Category: Reviewing

What should you read when unwell?

27/2/2019

A virus nabbed me at the end of January, and kept me captive right through this month. Confined to barracks if not to bed, it’s deprived me of walks and singing, and standing at my desk. But I could sit and edit, although I’ve done no new writing, apart from a couple of 99-word stories, and a helluva lot of reviews. February might be the shortest month, but perhaps the greatest in my book-reading tally.

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My reading goals for 2019

30/1/2019

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In January last year, I posted on my goals to ensure that at least 50% of the books I read were from independent publishers and/or by female authors. Convinced that diversity is good for the brain, I aspired to make 20% of my reading choices translations. My analysis, posted earlier this month, showed I achieved on all three, but failed a fourth target of 25% BME authors. So what are the implications, if any, for my reading across the coming year?

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Seven novels by female Australian authors

25/1/2019

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Last summer when I tweeted my post Why aren’t I reading more books by women?, someone commented that she didn’t read as many women as she’d like as her focus was Australian and New Zealand writers. While I must confess to a failure to review New Zealand writers of any gender, I’ve collected a few Australians in the last couple of years. What better prompt to give them another shout than Australia Day?

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My favourite reads of 2018 Part 4 #amreading

5/1/2019

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Welcome to the fourth and final instalment of my favourite reads of the year. Here I’ll share micro-reviews of my four final favourites (from November and December) along with an overview of all 19. You’ll find links to the full reviews if you’re curious to read more. Plus I’ve got some pretty charts to show how these, and the 147 books I read in total, measured up against the targets I set last year.

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Young women, invisible even to themselves: My Year of Rest and Relaxation & Pretend I’m Dead

31/12/2018

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I’m rounding off my reading year with reviews of American novels about women in their mid-20s who are estranged from everything, even themselves. While the first owns two properties and the second cleans other people’s houses for a living, they are equally desperately homeless inside. While the first namedrops designer labels, and the second cleaning products, both bring a light touch to the tragedy of feeling invisible and being insecurely attached.

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My favourite reads of 2018 Part 3 #amreading

24/12/2018

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Welcome to the penultimate instalment of my favourite reads of the year with reminders of five wonderful novels I reviewed in September, October and November. This is a short post because I know some people are busy, having ignored my advice on saying No to Christmas!

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My favourite reads of 2018 Part 2 #amreading

17/12/2018

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I’ve awarded eighteen books 5-star ratings so far this year, so I’m sharing them in instalments. These five are from my reviews between May and August.

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Now with more books than hands

30/11/2018

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Out on the soggy trails near my home a couple of days ago, I fell into conversation with a man walking his dogs. Discovering he was a visitor to the area, I wished him better weather before he left. When he replied that there’s no life without rain, I was ready to play my part in a climate-change script. So I was surprised, and somewhat disappointed, when he said he’d tell me something that had been kept from people since the beginning of time.

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Not all may have prizes … but how does funding play a part in who enters the race?

16/10/2018

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With the Man Booker Prize winner announced tonight, my fingers are crossed for Washington Black, although I’d raise a cheer for either of the other contenders I’ve reviewed (The Mars Room and Milkman). Right now, my thoughts are also with those authors who not only don’t succeed in dazzling the judges, but don’t even get the chance to step onto the stage.

You’re familiar with those email scams, aren’t you? Congratulations, you’ve won a prize! Just send us a cheque to cover administration costs, and we’ll deliver it. Feels good, doesn’t it? Until you wonder whether the winnings will cover your fees. But that wouldn’t happen in the literary world, would it? Awards are dispensed purely on merit, surely? No paying for prizes there?

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Reading the world

21/9/2018

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A recent comment from Norah Colvin got me wondering (as they often do): how many countries had I visited recently in the pages of a book? Perhaps I’d set myself a reading goal for next year: around the world in eighty books! As a comparison (or perhaps as a way of avoiding knuckling down to some real work), I thought I’d check where I’d travelled so far this year. Omitting mainland UK and the USA, where I find myself all too often, I’m not even halfway to eighty, but it’s nevertheless a spread.

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Could do better? Three novels for Women in Translation month

30/8/2018

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I failed last month to meet my modest target of at least 50% of my reviews being of books by women. Speculating on the possible reasons, I noticed a preponderance of male authors among the novels in translation coming my way. If I were better orientated to time, you’d be forgiven for suspecting my lousy support of female authors was no accident, providing the perfect teaser for today’s post for women in translation month, revisiting the qualifying novels I’ve reviewed since August last year.

