Category: Humour

Guest Post: The Last Will of Sven Andersen by Geoff Le Pard

30/10/2019

Can it really been three years since I last hosted a post by Geoff Le Pard to contribute to the launch of his second novel? As you’ll see from the list at the end of this post, he’s published another six books since then. So this new one – currently available for pre-order – must be his ninth! As he reminds me in the piece below, he’s been making me laugh since our first meeting and this follow-up to his debut, Dead Flies and Sherry Trifle, is guaranteed to be a hoot. Let him tell you about it:

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Keen observers: The Measure of a Man & Bird Cottage

17/10/2019

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Sometimes, the covers of books I’ve paired for review are so well matched, despite differences in genre, it appears I’ve put them together for aesthetic reasons. But, while I like to dress my blog attractively, it’s the content that counts. These two translated novels fictionalise real-life historical figures who were meticulous observers of the world around them. The first is still celebrated 500 years later; the second has been forgotten in the half-century since her death.

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Time travel translated: Vintage 1954 & You Would Have Missed Me

18/6/2019

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I wouldn’t have expected to read one short novel/novella featuring time travel, let alone two, both translations, published within a week of each other in the UK. But here they are: the first, a light comedy from a French author, in which time travel is central to the plot; the second, a dark but not bleak reflection on childhood, in which a metaphorical time travel brings redemption.

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Writing isms: would you risk causing offence in your fiction? #amwriting

13/5/2019

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Much as I despair of living in a country where the birth of a baby is headline news – ditto his naming the following day – I do try to bear in mind that the extended family I involuntarily support via my taxes is made up of human beings, and therefore worthy of my respect. I sincerely hope I’m incapable of channeling my rage at inequality and unearned privilege into a bizarre racist tweet, as a BBC DJ did recently. How could he not know, as he has claimed, that an image of the latest royal baby as an ape would cause offence? But, in reflecting the world as I see it in my fiction, with darkness as well as light, I do risk inadvertently offending my readership, especially in portraying the isms from which, in my other identities, I’m at pains to distance myself.

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The Annethology Christmas message: Just say no!

7/12/2018

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Okay, so moaning about frenzied shopping and family fallouts is as integral to Christmas as turkey and tinsel and, for some, that’s part of the fun. But if the pain of Christmas surpasses your pleasure, I’ll let you into a secret: unless you have young children, or frail parents to whom you haven’t yet paid your dues – in which case, bookmark this post for when you’re free to prioritise yourself – you’re not obliged to join in. Okay, it can be tough to go against expectations, and it might require some negotiation with your nearest and dearest, but isn’t life too short to stick to the familiar, if the familiar isn’t what you want?

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Feline friends: French Exit & My Cat Yugoslavia

29/10/2018

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October’s final novel pairing involves migration, mothers and sons, and a couple of anthropoid cats. In the first, reckless spending pushes a mother and her co-dependent son to leave Manhattan for Paris along with the family cat; in the second, a woman is forced to flee Kosovo for Finland, where her son grows up distant from family and roots until he begins an affair with a talking cat.

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The toddler in my laptop

3/8/2018

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Imagine a virus has attacked your vocal chords, when your livelihood – not to mention your sanity – depends on clear communication. You can create sounds, but they are incomprehensible to others – a jumbled babble. Then, one day, as you jabber in frustration while preparing your children’s tea, your toddler’s voice rings out, perfectly articulating what you were trying to say.

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Murder and morality: The Forged Coupon, An Untouched House & Smoking Kills

3/7/2018

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Three translations came my way recently, each of which considers crime in a moral context. The two novellas are the work of now deceased European authors while the short novel comes from a contemporary writer. While one is a comedy and the others deadly (pun intended) serious, they collectively address the causes and consequences of the ultimate crime. In one, it begins as an accident and becomes an addiction; in another, it’s endemic in the destructive forces released through war; in the third, it’s the end result in a chain of selfish actions. While one ends in pessimism and another brings hope and redemption, in a third, the narrator gets what he wants in an unexpected way. I’m not saying which is which, but listing my reviews in the order I read them. I wonder which you would prefer.

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Balancing the light and dark #amreading

31/5/2018

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A couple of years ago I blogged about the reasons I’d give up on a novel. Near the top of my list of eleven reasons, I wrote:

4. While I believe there’s room for a touch of humour in almost any topic, I don’t like comedic takes on tragic situations unless, like The First Bad Man, it’s really dark and over the top. Apparent denial of desperation and devastation can really freak me out.

3. Yet, much as I’m drawn to the dark side, I don’t want my reading to be totally bleak. There are ways of writing about trauma that allow for a sliver of light.

While these two points still hold for me as a reader, I’m not sure I can identify exactly where the balance lies for me between dark and light, either in relation to what I want from a novel or in how to find it.

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Genealogy: The Gradual Disappearance of Jane Ashland & The One Who Wrote Destiny

5/4/2018

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When we find ourselves unmoored, we might be extra motivated to seek to consolidate our roots. That’s the slim connection between these two novels in which a woman confronting terrible loss decides to research her family tree. Both involve a story of migration: Jane Ashland’s ancestors moved from Norway to the USA; Neha’s in The One Who Wrote Destiny came from Kenya (and before that India) to the UK. For another novel about tracing the members of an extended family, see Kintu.

