Category: Peak District

About the author and blogger ...

Anne Goodwin’s drive to understand what makes people tick led to a career in clinical psychology. That same curiosity now powers her fiction.
A prize-winning short-story writer, she has published three novels and a short story collection with small independent press, Inspired Quill. Her debut novel, Sugar and Snails, was shortlisted for the 2016 Polari First Book Prize.
Away from her desk, Anne guides book-loving walkers through the Derbyshire landscape that inspired Charlotte Brontë’s Jane Eyre.
Subscribers to her newsletter can download a free e-book of award-winning short stories.

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Pandemic fiction: The Fell & Wish You Were Here

28/11/2022

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I’m busy working towards the publication of my next novel, Lyrics for the Loved Ones, the sequel to Matilda Windsor Is Coming Home, in May 2023. It’s set mostly in a care home leading up to, and in the early weeks of, the pandemic. So I’m happy to showcase a couple of other novels on the theme, with the bonus that they feature places I’ve been. The first is set during the second UK lockdown in November 2020; the second in North and South America when the world closed down in March that year.

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On Beeley Moor

11/2/2021

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As you can see from the date, I'm tardy with my response to this extra flash fiction challenge. It might be that, my brain mired in promo land, I'm baffled by the prompt: life as a river of consciousness. It might be that it's meant to be a special tribute to Sue Vincent and I'm scared of messing up. I knew from the start where I wanted to set my 99-word story: although Sue and I have never met off-line, we've shared some physical territory. The problem is, although winter rain has flooded footpaths, there are no rivers up on the Derbyshire moors.

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From lockdown hair to Buxton Fringe

3/7/2020

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For those fearing lockdown more than government mismanagement of the pandemic, July 4th is England’s Independence Day. (Apart from Leicester, where restrictions have been tightened due to a sudden surge in coronavirus cases.) If the response to the reopening of inessential shops is anything to go by, a mass of masked and unmasked people will flock to pubs, restaurants and hairdressers, but I won’t be among them. The former would never have been a priority, but I’ve hesitated over the third: I’m fond of my hairdresser, I’ve missed her through three missed appointments, but I’ve grown surprisingly attached to my lockdown hair.

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Reconnecting with figures from childhood: The Far Field & A Small Silence

4/11/2019

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My first post of the month features a couple of debut novels in which young women seek to reconnect with a man who had a major influence on their childhood. Both men are – intentionally or accidentally – involved in local politics, but the personal is equally vital to the women. In the first, set in India, it’s a friendship forged by her mother in defiance of class and convention; in the second, set in Nigeria, it’s the courage and compassion to advocate for the underdog. The orange hue on the covers is pure coincidence; likewise that both authors’ surnames begin with V!

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Every picture paints a story

1/7/2019

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Although I’m generally more articulate in words than visuals, sometimes the balance swings the other way. Still playing catch-up a busy week and weekend, and with a few things to share before I can fully embrace a new week and new month, I’ve gone for an image-heavy post today. First up, is the gorgeous cover of my debut novel, Sugar and Snails, about a woman who has kept her past identity secret for thirty years, which is battling with nine others on cover wars. If you can spare a moment, please follow the link and vote for the one you prefer.

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Scaling gritstone and concrete: Black Car Burning & The Wall

28/5/2019

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Two novels set in Britain that feature climbing. In the first, it’s the hobby verging on obsession of three of the four main characters, in a homage to Sheffield and the nearby Peak District National Park; in the second, a cli-fi thriller, surmounting the wall is what the narrator and his peers are conscripted to prevent. Thanks to publishers Chatto and Windus and to Faber for my review copies.

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The trouble with writing book blurbs: can’t see the wood for the trees?

20/5/2019

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Many authors struggle with the task of summarising a book-length project, whether it’s the one-page synopsis we need for submissions, the 10-second elevator pitch ready for the dreaded what’s-it-about question or the blurb to entice browsers at bookstores or online. How do you condense the twists and turns of a 300-page novel into such a small space? How do you tease out the key elements when you’ve lived with those characters for years? Sometimes, it’s impossible to see the wood for the trees.

Another pair of eyes can provide the necessary distance; likewise the passage of time. Almost four years on from the publication of my debut novel, Sugar and Snails, I’ve agreed with my publisher the blurb we worked so hard to perfect could be sharper. To get it right, we need your help.

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Desperately seeking elixir? #amwriting

7/5/2019

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I wrote recently how, after a few uninspiring months, I’d been infected with a new novel idea. A few weeks on, I love the characters, the situation and the potential quirkiness of one of the voices, but I’ve tried to rein in my enthusiasm to nail the plot. As one of my writing goals of 2019 is to reflect on where I’m placed in the marketplace and in my writing journey, I’m exploring how to make my fiction more commercial (as well as more literary), which means not embarking on projects that might lack wide appeal.

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Can you write a fractured fairy tale?

25/10/2018

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It’s rutting season out on the moors again. The first time I heard a bolving deer (no, that’s not a mistype), I thought it was a motorbike. On Sunday, it made me think of the troll who hides under the bridge to scare the billy goats gruff. Or maybe not, if it’s the poor misunderstood creature in Norah Colvin’s fractured fairy tale. Now she’s inviting you to write one too. But beware, you have only 99-words to play with and I’ll be helping Norah, along with children’s author Robbie Cheadle, to select the best.

