Blog Archives

My first month of lockdown reading and recommendations

28/4/2020

After a full month of lockdown, am I any closer to answering the question I posed to myself at the end of March: Do you read differently in anxious times? Of course not! While my preference for fiction remains, I’ve enjoyed both long and short novels this month, both sober and comic, and, as for theme, read wherever I took my fancy from my dwindling TBR shelf. I’ve shed cathartic tears in response to a political satire – thank you Enter the Aardvark by Jessica Anthony – and laughed deep into my belly reading a novel about the experience of depression – Rabbits for Food. We’re strange creatures, we human beings!

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Unrecognised: Rabbits for Food & Miss Iceland

24/4/2020

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Is there discrimination against women writers? (Is there even more discrimination against older women writers?) Probably but, there being even worse things to get hung up about right now, I’ll gloss over the fact that these two novels about under-appreciated female writers – one in 1960s Iceland, the other in 21st-century New York – come from fairly successful female authors. With a couple of caveats, either or both would make great lockdown reads.

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A perfectly cathartic political satire: Enter the Aardvark by Jessica Anthony (#review and #giveaway)

23/4/2020

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In those innocent days before Donald Trump and Boris Johnson, Republican Congressman Alexander Wilson might have seemed a cartoon caricature, but I found his fictional hypocrisy and narcissism – and unwarranted optimism – immensely consoling in these rage-inducing times. We join him as the doorbell rings at his comfortable home in Virginia, on a hot day in August at the start of his re-election campaign. He’s surprised at the size of the parcel left by the FedEx delivery driver, and even more so when he unwraps it to find a stuffed aardvark and an unsigned card from his ‘lover’ (Congressman Wilson is incapable of love) Greg Tampico, President of the Namibian charity, The Happiness Foundation.

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Connected through music and literature: The Weight of a Piano & A Bookshop in Algiers

20/4/2020

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If you’re reading through the lockdown, or listening to more music, you might be interested in these two books featuring dual narratives connected via an “instrument” of the arts. The second is a translated novella set in and around a real-life bookshop and publishing house; the first is about heartbreak compounded by the fear of letting go from a publisher who mostly does translations.

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I’m fuming (furious, irate, incensed, enraged, seething, mad, livid, cross)

17/4/2020

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Life’s changed so quickly, it’s been hard to keep track. I’ll admit my initial response was childishly self-centred. Woe is me, my favourite conference is cancelled; I won’t be able to give my talk and sell half a dozen more books. But, soon after, I saw the point when large gatherings were banned (although it was a shame my Wednesday afternoon choir couldn’t do its final concert). Next came concern for the mental well-being of those whose lives were restricted and livelihoods lost.

I felt grief when schools and pubs and restaurants were closed, despite not having much use for any of them; and guilt when a minor health issue kept me from my usual outdoor volunteering, with staffing already low as the over 70s were advised to stay at home. I welcomed the lockdown in bringing some order to an atmosphere of chaos and confusion, despite being appalled when I saw it happening to my publisher in Spain. I found a host of silver linings and even admired the most egotistical prime minister and the most extreme right wing government’s management of the crisis. And then the doctors and nurses began to die.

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Darkness brought to light: The Sin Eater & Soot

15/4/2020

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I’ve recently read two alternative histories about what we do with the darker or unwanted parts of ourselves: how we reveal them to, or hide them from, ourselves and others; how societies develop rituals to manage the exposure and cleansing; how power effects what’s allowed. If that sounds overly intellectual, don’t worry; both of these have story at the heart.

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The positives of pessimism as we await the pandemic peak

10/4/2020

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What character have you played in the early chapters of the dystopian novel we’re all living? Were you the sensible one whom the others ridicule or were you, like me, the seven-stone weakling who follows the trail into the ramshackle warehouse without telling her colleagues where she’s going or charging her phone? Although I’ve contracted no symptoms and stuck to the letter of the law, I look back in horror on my attitude of only a month ago; I ought to have been more cautious right from the start.

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Discovering interesting echoes of our current crisis as I edit my novel

5/4/2020

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I desperately wanted my third novel, Matilda Windsor Is Coming Home, to be published this year. For one thing, I like the ring of 2020. For another, I’ve been working on it long enough. Begun with three character sketches in autumn 2014, I completed an 80,000 word first draft in January 2015 and, after various ups and downs, including ballooning to 130,000 words, had it ready for reader feedback three years later.

When Inspired Quill, who published my first three books couldn’t find space in this year’s schedule, I considered self-publishing, and, for a whole week in January was convinced I was going with a pricey but prestigious assisted self-publishing outfit until it became clear that, even setting aside printing costs, I’d lose money on Amazon sales unless I ratcheted up the price. Now, of course, with events cancelled for the next several weeks, I feel remarkably lucky to have finally signed with Inspired Quill for May 2021.

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The Return: Shooting Down Heaven & The Great Homecoming

3/4/2020

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I’ve recently read two novels in translation featuring a homecoming to troubled parts of the world. The first is about the son of a Colombian drug baron; the second about three friends in a divided Korea. Both are firmly grounded in those countries’ painful histories; the violence and anxious atmosphere makes me grateful I’ve only the coronavirus pandemic to worry about.