Two novels in which kings have their way: in the first, the Hebrew King David and English King Henry appear as characters; in the second, we see the impact of the illiterate despot who rules the unnamed Arab country in the miserable lives of the women.
Hot on the heels of The Old Drift, I found myself reading another two debuts about hair. In the first, although I don’t mention it in my review, you can see from the cover image that Queenie has great hair; in the second, the title’s a giveaway. Both novels also address discrimination (albeit not deeply enough for my liking): in the first as experienced by a young black woman in London; in the second it’s the trials of a lower caste woman in rural India condemned to shift shit with her bare hands and a Canadian lawyer hitting a professional brick wall when she gets sick.
Two recent debuts about women on an unplanned journey of self discovery: the first by finding a place of healing after years of trauma; the second by uncovering the truth about her parentage. Both women must travel to another part of the British Isles to find redemption; both must overcome obstacles to their understanding, to loving and being loved.
Novel perspectives on psychoanalysis and psychodynamic psychotherapy: The Saturday Morning Murder & A Good Enough Mother
If you’ve read my previous reviews of fictional therapists, you’ll be aware that I’m often disappointed in authors who seem to have neglected their background research. Not so with these two novels: the first, set in Jerusalem in the late 1980s, providing an excellent insight into the closed and potentially claustrophobic culture of psychoanalysis; the second, set in contemporary London, clarifying the key principles of psychodynamic psychotherapy. Both are flagged as crime: the first a police procedural; the second more psychological suspense.
Pity the poor governess: an educated woman obliged to earn her living finding few other options in nineteenth century Britain. But this lesser known of the Brontës’ novels led me to pity her charges too. The three governesses in the second novel are worlds away from Agnes Grey, not only because they’re in France. Although employed by the couple who own the sprawling estate, they’ve brought their charges with them, so aren’t subjected to the condescension of the mini monarchs of the house.
Two short novels about doctoring, by authors with direct experience of the profession. The first, set in Egypt, is a semiautobiographical novel first published over half a century ago by one of the world’s most eminent feminists; the second, set in India, is a magic-realism story by a male author (but we won’t hold that against him). By sheer coincidence, neither of these authors names their characters, instead referring to them by role. (At least they don’t distinguish them by diagnoses!)
Two novels about girls in the painful process of growing up. For Australian Justine, in the first novel, adolescence merely exacerbates a lifetime of neglect; for Irish Lani, in the second, it’s the begins of psychological separation from her family as she falls for a local boy.
Like many words, the meaning of epic has evolved and seems to be applied to various incarnations of big. Both of these novels have been described by others (in the endorsements) as epic: the first, I think for its geographical scope (and, combined with its big brother, can be considered so in length); the second for its length and sweep of history and character.
Enid is a Scottish aristocrat who has married ‘down’; Adèle a working-class Parisian who married into the bourgeoisie. Enid considers sex a painful duty; Adèle is sex obsessed. For Enid, work is for men and servants; Adèle has a job. Born almost a century apart, the ‘heroines’ of these debuts nevertheless have similar motivations: both have been emotionally neglected by their own mothers and feel shackled by marriage and motherhood.
War orphans, bickering spouses, loneliness and our struggles to connect: The Narrow Land by Christine Dwyer Hickey
Two very different novels about women’s lives under and after the Soviet system: the first about a young mother from a Tatar village who finds a certain kind of freedom when she’s transported to the Soviet Gulag; the second about girls growing up in Prague in the dying days of communism.
Two British novels about the legacy of paternal violence for adult children, although the father’s tyranny in the first isn’t apparent until later on.
Two novels about eighteen-year-old women who abandon the advantages of their previous identities to make common cause with oppressed peoples, at great risk to themselves. In the first, set in 2000, Aden travels from a secular society in California to study Islam, and to join the jihad. In the second, set in 1944, Luce leaves her bourgeois family in Italy to experience first-hand the Nazi labour camps. Are these rebellious adolescents idealists or deluded, or a little of both?
Two novels which feature murders, and the police called in to investigate, but with much more about them than that. The first is a German satire on the European Union; the second a love story set in Belize.
While the title declares the first of these novels, set in Lagos, to be about siblings and killings, it’s not immediately obvious how it applies to the second, set in Perak, Malaysia. A boy who feels guided by his dead twin, a young woman strongly attached to her stepbrother, and mysterious deaths that might be the work of a tiger: does that nail it? Read on!
Two books using the author’s personal experience and celebrity (although I’d heard of neither) as an entryway for exploring and publicising important socio-political issues. The first is a memoir about abortion; the second is a hard-hitting analysis of race and class discrimination. Which balance of personal-sociological do you prefer?
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
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