Category: Matilda Windsor

I was ready for mental health awareness week early this year, with a post prepared on the proposed theme of sleep. Fortunately, before pressing publish, I checked back on the Mental Health Foundation website to discover that, on account of the pandemic, they’d abandoned sleep for kindness; but it wasn’t too much trouble to write another post. There’s no doubt that receiving, doing or witnessing acts of kindness raises the spirits, something we all need right now. And while I wouldn’t want to detract from the heart-warming generosity of neighbour helping neighbour, there’s another side of the story that needs our attention. The culture of both the UK and US as we went into this crisis was one of massive unkindness; an iceberg that clapping for carers can’t possibly melt. And it’s disastrous for our collective mental health.

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In which Anne disappears down the rabbit hole

11/5/2020

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Image by Prawny from Pixabay

At 15.55 one Sunday in mid-April, Anne decided to go stark raving bonkers. Of course she was conscious of the contradiction: madness that’s chosen, isn’t madness at all. Nevertheless, she was earnest in her objective, if unclear how it would be achieved. She even made a note to that effect on the information sheet for the novel she’d just been reading. The novel about depression with rabbits in the title that had just made her laugh out loud.

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Sleep, insomnia and mental health in contemporary fiction

3/5/2020

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Early this year, I was prescribed a course of antibiotics. While I’m grateful to live in a time and place where such things are available, this medication did not like me. Not only did they leave a nasty taste in my mouth, they disturbed my sleep to the extent of fleetingly fragmenting my mind in a manner akin to psychosis. So I don’t need convincing of the importance of getting sufficient sleep to our psychological (and physical) well-being; but we can also get too hung up on sleep such that the associated anxiety can be almost as damaging as not sleeping. I drafted this post back in February when I saw that sleep was the theme of this year’s mental health awareness week; although that's now changed to kindness, with many suffering insomnia in lockdown, this post on sleep in my own reading and writing still seems worth sharing.

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Unrecognised: Rabbits for Food & Miss Iceland

24/4/2020

Is there discrimination against women writers? (Is there even more discrimination against older women writers?) Probably but, there being even worse things to get hung up about right now, I’ll gloss over the fact that these two novels about under-appreciated female writers – one in 1960s Iceland, the other in 21st-century New York – come from fairly successful female authors. With a couple of caveats, either or both would make great lockdown reads.

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The positives of pessimism as we await the pandemic peak

10/4/2020

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What character have you played in the early chapters of the dystopian novel we’re all living? Were you the sensible one whom the others ridicule or were you, like me, the seven-stone weakling who follows the trail into the ramshackle warehouse without telling her colleagues where she’s going or charging her phone? Although I’ve contracted no symptoms and stuck to the letter of the law, I look back in horror on my attitude of only a month ago; I ought to have been more cautious right from the start.

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Discovering interesting echoes of our current crisis as I edit my novel

5/4/2020

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I desperately wanted my third novel, Matilda Windsor Is Coming Home, to be published this year. For one thing, I like the ring of 2020. For another, I’ve been working on it long enough. Begun with three character sketches in autumn 2014, I completed an 80,000 word first draft in January 2015 and, after various ups and downs, including ballooning to 130,000 words, had it ready for reader feedback three years later.

When Inspired Quill, who published my first three books couldn’t find space in this year’s schedule, I considered self-publishing, and, for a whole week in January was convinced I was going with a pricey but prestigious assisted self-publishing outfit until it became clear that, even setting aside printing costs, I’d lose money on Amazon sales unless I ratcheted up the price. Now, of course, with events cancelled for the next several weeks, I feel remarkably lucky to have finally signed with Inspired Quill for May 2021.

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What’s your favourite novel about mental health?

8/10/2019

Having spent the bulk of my wage-earning life in mental health care, it’s not surprising that the theme crops up in my writing. But, as a reader, my professional experience can make me more picky. For World Mental Health Day this week, I’m asking for your favourite novels about mental health, sharing some of my own reading recommendations and illustrating how I’ve drawn on the theme in my fiction. Continue reading also for news of how to be in with the chance of winning a signed copy of my next novel, which is set in a psychiatric hospital in the process of closing down.

