Earlier this year, I reviewed two novels in which disgraced daughters were banished from home. Although not cut off from family, the daughters in these two new novels have an even harder time in their enforced separation from wider society, with a violent father – or his proxy – governing their every move. While in Ghost Wall, Silvie’s participation in the Iron Age re-enactment is temporary, the three sisters in The Water Cure, are persuaded that without their seclusion they would die.
Women in Translation month was barely over when I picked up these two novels that should help me beat the last twelve months’ total of seven in the coming year. The first French, the second Polish, both focus on women living their lives somewhat apart from their peers. Diana because, growing up without maternal affection, she fills her emptiness with work. Olga, on the other hand, is more outwardly eccentric, and her beef is not with a mother, but with men.
Too few novels recreate the reality of the working environment, so hurrah for another two about women at work. From a contemporary Japanese supermarket to a library in a late 50s English country town, these depict women who take their work identity very seriously indeed. But the arrival of a man, alongside their own passion for the work, brings complications. Can Keiko and Sylvia hold onto their jobs?
Meet Abdallah, an Omani businessman who grew up without a mother, and Michael, a convenience-store worker in Toronto of Trinidadian heritage, who grew up without a dad. Each is somehow too sensitive for the community that contains them, with confusing expectations of masculinity they don’t easily meet. While Abdallah is rich in money and relatives, and Michael, alone with his mother, can hardly make ends meet, both are the products of rapidly changing cultures, both have seen violence and both have reason for regret.
I’m linking these novels less for the arboreal coincidence of the titles but because each is about the impact of another culture’s approach to death and/or ageing on a Westerner’s life. For the first, six months as a young man deep in the forest of a remote Micronesian island determine the course of his professional and domestic life; for the second, a glimpse of the culture of the Toraja people in Indonesia in middle age helps him mourn the loss of a close friend.
When teenagers flee the family home to fend for themselves, they swap one kind of brutality for another. And while their troubled lives will have forced them to develop survival skills in some areas, they are often more vulnerable than their peers in others, such as emotional literacy. But real-life tragedy can make engrossing fiction as you’ll find if you let the young narrators of these two novels lead you into the wilderness: Jaxie in Western Australia and Sal and her younger sister in Scotland. For real-life youth homelessness, mostly in urban areas, Centrepoint (in the UK) is worth supporting.
When the press release described Speak No Evil as “a novel about the power of words”, I thought it would fit nicely with Missing, about a translator who has personal reasons for using precise verbalisations. But, although I could see what the publishers were getting at, it didn’t chime strongly with my reading experience. Nevertheless, these short novels – the first from the UK, the second from the US and Nigeria – have something in common: the grief and guilt that has diverted a woman’s life after a tragic misunderstanding at the age of eighteen. But, given that exactly how that happened is part of the mystery, you won’t find much about that in my reviews. Don’t let that stop you reading on, as both these novels are well worth your time.
After my last post featuring two novels about fictional teenagers going missing in the Peak District, the link between these reviews is more tenuous. While both feature men who have found a salaried position after art school – the first going into the gaming industry without completing his degree; the second joining the ranks of fictional therapists as a rare art therapist – these novels seem quite different. Yet both also feature obsession: the first with the alternate reality of computer games; the second with an estranged daughter. See what you think.
Oh dear! As a Ranger in the Peak District, albeit only as a volunteer on alternate Sundays, I carry a sense of responsibility for the safety of visitors to the National Park. So it’s rather disconcerting to read about two teenage girls, on holiday from London, going missing there in a matter of weeks. Fortunately, both were characters in novels, and both providing the foundation for an engrossing story about the repercussions: the first for the residents of a fictional Derbyshire village; the second for the family of the girl who is found after four agonising days.
Setting a novel in the near future requires two extra decisions. To what extent will this imagined world differ from what’s familiar today? What defines that difference? Although the social, environmental and technological developments or regressions in this fictional landscape are inevitably interlinked, one factor tends to dominate (and perhaps determines the readership to which it most appeals). At least that’s what I’ve been thinking since reading The Unit and Anna back-to-back (as well as recent dabbling in one of the subgenres myself). In the first, a democratic society has agreed (over time) that the lives of economically and socially unproductive citizens can be sacrificed for the common good. In the second, feral children roam a post-apocalyptic world in which adults have been wiped out by a virus and most of the infrastructure by a fire. Tempted? Read on!
Although these two novels couldn’t be more different in tone – the first a literary exploration of a young mother’s development; the second tricksy thriller – I can’t resist pairing them for the other factors they have in common. Both feature thoughtful, philosophising, unnamed narrators; both take as their subject matter how we explore the inside and outside of other people, and ourselves. Both are ambitious and unusual in their approach; both are the author’s second book and a cracking read.
Scouring my shelves for a book to accompany The Athenian Women, I thought I was “making do” when I picked up Such Small Hands: two translated and disturbing reads. So it was a bonus that the latter included a strand narrated in the first person plural (very like a Greek chorus as Edmund White points out in an Afterword), while the latter, set in Athens 411 BC, takes its characters to the theatre where a genuine Greek chorus stands on stage. Add in the similarities of the authors’ names (I’m assuming Italian and Spanish versions of Barber) and I couldn’t have linked them better if it was planned.
I recently featured four novels depicting the impact on children of a father’s absence. These two debut novels present the other side of the story: the terrible harm that a father’s presence can do. In both, the fathers control their children’s minds and bodies through violence and a perverted kind of love. Although fiction, each reflects the darker side of society today.
These two novels are worlds apart in terms of style and genre, but both involve mysterious deaths set against real-life moments of rampage and riot in England during recent hot summers. In the first, a lone gunman on the rampage in 2010 Cumbria is integral to the story. In the second, the 2011 London riots provide the perfect backdrop for a domestic noir thriller.
As illustrated in my posts, The Child in the Clothes of the Criminal and The mother and sisters in Underneath, the character of Steve, the narrator of my second novel, has been shaped by his experiences as a child with a depressed mother. This post highlights how the issue is addressed in my own and in other novels I’ve recently reviewed.
Allow me to introduce you to two translated novels with a supernatural element, albeit less central to the story in the second. Both also give a nod to mental health issues linked to criminality: via one of the off-stage characters in Norma; a neurological disorder thought to be Korsakoff syndrome for the unfortunate narrator of Black Moses. Plus a return to Carrot Ranch Flash Fiction Challenge. For another novel with a supernatural element, see my review of A Jigsaw of Fire and Stars.
If you like to be scared, Halloween is the time for it, and if you like to be scared by a book, any of these might do. The first two are about houses haunted by their history are described as Gothic horror. The third seems to be going that way, but then veers off into a different kind of disturbance which, for me, provided the richer read.
Life’s a game of snakes and ladders; we all have our ups and downs. But some people’s snakes are much longer than some other people’s ladders, and some so unlucky on the roll of the dice it’s like they’ve landed in a slithery nest of snakes. If fear or despair hasn’t shut down their emotions, these people are angry, understandably so. And that’s my tenuous link between these novels: the first about a young woman’s sudden blindness and the second about the victims of paedophile priests.
SHORT STORY COLLECTION COMING NOVEMBER 23rd
BOOK BLOGGERS CAN REQUEST A REVIEW COPY HERE
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
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