – if only! – we’d be approaching the crisis point known as the cave.


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Reimagining the birth pangs of psychoanalysis: When Nietzsche Wept by Irvin D Yalom

2/6/2018

10 Comments

 
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In 1882, in a wintry Vienna, two brilliant minds connect. One is an ambitious, although rarely read, philosopher; the other is a highly respected diagnostician and doctor to the rich and famous. The men are drawn to each other’s ideas but, although one’s a bachelor and the other a married father of five, they have more in common than they realise. Both men’s obsession with a much younger woman is threatening their well-being.



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In the not-too-distant future: The Unit & Anna

21/3/2018

4 Comments

 
Setting a novel in the near future requires two extra decisions. To what extent will this imagined world differ from what’s familiar today? What defines that difference? Although the social, environmental and technological developments or regressions in this fictional landscape are inevitably interlinked, one factor tends to dominate (and perhaps determines the readership to which it most appeals). At least that’s what I’ve been thinking since reading The Unit and Anna back-to-back (as well as recent dabbling in one of the subgenres myself). In the first, a democratic society has agreed (over time) that the lives of economically and socially unproductive citizens can be sacrificed for the common good. In the second, feral children roam a post-apocalyptic world in which adults have been wiped out by a virus and most of the infrastructure by a fire. Tempted? Read on!

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    The poignant prequel to Matilda Windsor Is Coming Home
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    About Anne Goodwin
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    My published books
    entertaining fiction about identity, mental health and social justice
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    My third novel, published May 2021
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    My debut novel shortlisted for the 2016 Polari First Book Prize
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    My second novel published May 2017.
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    Short stories on the theme of identity published 2018
    Anne Goodwin's books on Goodreads
    Sugar and Snails Sugar and Snails
    reviews: 32
    ratings: 52 (avg rating 4.21)

    Underneath Underneath
    reviews: 24
    ratings: 60 (avg rating 3.17)

    Becoming Someone Becoming Someone
    reviews: 8
    ratings: 9 (avg rating 4.56)

    GUD: Greatest Uncommon Denominator, Issue 4 GUD: Greatest Uncommon Denominator, Issue 4
    reviews: 4
    ratings: 9 (avg rating 4.44)

    The Best of Fiction on the Web The Best of Fiction on the Web
    reviews: 3
    ratings: 3 (avg rating 4.67)

    2022 Reading Challenge

    2022 Reading Challenge
    Anne has read 2 books toward their goal of 100 books.
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    Annecdotal is where real life brushes up against the fictional.  
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    Annecdotist is the blogging persona of Anne Goodwin: 
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    slug-slayer, tramper of moors, 
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