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Fictional teenagers going missing in the Peak District: Reservoir 13 & Whistle in the Dark

3/5/2018

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Oh dear! As a Ranger in the Peak District, albeit only as a volunteer on alternate Sundays, I carry a sense of responsibility for the safety of visitors to the National Park. So it’s rather disconcerting to read about two teenage girls, on holiday from London, going missing there in a matter of weeks. Fortunately, both were characters in novels, and both providing the foundation for an engrossing story about the repercussions: the first for the residents of a fictional Derbyshire village; the second for the family of the girl who is found after four agonising days.

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On the Edges

28/1/2018

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The Peak District National Park comprises the limestone territory of the White Peak bracketed to the north and west by the gritstone based Dark Peak. Towards the south of the Dark Peak area, moorland gives way to rocky escarpments known as The Edges. A haven for walkers and climbers, as well as a nesting place for the rare ring ouzels, they’ve been shaped by both the millstone industry and centuries of erosion.

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LGBT history: Days Without End by Sebastian Barry

12/2/2017

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Sebastian Barry’s latest novel, which won the 2016 Costa Book of the Year Award announced last month, is a story of migration and massacre; of bravery and brutality; of family, friendship and gender fluidity told in the unique voice of an Irishman in 1850s America.

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On Writing, Rocks and Milestones

6/2/2017

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The average person walks at a rate of three miles an hour. But none of us is the average person. The time we take to walk from A to B varies with our general fitness, the length of our stride and our eagerness to reach our destination. The contours of the land, the smoothness of the path and even the weather also impact on our journey times. Diligent planners will take these factors into account when embarking on a country walk, but even pantsers can make judicious use of the three-miles-an-hour rule in knowing we can’t cover in a day a distance that would take the average person a week.

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Weaving stories and rattling words

9/1/2017

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Two novels I read recently – The Underground Railroad and Homegoing – touched on how, historically, the production of cotton depended on slave labour. A lot of that cotton came to Britain and helped transform weaving from a cottage industry to, with the invention of Hargreaves’ Spinning Jenny and Arkwright’s water frame, in the second half of the eighteenth century, the bedrock of the industrial revolution. The legacy of this rich industrial history can be explored within about an hour’s drive from where I live; unfortunately, while I’m interested in how past generations earned their livings, I haven’t yet prioritised visiting the museums.

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Beyond the sum of their parts?

26/12/2016

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Every novel is comprised of different parts that writers, readers and reviewers hope will combine into a satisfying whole. My last two reviews of 2016 – before I reveal my favourites of the year – are of novels for which finding that coherence is a particular challenge, but extremely worthwhile if achieved. Both published this summer, neither seems to have attracted many reviews on Goodreads, but I’m impressed with both (albeit one more than the other) so I hope you’ll at least give my reviews a chance.

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Sounding out the body in fiction

7/8/2016

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I spent what seemed to me a considerable amount of time flushing out what I thought was a bit of leek stuck between my upper right incisor and its neighbouring canine – first with my fingernail, then with the corner of a business card, and finally with a sharpened matchstick. But there was no piece of leek. It was an erroneous message that my gums were sending me, themselves misled by some previous irritation.

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In Brontë Country: Howarth vs Stanage-NorthLees

20/4/2016

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We British are proud of the Brontës, especially in cinematic form played out by attractive actors. But the Japanese are the real fans, apparently, making pilgrimages to the village on the edge of the Yorkshire Dales where the sisters penned their novels. One such tour is the launch point for Mick Jackson’s fourth novel for adults in which the eponymous “heroine”, after a few days drinking with her sister in London, travels north with a coachload of older women. But Yukiko is no Brontë aficionado. Instead, armed with a handful of photographs taken in the area, she considers herself a psychic detective, intent on discovering the secret of her mother’s visit ten years before, which she believes precipitated her suicide back home in the snow.

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Rebellion crushed: Human Acts by Han Kang

8/1/2016

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How does one organise the logistics of identification and disposal of bodies following a massacre? Does the soul exist independent of the body and, if so, at what point might they go their separate ways? How can theatre survive in a climate of censorship? What right has an academic to push a survivor to revisit traumatic memories in the interests of research? What role do women take in agitating for change?

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For Whose Benefit? A Sideways Look at the Creative Writing Industry

3/1/2016

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Over half a century ago, the social scientist and psychoanalyst, Isabel Menzies Lyth was commissioned to carry out an investigation into why so many promising nursing students were dropping out of training. What she discovered makes edifying reading for anyone using, or employed within, the human services or, indeed, any organisation at all. Despite the best intentions of all the staff, the social systems that had evolved within the hospital were like a spanner in the works, functioning against the primary task of healing the sick. Many highly motivated students, despairing at the impossibility of delivering compassionate care, simply left. Yet this human wastage was built into a system that relied on a high volume of low-paid students to deliver patient care, without having sufficient posts for them to move on to on qualification. Although the work is radically different, I’ve wondered for some time whether there’s a similar redundancy built into the creative writing industry, encouraging the dreams of far more budding writers than there are slots in the publishers’ lists.

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