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Sequalling the classics: Dr Jekyll & Miss Blaine's Prefect

12/3/2018

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I’m not always drawn to sequels, but Dr Jekyll and Miss Blaine both caught my eye because they promised to be fun. The first needs no introduction; the second is a time travelling crime novel about a woman who loathes The Prime of Miss Jean Brodie for giving her alma mater, the Marcia Blaine School for Girls, a bad name. Both feature mysterious deaths and, as an added bonus, the second namechecks Mr Hyde.

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Two novels about contemporary inequalities

26/12/2017

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Some moral questions to end the year and see us into the next! Is it okay for some to go hungry while others feast? Is it okay that the accident of where we are born, and to whom, determines our life chances? Does it matter that, with modernity and the march of capitalism, the gap between the haves and have nots is widening? Neither this tragicomedy set in Edinburgh nor this scattershot novel set in India have the answers, but they can entertain us while making us reflect on the issues.

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The Visitors by Catherine Burns #blogtour #giveaway

15/10/2017

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Middle-aged siblings, Marion and John Zetland, rattle around the crumbling Georgian townhouse that has been their home since childhood. Timid and childlike, Marion has never had a job, and her more educated brother hasn’t worked since being dismissed from his teaching post at a boarding school twenty years before. She spends her time with her large collection of cuddly toys, dozing in front of the TV and heating the tinned food on which they subsist. John occupies himself with making model aeroplanes and attending to the visitors in the cellar, an unpleasant part of life which Marion does her best to ignore. Who is she to judge whether it’s right or not? John has always known better than her and, as the reader discovers as the story unfolds, her parents, teachers and schoolmates were never any help in teaching her how to be a person.

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Two “novel” perspectives on tourism: Here Comes the Sun and The South in Winter

20/6/2017

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Each of these novels provides a behind-the-scenes perspective on tourism, the first raging at the inequalities, the second poking gentle humour at those who mediate between traveller and native. Having anticipated some of the themes in a recent 99-word story composed before I read either, both, while very different from each other, are definitely my kind of book.

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Ireland’s Subterfuge and Fury

10/5/2017

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Allow me to introduce you to two novels looking back on Ireland’s recent history through the eyes of a man whose life has been limited by secrets, subterfuge and hypocrisy.

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The absurdities of cheese and cake

7/5/2017

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Frans Laarmans, a lowly clerk at an Antwerp shipyard in the 1930s is offered, by a wealthy friend of his brother’s, the opportunity to establish himself as a cheese merchant, dealing in full fat Edam from Amsterdam. Despite his distaste for even the word cheese, and his lack of business acumen, he jumps at the challenge. Immediately, the worthies at his patron’s weekly salon treat him more respectfully although his wife, to whom he is somewhat condescending, queries terms of the densely written contract. But soon Frans is busy choosing a name for his company, installing a telephone, buying headed stationery and sourcing a suitable desk – anything, it seems, to avoid getting to grips with the mechanics of selling cheese.

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The Clocks in This House All Tell Different Times by Xan Brooks

18/4/2017

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Officially speaking, these men do not exist. You could say that whatever goes on never actually happened. Whenever relations your youngster has with my chaps do not really exist. But if that’s the case then your conscience is clear.

Five years on from the end of the First World War and the flu pandemic that slaughtered many more, fourteen-year-old Londoner, Lucy Marsh, is taken on a summer Sunday afternoon, along with three other teenagers, deep into Epping Forest for a rendezvous with the Scarecrow, the Tin Man, the Cowardly Lion and Toto. There, something momentous happens, in a way that, in tune with uncensored fairytale traditions, is both matter-of-fact and magical, beautiful and horrific.

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A necessary nip of narcissism?

26/3/2017

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It had been a great night at the Polari salon in Nottingham, and the audience was waiting for the final performer to take the stage, when a woman bounded from the back of the room. Scowl framed by the hood of her black anorak, and ignoring the compere’s insistence that she wasn’t on the programme, Barbara Brownskirt barked out a series of poems from her numerous unpublished collections about, among other things, her unrequited love for Judi Dench. She was scary. She was hilarious. She was – and still is – the unsuccessful lesbian Poet-in-Residence at the 197 bus stop, Penge, and the brilliant creation of writer and performer Karen McLeod.

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Two novels about approaching the end

24/2/2017

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I’ve enjoyed these two novels about how we manage the end of life, the first through old age and the second through assisted dying. Mortality gets us all sooner or later; what better way to face it than with a novelist holding our hands?

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Satire for our times?

9/2/2017

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Is satire redundant when the World’s Most Powerful Narcissist tweets his outrage at the slightest scratch on his orange-tinged carapace, while She Who Should Be Humbled files for divorce from Europe in the full knowledge that this will leave her dependants economically and morally depleted, and literally humbles the Bejewelled Great-Grandmother by committing her to take her New Suitor for a spin in her horse-drawn carriage? Publication proceeding at a slower pace than populist politics, these two novels – the first set in a dystopian near-future and the second in 2013 – were conceived prior to the dystopia that was 2016 but can still evoke a shudder in these early days of 2017.