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Have your reading preferences changed over time? #amreading

29/6/2018

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Book groups are great because you get to read stuff you wouldn’t ordinarily choose. But groups are a pain because you feel obliged to read stuff you wouldn’t ordinarily choose. Sometimes it’s a pleasant surprise. Sometimes it confirms your prejudices. But best of all is when it takes you back to a book you thought you knew only to find you’ve completely changed your mind about it.

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Unravelling the mystery of mystery #amwriting

24/4/2018

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Discovering a new review can make an author’s day. If that review emphasises the positives in your published work, even better. If the book has extended the review’s knowledge of the world, that’s a bonus. Then, if the reviewer has analysed the book from the perspective of developing their own writing – and not in identifying the pitfalls to avoid – it’s extra special. So excuse me for revelling in Marsha Ingrao’s review of my debut novel, Sugar and Snails. Her focus on the way I’ve managed mystery in my novel has prompted me to retrieve some of my prepublication thoughts on the matter that have languished on my phone for nearly three years. (With so many articles and blog posts already published, I’m surprised there’s anything still unsaid.) This post is an attempt to integrate those early reflections with what I’ve learned from reader feedback and reviews that might be of use to other writers building mystery into a novel that sits outside the mystery genre.

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Loners: Eleanor Oliphant & Upstate

27/2/2018

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Two novels featuring women, scarred by life, who have kept themselves slightly aloof. Of the two, Eleanor Oliphant is the most damaged, but small acts of kindness, along with a crush on a self-centred musician, might bring her out of her shell. Upstate is perhaps more realistic in confronting the difficulty of change, even though, when we first meet Vanessa Querry she’s no longer lonely as she’s fallen in love. Eleanor gets the better therapist; but is either of these women completely fine?

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My reading goals for 2018

30/1/2018

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2018 Reading Challenge

Anne has read 8 books toward their goal of 100 books.

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8 of 100 (8%)

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I’ve registered for the Goodreads challenge for a fifth year and, although my totals have increased year-on-year, I’m sticking to a goal of 100 books. Even though it’s hardly a challenge to curl up with a novel most evenings, in a business that is mostly about failing, why not give myself a target I know I can beat? Besides, this isn’t a marathon. Reading is more about the experience than a numbers game. That’s why I’m setting myself some specific targets in relation to quality and diversity, building on my analysis of 150 books read in 2017.

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My twelve favourite reads of 2017 #amreading

29/12/2017

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I’ve read 150 books this year (the image shows only a selection); according to Goodreads that’s 40,927 pages, with an average rating of 3.5. That’s slightly more books, but fewer pages, than last year. All but nine of this year’s reads were fiction, of which 19 (13% – slightly down on last year) are translations. An analysis of my first 100 reads found 71% were from independent publishers. Enough with the figures, let’s take a closer look at the year’s overall favourites.

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93% novels and 71% independents: My first 100 reads of 2017

30/9/2017

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Earlier this month, I met my “challenge” of reading 100 books this year. You can see them pictured above, beginning with my most recent read. Why not join me in reviewing the balance (or otherwise) of fiction versus non-fiction, type of publisher and percentage of translations versus English-language originals?

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How to write a negative review

18/8/2017

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You’ve read the book, and now you wish you hadn’t. You begrudge the time or money you’ve given to words of little worth. You hated it and don’t care who knows it. Which you are entirely at liberty to do. But before you give vent, do give a little thought to how to go about it. Read on for the who, how, what, why, where and when from someone who’s been both author and recipient of negative reviews.

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How a one-star review is a gift to people pleasers

5/7/2017

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After being turned down by multiple publishers and agents, I was pleasantly surprised at how well my debut novel, Sugar and Snails, was received, even going on to be shortlisted for the Polari First Book Prize. But you can’t take anything for granted in this business. Two years later, my second novel, Underneath, brought me, on the eve of publication, my first one-star review on Goodreads (and a little later on Amazon). Ouch! Someone has looked at my baby, declared it ugly and wants the world to know.

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The Messiah Narrative

13/4/2017

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Even if you’re not a fan of Baroque music, you’d probably recognise at least one of the magnificent choruses from George Frideric Handel’s Messiah. If not the jolly “For Unto Us a Child Is Born”, perhaps the main justification for its popularity at Christmas, then you must know the exuberant “Hallelujah”. But there are fifty-one other choruses and solos that make up the three-hour long oratorio. This beautiful book tells the story of its composition and musical afterlife.

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