In the dying days of the old asylums, three paths intersect.
A brother and sister separated for fifty years and the idealistic young social worker who tries to reunite them. Will truth prevail over bigotry, or will the buried secret keep family apart?
Told with compassion and humour, Anne Goodwin’s third novel is a poignant, compelling and brilliantly authentic portrayal of asylum life, with a quirky protagonist you won’t easily forget.
Three short reviews of novels about how the past keeps hold of us. The first two are connected by the discovery of a body and a sleepy Shropshire village; the third novel, This Other Island, is, like Ever Rest, mostly set in London and, like Old Bones, it’s about family secrets.
Three short reviews of novels on the theme of love and loss: the first, set in Canada, about a woman whose husband disappears and turns up a year later with a new identity; the second, set in France, is about a man who yearns to be reunited with the lover from his youth before he loses himself to dementia; the third, a translated novel set in Spain, is about the tender relationship that develops between two brutalised people.
Here are two novels about forced migrations and which focus on structural inequalities and the particular dangers to women and girls. The first is about the partition of India in the mid-1940s and the second a contemporary novel set in the Americas.
Both these novels address mid-20th-century fascism from unusual angles: the first through the preoccupations of a Jewish family in Mussolini’s Italy; the second through an alternative history in which Britain, instead of going to war against the Nazis, has succumbed to colonisation in everything but name.
These two historical novels, set near the dawn of the twentieth century, illustrate how appallingly women’s freedoms, even – or especially – over custody of their own bodies, have been controlled by men. Both stories take place in or around institutions: the first an Irish hospital battling the pandemic; the second a university battling the ordinary citizens of an English town.
These two recent reads about a subject close to my heart: finding the meaning within supposed madness and unOthering those deemed severely mentally ill. The first is a classic, an antidote to the mad woman in the attic in Jane Eyre; the second, which deserves to become a classic, published this year. I have no hesitation in recommending them both.
Forgive the tenuous connection between these recent reads, the first featuring harem women in Egypt at the beginning of the twentieth century and the second a contemporary Italian girl who grows into a woman while imprisoned in a container. While you might shudder at the latter, I urge you to give it a chance, as it’s one of my favourite reads of 2021.
Well, what do you know? I can’t recall when I last read a novel featuring a kidnapping, and then two come along at once, both published (in the UK at least) on the same day (May 6). It’s worth noting, however, that I wouldn’t have flagged them as kidnap stories if I were posting these reviews individually. But it does distinguish them from the many other novels I might read about friendship and women’s lives from childhood to middle age. The first is set in the USA and the second in Nigeria and, if either sounds like your kind of story, don’t hesitate to get yourself a copy.
Allow me to introduce two recent reads featuring a teenage girl’s sexual awakening with a physically attractive but morally suspect young man, arousing the envy of her less confident suitor. Both novels also emphasise her passion for the place in which she lives: in the first, a derelict asylum in southern England; in the second, the family farm in rural France.
Let’s consider two novels published this month which direct the reader’s gaze towards the characters’ inner lives, mentally and physically. The first, set in Australia during the recent rampaging bushfires, focuses on the characters’ wandering minds as they watch a play. The second, set in the Americas, looks in on the body and outwards to the stars.
These two recent rereads focus on older characters who have been diminished by their culture’s punitive attitudes to their sexuality. In the first, a contemporary Londoner has hidden his love for his closest friend on account of the Caribbean community’s homophobia. In the second, a woman has been ostracised in twentieth-century Ireland because of the misogyny and genophobia among the powerful Catholic clergy. Yet a degree of redemption is offered to the characters, albeit late in life.
Salina roams aimlessly through the desert, sequentially accompanied by each of her three sons. Harold is physically and mentally unprepared for his epic journey, although he does have a specific destination in sight. Salina’s story unfolds in a newly-published novella, translated from the French; Harold’s in a deceptively light bestseller, published in 2012.
I’m sharing my reflections on these recent reads about the aftermath of a family tragedy, the first set in 1970s rural England and the second in contemporary Alabama. Both are by women writers whose previous novels I’ve loved and I’m delighted to say they didn’t disappoint.
I’ve been reading about fictional male vulnerability in this contemporary translation and this classic from seven decades ago. In the latter, a man has lost his infant son in Nazi-occupied France. Although he’s had an easier war in England, he’s almost as lost as the child. In the other, a family flees poverty in Russia, ostensibly in the hope of better health care for an orphaned boy. But perhaps it’s not him, but his grandparents, who need help most.
Here we have two highly successful mid-twentieth century novels with hospital settings. The first is a comedy of manners only partly set on a medical ward for older women in a London hospital; the second is an exuberant but ultimately devastating portrayal of an Oregon State medical hospital. What’s it like to read/reread them during pandemic six decades after they first hit the shelves?
It was good to read these two American novels about Black gay men, especially during LGBT history month: the second set in 19th-century Mississippi and an unnamed part of Africa; the first set in contemporary Texas and Japan.
One strand is a fund-raising flash fiction contest that kicks off next Monday. This post is part of the prelude which I'll let the anonymous ringleader tell you about in her own words:
I’m sharing my reflections on two novels, published a few years ago about retired schoolteachers who are forced to reappraise aspects of their pasts. Julia Garnet, a former history teacher in South London, has her epiphany in Venice; former maths teacher, Olive Kitteridge, stays in her home town in Maine. Both women have hidden their vulnerabilities beneath a steely shell. Both demonstrate it’s never too late to learn.
Meanwhile, we plod on, making the best of what freedom we have. For those of us who live primarily in our heads, the pandemic is no excuse to shirk. So, on the reasonable assumption I’ll survive to implement them, here are my goals and plans for the coming year.
Large gatherings at country houses are common enough in fiction, but these two recent reads, both involving family secrets, couldn’t be more different. It’s not so much that the first is set in England and the second in Japan, but one’s crime and the other literary translation. But even within those genres, they’re oddballs. In a good way? Read on for my thoughts!
entertaining fiction about identity, mental health and social justice
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
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I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on my WIPs and published books.
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Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)