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About the author and blogger ...

Anne Goodwin’s drive to understand what makes people tick led to a career in clinical psychology. That same curiosity now powers her fiction.
A prize-winning short-story writer, she has published three novels and a short story collection with small independent press, Inspired Quill. Her debut novel, Sugar and Snails, was shortlisted for the 2016 Polari First Book Prize.
Away from her desk, Anne guides book-loving walkers through the Derbyshire landscape that inspired Charlotte Brontë’s Jane Eyre.
Subscribers to her newsletter can download a free e-book of award-winning short stories.

TELL ME MORE

Discovering interesting echoes of our current crisis as I edit my novel

5/4/2020

8 Comments

 
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I desperately wanted my third novel, Matilda Windsor Is Coming Home, to be published this year. For one thing, I like the ring of 2020. For another, I’ve been working on it long enough. Begun with three character sketches in autumn 2014, I completed an 80,000 word first draft in January 2015 and, after various ups and downs, including ballooning to 130,000 words, had it ready for reader feedback three years later.

When Inspired Quill, who published my first three books couldn’t find space in this year’s schedule, I considered self-publishing, and, for a whole week in January was convinced I was going with a pricey but prestigious assisted self-publishing outfit until it became clear that, even setting aside printing costs, I’d lose money on Amazon sales unless I ratcheted up the price. Now, of course, with events cancelled for the next several weeks, I feel remarkably lucky to have finally signed with Inspired Quill for May 2021.
Having agreed with my publisher to submit my final manuscript at the end of February, I felt I had ample time for a leisurely read through. But that didn’t factor in my new-found editing obsessionality, such that the deadline came and I still wasn’t done. Having negotiated an extension, I was deep in edit-land when the pandemic hit. In some ways, editing has being the ideal task for these anxious times … and then I found some curious echoes, in a novel set in the 1930s and early 1990s, of our current predicament.
 
A deadly virus
 
My novel is about mental illness, not physical illness but a character born in 1919, as Matty is, must know about the scourge of the Spanish flu. Especially a girl who doesn’t know the full story of what killed her father. Fast-forward to the late 1980s/early 1990s, and anyone working in health or social care, such as my second point-of-view character, Janice, would be horrified by the spread of the mysterious, and initially unstoppable, virus HIV. As a fledgling social worker, Janice is determined to put the world to rights. When life for the longstay psychiatric patients doesn’t improve fast enough, she considers shifting to another specialism:
 
Their predicament mirrored Matty’s: shunned by society, and their families; robbed of their futures; punished for having sex. Did AIDS patients need her more because they died physically, in addition to socially and psychologically?
 
Self-isolation
 
Henry, the third point-of-view character, spends some time in self-isolation, not because the virus he contracts is particularly lethal but because he lives alone and is too sick to drag himself to work. Henry knows it’s
 
barmy to bother the doctor with a virus. Medicine was impotent in that regard.
 
but he needs a sick note for his employer. Emerging from self-isolation is disorientating:
 
the ground rocked beneath his feet. He’d been at sea and hadn’t recovered his land-legs.
 
Online connections
 
Henry is a laggard regarding new technology; as a payroll clerk in local government, he’s resisted the computerisation of a system he devised back in the 1970s. To his manager’s intense frustration, he’s refused to attend residential training on the off-chance that his sister – whose return he’s awaited for half a century – should turn up to an empty house.
 
He might have chanced it if a computer could magically locate his sister. But a glorified calculator-cum-typewriter couldn’t succeed where letters to editors in five continents had failed.
 
Alas, poor Henry! If only he could have foreseen how much we’ve come to rely on digital technology, and how vital it’s been for maintaining contact with friends and family even before the pandemic had us on lockdown.
 
High hopes
 
Despite the lack of response to his letters to newspapers around the world, Henry remains optimistic he’ll find his sister. But it’s not only a computing course he’s missed out on while he’s put his life on hold. Janice could also be considered overambitious in her confidence that she can substantially improve Matty’s quality of life. One of the novel’s themes is the narrow line between high hopes and delusion, yet only Matty, who believes the hospital where she lives is her mother’s country estate, is mentally ill. In one of its previous incarnations, this novel was called High Hopes.
 
Just as in the novel, excessive hope and optimism might be detrimental in our current crisis. Some of the leaders who have been tardy in acting to contain the virus, such as Boris Johnson and Donald Trump, are also politicians with an excessively can-do style of presentation and disregard for the facts. Let’s hope their apparent optimism hasn’t risked too many lives, although clinician deaths, ostensibly due to inadequate personal protection equipment, is an outrage.
 
No point

We try to keep our hopes up in order to keep going and ward off despair. But these are anxious times, and we’ll all have our low points. So far, my worst time was two weeks ago, the day after the closure of schools and pubs and restaurants and a couple of days before the UK went into lockdown, when things felt uncontained and chaotic, and I grieved the loss of ordinary life. Around that time, ploughing through my list of potential word echoes, I waged war on the 56 occurrences of point in my manuscript (not only as a standalone but embedded in other words such as appointment and disappoint). As I was wondering whether not only the meticulous editing was pointless but the whole enterprise of fiction had no point, I managed to cut the occurrences down to 34.
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Keeping busy
 
Life in lockdown means being bombarded with suggestions of how to fill that extra time. While I’m already far too busy to learn Lithuanian and haven’t been able to buy the flour to bake more than a basic loaf, I do recognise the value of purposeful activity in maintaining our mental health. In the early years of the asylum movement, patients were supported to keep active, but overcrowding meant that by the time of Matty’s admission in the late 1930s, they had little to occupy their minds. Deprived of even basic choices, they became disabled not only by mental illness but by institutionalisation, which community policies aimed to rectify.
 