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Writing isms: would you risk causing offence in your fiction? #amwriting

13/5/2019

Much as I despair of living in a country where the birth of a baby is headline news – ditto his naming the following day – I do try to bear in mind that the extended family I involuntarily support via my taxes is made up of human beings, and therefore worthy of my respect. I sincerely hope I’m incapable of channeling my rage at inequality and unearned privilege into a bizarre racist tweet, as a BBC DJ did recently. How could he not know, as he has claimed, that an image of the latest royal baby as an ape would cause offence? But, in reflecting the world as I see it in my fiction, with darkness as well as light, I do risk inadvertently offending my readership, especially in portraying the isms from which, in my other identities, I’m at pains to distance myself.

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Do you fall asleep reading?

28/4/2019

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A lot of people take a book to bed, confident a few pages of text will help them nod off. That’s not me. As a reviewer, I take my reading far too seriously. Yet, settling down after dinner for two to three hours immersed in a book, I often wonder how long it will take for the words to blur, or for that jolt into wakefulness that signals the end of a micro-sleep. Why oh why?

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Picturing identity: Mothlight & Trick

10/2/2019

I wondered, initially, whether the fact that these two short novels include images would be sufficient reason to pair them in a post. But, while different in style, they’re both about identity (among other matters). In the first, a young man uses photographs he has inherited to try to understand the woman who kept them, as his own identity seems to merge with hers. In the second, an older man finds his identity as an illustrator losing out to his role as grandfather.

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Teenagers in exile: Shadows on the Tundra & The Key

23/1/2019

Two books about teenage girls forced from their homes in what initially appear to be very different circumstances. In the first, a fourteen-year-old Lithuanian is transported to the Siberian tundra in 1940; in the second, a nineteen-year-old is compulsorily admitted to a psychiatric hospital in mid-1950s England. The first memoir, the second fiction, both books are about the struggle to survive in alien environments.

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Taking our characters to work

10/9/2018

If there is one area where struggling-to-be-noticed writers have the advantage over those who’ve been published since they were barely out of school, it’s our inside knowledge of the world of work. Coming to writing later in life, or merely being part of the majority unable to support themselves through writing, we have the experience to bring our characters’ jobs alive. But there can still be challenges in taking our characters to work.

For example, while setting your novel in your current workplace obviates the need for a research trip, you might have to smooth some colleagues’ ruffled feathers once the book is out in the world. From another angle, if you’ve gained your work experience in settings crowded with colleagues, you face the challenge of rendering it authentically without overwhelming the reader with an overabundance of characters.

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Should I stretch this short story to a novel?

27/8/2018

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One moonless night, when her daughter was but a few months old, Eve clawed back her silken baby skin and planted a bomb in her chest. It wasn’t as difficult as you’d imagine; a baby’s body is more malleable than an adult’s. Getting under her daughter’s skin was rather like peeling an orange. Or picking at the flap of a sealed envelope to slip an extra something inside.

It was only a small bomb, the size and shape of a button battery, albeit large in relation to her daughter. It was bigger, for example, than her daughter’s dainty fingernails, bigger than the snub of her nose. But, like a school uniform, the child would grow into it, grow until the bomb was eclipsed by the face of her wristwatch or an ornament she might hang from her ear.

I wouldn’t blame you if the opening has put you off my most recently published short story (or the length at over 3000 words) but, if you do choose to read it, you might be able to help me decide where, if anywhere, to take these ideas next.

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How to have a fruitful research trip

19/8/2018

Your characters are acquiring quirks and foibles. You’ve got an arc, however wobbly, from beginning to end. A couple of twists are lurking in your sleeves and you’ve got a sentence, or maybe more, that sings. But your setting’s an empty stage, or weighed down with enough clutter to break the boards. Perhaps it’s time for a real-world site inspection visit to check out what your novel does and doesn’t need. Read on for my reflections on how best to go about it, stemming from my (not-so-)recent trip to Cumbria to soak up the atmosphere and check a few facts for my hopefully third novel, Matilda Windsor Is Coming Home.

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Celebrating the small successes

28/7/2018

I concluded a recent post on mourning our writerly disappointments with a reminder that we need to celebrate our small successes too. But do I heed my own advice? Well, maybe sometimes, but standards can slip. If we’re not careful, our small achievements can be diminished by our much bigger ambitions. We need to beware of viewing them as if through the wrong end of a telescope. But how to make them matter without aggrandising every little thing?

