In the dying days of the old asylums, three paths intersect.
A brother and sister separated for fifty years and the idealistic young social worker who tries to reunite them. Will truth prevail over bigotry, or will the buried secret keep family apart?
Told with compassion and humour, Anne Goodwin’s third novel is a poignant, compelling and brilliantly authentic portrayal of asylum life, with a quirky protagonist you won’t easily forget.
Three short reviews of novels on the theme of love and loss: the first, set in Canada, about a woman whose husband disappears and turns up a year later with a new identity; the second, set in France, is about a man who yearns to be reunited with the lover from his youth before he loses himself to dementia; the third, a translated novel set in Spain, is about the tender relationship that develops between two brutalised people.
These two historical novels, set near the dawn of the twentieth century, illustrate how appallingly women’s freedoms, even – or especially – over custody of their own bodies, have been controlled by men. Both stories take place in or around institutions: the first an Irish hospital battling the pandemic; the second a university battling the ordinary citizens of an English town.
Let’s consider two novels published this month which direct the reader’s gaze towards the characters’ inner lives, mentally and physically. The first, set in Australia during the recent rampaging bushfires, focuses on the characters’ wandering minds as they watch a play. The second, set in the Americas, looks in on the body and outwards to the stars.
Salina roams aimlessly through the desert, sequentially accompanied by each of her three sons. Harold is physically and mentally unprepared for his epic journey, although he does have a specific destination in sight. Salina’s story unfolds in a newly-published novella, translated from the French; Harold’s in a deceptively light bestseller, published in 2012.
Here we have two highly successful mid-twentieth century novels with hospital settings. The first is a comedy of manners only partly set on a medical ward for older women in a London hospital; the second is an exuberant but ultimately devastating portrayal of an Oregon State medical hospital. What’s it like to read/reread them during pandemic six decades after they first hit the shelves?
Both these recent reads have complex family dynamics at the centre, while addressing wider political issues in very different ways. In the first, we follow a middle-class Asian family forced to migrate from Uganda to Britain on the whim of a tin-pot dictator; in the second, three siblings re-enact their childhood rivalries around their mother’s deathbed as bushfires envelop their country and the world colludes in its own extinction.
Wolf has lost his wife and, if he doesn’t get his act together, he might lose his daughter, at exactly the moment he needs her most. Michka is losing her words, but is desperate to use those remaining to express her gratitude to a couple she lost touch with in childhood, even though they saved her life. Although I’ve posted a few reviews already this year, these are the first of fiction published in 2021.
One strand is a fund-raising flash fiction contest that kicks off next Monday. This post is part of the prelude which I'll let the anonymous ringleader tell you about in her own words:
I’ve recently read these two memoirs which celebrate the fortitude of the authors’ mothers, especially in later life. Both stories are precipitated by a death: in the case of Alison Jean Lester’s memoir, it’s her mother’s confrontation with terminal cancer; for Geoff Le Pard, it’s the revelation of a new side of his mother’s character on becoming a widow. Both are touching tributes, peppered with poetry and humour.
Mmm, seems I’ve chosen books with long titles for this threesome! But the reason I couldn’t bear to choose a couple and leave the other on the sidelines awaiting a partner is that they are all about characters connecting in unconventional ways. Firstly, I review a novella in translation about a writer meeting a man who seems to be a younger version of himself. In a second translated novella, a woman ensures that more than her memory lives on after her death. In the third, a literary novel, two women are linked via an invention that a third character plays an active part in developing.
muddled pathways so that he’s imposed a strategy for achieving his next unlikely ambition – if a man of his talents can “lead” first a capital city, then a country, why not go for the Booker Prize? – upon the one of which he’s tired?
I felt grief when schools and pubs and restaurants were closed, despite not having much use for any of them; and guilt when a minor health issue kept me from my usual outdoor volunteering, with staffing already low as the over 70s were advised to stay at home. I welcomed the lockdown in bringing some order to an atmosphere of chaos and confusion, despite being appalled when I saw it happening to my publisher in Spain. I found a host of silver linings and even admired the most egotistical prime minister and the most extreme right wing government’s management of the crisis. And then the doctors and nurses began to die.
History with meddlesome jinns and fairies: The Ninth Child & The Enlightenment of the Greengage Tree
My two final reviews for February are of historical novels with touches of culturally-appropriate magic realism. They also feature the losses and gains of relocating from a major city to a rural area in a period of rapid social change. The first is about public health and engineering in nineteenth century Scotland; the second is set between the late twentieth century and the present in post-revolutionary Iran.
Although these two historical novels are very different, both sparked some deep reflection about the workings of the human mind, and especially how our reasoning and problem-solving is influenced by beliefs and assumptions which, in turn, are shaped by the times and cultures in which we live. Both are set primarily in mainland Europe – the first in the seventeenth century and the second towards the end of the nineteenth century and the beginning of the twentieth – and feature – predominantly in the first and latterly in the second – countries ravaged by war.
In both these novels, the first set in contemporary New York and Nice and the second in a hypothetical future Tokyo, an older man is looking after a young relative in less than ideal circumstances. In different ways, they illustrate generational interdependence and how the past actions, or inactions, of the older generation have brought about some of the difficulties experienced by the young.
If I’ve reviewed any other novels set during the Black Death that swept across Europe in 1348, I’ve forgotten them. These two, published in the UK this summer, are likely to stay in my mind for some time. The first set in Ireland, the second in southern England, they’re very different, although both original in their language and style. And disturbingly topical as we’re catapulted towards an apocalypse – both politically and climatically – of our own.
So often our actions, or inactions, have dramatic consequences, impossible to foresee. In very different ways, these two novels address this issue, the first in relation to carelessness, the second in life-transforming chance events. Each also explores the non-linearity of time. In addition, while the first includes a translator as character, the second is a translation itself – from the Finnish, my fourth for Women in Translation month.
Three short reviews of quirky novels published in the UK this month that have taken me around the world without having to leave my armchair. The first, set in Australia, marries historical fact with a lonely alien visitor. The second, set in South Africa, posits an alternative near future where the sick are quarantined. The third, a German translation set in Japan, pairs a suicidal student with an expert on beards for a journey in the footsteps of a revered haiku poet.
Hot on the heels of The Old Drift, I found myself reading another two debuts about hair. In the first, although I don’t mention it in my review, you can see from the cover image that Queenie has great hair; in the second, the title’s a giveaway. Both novels also address discrimination (albeit not deeply enough for my liking): in the first as experienced by a young black woman in London; in the second it’s the trials of a lower caste woman in rural India condemned to shift shit with her bare hands and a Canadian lawyer hitting a professional brick wall when she gets sick.
Two short novels about doctoring, by authors with direct experience of the profession. The first, set in Egypt, is a semiautobiographical novel first published over half a century ago by one of the world’s most eminent feminists; the second, set in India, is a magic-realism story by a male author (but we won’t hold that against him). By sheer coincidence, neither of these authors names their characters, instead referring to them by role. (At least they don’t distinguish them by diagnoses!)
entertaining fiction about identity, mental health and social justice
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
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I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on my WIPs and published books.
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Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)