Bathroom behaviour
 
Who would have predicted that a virus that targets the lungs rather than the digestive tract would have people fighting over packs of toilet paper in the supermarket aisles? Well, maybe Matty would: having lived in the slums she’s rather impressed with “a bathroom and separate flushing lavatory with paper that didn’t leave newsprint on your bum” when she visits a posh house at the age of twelve.
 
Henry might appreciate the need for social distancing, as far as we can judge from his avoidance of shaking an older man’s unwashed hand. Of course, you’d expect a toilet scene or two from an author who celebrates fictional toilets.
 
I wonder if I’d have found another set of echoes if I were living through a different crisis although, at the top of my head, I can’t remember any references to apocalyptic fire or flood. But maybe I haven’t looked hard enough.

What do you think? Have you found any interesting echoes of our current crisis in your own writing?


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Onwards to this week’s flash fiction challenge: pizza. Pizza? Charli must be missing her comfort food. As a child, I’d come across pizza pie in books, without knowing what it was and, living in a small town, I didn’t find out until eating at pizzerias at university aged eighteen. But, by the late 1980s, when my novel begins, pizza was commonplace in the UK such that, when Janice meets up with her friends from her social work training, they get a pizza delivery. I’ve drawn on that scene, part of the subplot of Janice’s feelings about having been adopted, for my 99-word story:

The social work course reunion
 
Janice’s gaze swept across the debris: grease-smeared delivery boxes; glasses mottled with burst beer-bubbles; cigarette butts shipwrecked in olive oil. She didn’t begrudge her friends their gallows humour, but that baby was a case to them.
 
A wailing baby, a washed-out mother, a blaring TV. A typical home visit. The punchline – pun intended – was the mother screeching into the pram, “Tom and Jerry! It’s your fucking programme!”
 
“A two-month-old propped up to watch a cartoon cat take a mallet to a mouse.”
 
Janice nibbled a shard of pizza crust. “I’m thinking of tracing my birth mother.” The laughter stalled.
 

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8 Comments
Annalisa Crawford link
5/4/2020 06:17:14 pm

I've talked to several writer friends who've all said the same thing about echoes of the current situation. My own WIP contains a character who is spending a lot of time on her own, and the sound of silence while I walk my dog in the morning is very inspiring!

Don't you just love those long lists of overused words?!

Reply
Anne Goodwin
6/4/2020 10:58:02 am

I wonder if these things have always been there in our collective unconscious but usually go unnoticed.
Thankfully I also love solitary walks – no dog – so am adept at social distancing!
The difficulty with word echoes is knowing when to stop. The list in my image is from last year's but I found almost as many this time around. At least there's no chance of being left with nothing to do.
Thanks for visiting my blog and wishing you all the best for your own writing.

Reply
D. Avery link
5/4/2020 08:06:42 pm

Sorry about the delay in publishing, but maybe all for the better.
Kind of hoping the working from home gets into a smoother routine now that we've been adjusting. It's felt like less time instead of more and hard to know where the separation is. But I still sneak little bits of writing out. Since it began the pandemic and isolation has infiltrated much of my flashes and poems. Those pieces where I resolved to keep the present out still were far from cheery. I'm not sure what will become of my family friendly characters that used to show up. For now they are hiding in a past time. Guess I can always sidle up to the Saddle Up for some fun at least. See you there.

Reply
Anne Goodwin
6/4/2020 11:31:41 am

Yes, indeed, the delay has worked out well for me. Even if we're still in lockdown next year – heaven forbid! – at least I'll have done my grieving and be prepared.
Working from home takes some adjusting, and it must be especially so when you're managing a virtual classroom. I'm in awe of how people are rising to the challenge, as even I feel busier and the new normal isn't so different to the old normal for me. But the background anxiety still takes work, even when we're not consciously aware of it, so those fun times are extra specially important.
I enjoyed collaborating with your characters over at the ranch
https://carrotranch.com/2020/04/06/saddle-up-saloon-bar-hire/

Reply
Norah Colvin
6/4/2020 11:45:42 am

Interesting reflections on the similarities of situations in your novel to our current situation. I am pleased Inspired Quill has hired your inspired quill again and I do look forward to reading all about Matilda next year when the similarities will be a remnant of the past.
It was interesting to read the post and flash and learn a little more of Matilda's support characters. Janice sounds like an interesting character. In fact all of them do. You have a way of writing deeply into characters.
Please survive this dreadful situation and write many more stories and books.

Reply
Anne Goodwin
7/4/2020 05:57:50 pm

Thanks, Norah, I look forward to surviving together into a brighter – or at least less anxious – future.

Reply
Charli Mills
9/4/2020 03:12:41 am

Interesting echoes you found in your novel, Anne. May 2021 will be a good year to publish as this year will also flatten the curve for sales of new releases. I wonder at how we all will do as Henry did, finding "Emerging from self-isolation is disorientating."

As for my own WIP, I wonder how my thesis version will be impacted as I write through this time. Weeks prior, I wrote a short story, venturing into speculative fiction, which is infrequent for me. I wrote about a great world-wide burning, a rebirth of sorts. Then the world caught the COVID-19 fever. Think I'll stick to contemporary fiction for a while.

Loved the scene with Janice. The way the social workers use the dark humor to cope with what they see, and the contrast to what are Janice's intentions.

Reply
Anne Goodwin
10/4/2020 01:51:16 pm

Thanks, Charli, and yes I'm sure next year will be better.
As for the disorientation of emerging from hibernation, it's already feeling weird driving ten minutes to the supermarket so it's sure to be strange when I'm going further afield.
There's a lot of gallows humour around the pandemic also, so that's another way I could have linked my novel to the current times.

Reply



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