Category: Lyrics For The Loved Ones

About the author and blogger ...

Anne Goodwin’s drive to understand what makes people tick led to a career in clinical psychology. That same curiosity now powers her fiction.
A prize-winning short-story writer, she has published three novels and a short story collection with small independent press, Inspired Quill. Her debut novel, Sugar and Snails, was shortlisted for the 2016 Polari First Book Prize.
Away from her desk, Anne guides book-loving walkers through the Derbyshire landscape that inspired Charlotte Brontë’s Jane Eyre.
Subscribers to her newsletter can download a free e-book of award-winning short stories.

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A chance to win a copy of my next book

23/3/2023

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Today I’m revealing the cover of my novel, Lyrics for the Loved Ones, which will be published on May 15th. As the novel is set mostly in a UK care home during the pandemic, I thought the anniversary of the first lockdown would be the perfect occasion to show off the gorgeous design.

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On World Kidney Day, I have some advice for my year-ago self

8/3/2023

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This time last year, I knew next to nothing about kidney disease. I knew next to nothing about the vital role of healthy kidneys in keeping us well. I’m sure you’ll appreciate that a shock diagnosis on a hospital ward wasn’t the easiest way to address those gaps in my knowledge. The learning curve seems steeper when you’re already befuddled and out of breath.

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Pandemic fiction: The Fell & Wish You Were Here

28/11/2022

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I’m busy working towards the publication of my next novel, Lyrics for the Loved Ones, the sequel to Matilda Windsor Is Coming Home, in May 2023. It’s set mostly in a care home leading up to, and in the early weeks of, the pandemic. So I’m happy to showcase a couple of other novels on the theme, with the bonus that they feature places I’ve been. The first is set during the second UK lockdown in November 2020; the second in North and South America when the world closed down in March that year.

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Are toilets visible in fiction?

21/11/2022

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People often think I’m joking when I mention World Toilet Day every 19th November. But 3.6 billion people living with inadequate sanitation is no laughing matter. Unsafe and unsanitary toilets can damage people’s health and inhibit access to education. They also pollute the environment.

The theme for World Toilet Day 2022 was making the invisible visible. Although the invisible in question is the human waste leaching into rivers, lakes and soil, it could also refer to a pet project of mine.

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Publication, platform, promo: My reading and writing plans and aspirations for 2022

24/1/2022

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As with embarking on a novel project, so with setting goals for the year ahead: there’s a sweet spot between restraining oneself within an inflexible structure and leaving it all to chance. Now I’m clearer about how novels work, I’ve become a carefree planner – or is that an organised pantser? Now I know – in fact, I’ve always known – I’ll get some stuff done to progress my authorial career, I’m happy to set myself a mix of concrete goals and airy-fairy aspirations each January and review where they’ve got me at the end of the year. So here’s an overview of where I hope I’m heading; I feel I have a better chance of achieving some of my aims since I discovered, two days into the New Year, that toxic positivity is a thing.

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Dishonourable histories: Palace of the Peacock & The Bureau of Past Management

19/11/2021

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These two unconventional novels address the difficulties of reconciliation to individual and societal involvement in the exploitation and annihilation of other communities and ethnic groups. Neither tells a straightforward story, but I struggled most with the structure and style of the first. This is a pity, as I’d like to have learned more about the persecution and murder of Guyana’s indigenous people. I found the second, about the legacy of the Holocaust for contemporary Germans, an easier read.

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A Matilda Windsor film fest

5/11/2021

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It’s been another busy week of book promo, with two live-stream online interviews and two which were recorded in September debuting on YouTube. But I’m blaming Charli Mills for the title and narcissistic content of this post: you’ll have to read – or scroll – to the end to find out why.

While I enjoy these video conversations, I do get nervous to the extent of wondering why I put myself forward. But when I get a positive review from someone who finds a strong personal connection with the novel, as I did this morning, I feel extra motivated to do my utmost to introduce Matty to more potential readers.

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Families diminished by tragedy: Harvest & Transcendent Kingdom

21/3/2021

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I’m sharing my reflections on these recent reads about the aftermath of a family tragedy, the first set in 1970s rural England and the second in contemporary Alabama. Both are by women writers whose previous novels I’ve loved and I’m delighted to say they didn’t disappoint.

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What are you reading for Black History Month?

6/10/2020

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Black History Month comes after a summer of confronting the legacy of white interference in black history. Painful for many, from my safe distance the toppling of the statue of the flavour in Bristol has been a beacon of hope in a crazy year. It’s even altered the course of my WIP. But will we learn anything? Will we take the lessons of 2020 into the rest of the decade? Will reading – fiction and non-fiction – keep these issues where they need to be, at the forefront of our minds?

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Mental health, Brexit, and political displacement projects

9/8/2020

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Mental health’s a work in progress for most of us. Tougher for some, easier for others, yet there must be few this pandemic hasn’t wobbled. Years of therapy have killed off some of my demons, and given shape to those that will dog me to my dying days. Normally that dog will walk to heel, chase a ball and even raise a smile. Alas, it’s recently escaped the leash and is running rabid, baring bloody fangs. Everything’s harder with that monster circling me yet, while defeated by a trip to the supermarket, I can still, intermittently, report to my laptop and write.

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How would you answer the covid novel’s call?

28/6/2020

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History can’t have got the memo. The virus destined to put the world on pause has had us glued to the news: first with the exposure of right-wing government incompetence, then with the spotlight on racism we can no longer ignore. Whether this depresses or delights us, it’s hard to keep up. What’s the role of the writer – particularly writers like me with a tiny readership – in historic times? Should novelists switch to facts from fiction? Should we try to shape historic discourse or step back and observe?