In the dying days of the old asylums, three paths intersect.
A brother and sister separated for fifty years and the idealistic young social worker who tries to reunite them. Will truth prevail over bigotry, or will the buried secret keep family apart?
Told with compassion and humour, Anne Goodwin’s third novel is a poignant, compelling and brilliantly authentic portrayal of asylum life, with a quirky protagonist you won’t easily forget.
In what circumstances is it acceptable for women to abandon their traditional roles? What are the consequences if they should do so ill-advisedly? Although these two novels are set in different times and cultures to my own, they raised questions for me as to how far we can safely step out of line. The first novel pays homage to the forgotten women of Ethiopia who took up arms when the country was invaded by Mussolini’s troops. In the second, set in seventeenth century north Norway, the women have no choice but to do the jobs previously carried out by their menfolk when a storm at sea wipes out most of the male population, only for some to find themselves accused of witchcraft a few years later.
What could these two novels possibly have in common other than the similar colours on the covers, and that I read them consecutively in the week they were published in the UK? The first is a family saga spanning six decades from the Spanish Civil War to the defeat of Pinochet in 1990s Chile from a doyenne of Latin American literature. The second is a debut about madness and motherhood. Both are concerned with exile, to and from Europe and the Americas; the latter also addressing psychological exile from the self.
Although these two historical novels are very different, both sparked some deep reflection about the workings of the human mind, and especially how our reasoning and problem-solving is influenced by beliefs and assumptions which, in turn, are shaped by the times and cultures in which we live. Both are set primarily in mainland Europe – the first in the seventeenth century and the second towards the end of the nineteenth century and the beginning of the twentieth – and feature – predominantly in the first and latterly in the second – countries ravaged by war.
Having begun the year’s reviews with a Kindle catch-up, including a couple of single-author collections, my attention was drawn to another couple of multi-author short-story anthologies waiting on my physical shelf. I don’t know why I’d neglected them. Perhaps because anthologies are harder than novels to review? Whatever reason, I’ve finally read them. Enjoyed them. And now I’m here to tell you why.
entertaining fiction about identity, mental health and social justice
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
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Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)