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Teenage fugitives: The Shepherd’s Hut & Sal

6/7/2018

When teenagers flee the family home to fend for themselves, they swap one kind of brutality for another. And while their troubled lives will have forced them to develop survival skills in some areas, they are often more vulnerable than their peers in others, such as emotional literacy. But real-life tragedy can make engrossing fiction as you’ll find if you let the young narrators of these two novels lead you into the wilderness: Jaxie in Western Australia and Sal and her younger sister in Scotland. For real-life youth homelessness, mostly in urban areas, Centrepoint (in the UK) is worth supporting.

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Come into my cave! #amwriting

24/6/2018

As Britain hurtles towards the cliff edge of Brexit, and the President of the United States pays compliments to a dastardly dictator while referring to migrants as animals, it’s as if we’ve learned nothing from the run up to the Second World War. If politics were fiction – if only! – we’d be approaching the crisis point known as the cave.

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Psychoanalysis, friendship and failure: Jott by Sam Thompson

10/6/2018

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The world poses impossible questions and the future is in darkness, you have no claim on health or peace or the way that you feel things ought to be, you are required to live without knowing what comes next, you must carry on in hope as best you can, and you must begin by attending to one another.

Despite differences in lifestyle and temperament, the friendship between Arthur and Louis, begun as pupils at an Irish boarding school, has endured through university in Dublin to early adulthood in 1930s London. Arthur, a junior psychiatrist, has always been overshadowed by his friend, an unpublished writer with the flair and determination to live by his own rules. While Arthur is shy and socially awkward, Louis can charm anyone, including Arthur, such that the psychiatrist often finds himself sacrificing his own needs for the sake of his friend.

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Derwent Pencil Museum: a must-visit venue for writers and artists

18/5/2018

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When Janice, one of the viewpoint characters in my current WIP, and hopefully my third novel, Matilda Windsor Is Coming Home, had a friend to entertain on a wet weekend in the Lake District, I sent them to the pencil museum in Keswick. Although I’d known of it since childhood, I’d never visited until, on a wet Wednesday at the end of my research trip to Cumbria, I had the chance to put that right. Entering into a single room through a rather kitsch mock-up of a graphite mine, I thought I’d be in and out in five minutes. Not so! I’m sure that anyone who writes or draws would find the museum fascinating.

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Gravity Well & The Gravity of Love

13/5/2018

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No prizes for guessing why I’ve connected these two novels; I don’t think I’ve ever read another book with gravity in the title – although The Weightless World is about a antigravity machine – and then I find two published in the same month. But rest assured, they’re very different reads: in the first, Lotte feels a stronger pull towards the stars in the sky than her earthly attachments; in the second, love is a force that can furnish reconnections across continents and years.

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Flesh on the bones: Beyond the 99-word story #flashfiction

27/4/2018

I wrote recently about how practising the 99-word story strengthens my editing muscle. But, of course, the discipline can also have benefits in the other direction, planting a seed that can grow into a longer piece of fiction. The recently published Congress of Rough Writers Flash Fiction anthology contains five such expanded stories (including one of mine) along with the original 99 words. I not only relished reading the other four on their own merits, but I also wondered about the different ways we’d fleshed out our original bones. Would a closer examination of the authors’ process from flash to the longer story (or, in one case, from long to flash) help elucidate that enigmatic creature, creativity? Here’s what three of the other authors told me, along with my own 99 words. (Photos and links are from/to the relevant author page on the Congress of Rough Writers list.)

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What's the difference between a draft and an edit?

14/4/2018

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In my recent post My fast first draft three years on, I mentioned having done four subsequent drafts and an edit of the novel I’m currently calling Matilda Windsor Is Coming Home. Now, I like to count drafts, but how do you define one? When does a read-through, picking up obvious errors, become promoted to draft status, and what’s the difference between that and an edit? When I put the latter into my search engine, the nearest I got – admittedly, I was too lazy to go beyond the first page – was a tangle of speculation on the difference between drafting and revising, none of which was entirely satisfactory. Pushed to come to my own definition, here are my thoughts, along with reflections on how I motivated myself to move from scrappy first draft to an edit.

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What’s in a name?

24/3/2018