Two translated novels, both with a contemporary and historical element, which address the female struggle for autonomy and self-expression in a misogynistic and racist world.
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Today I’m revealing the cover of my novel, Lyrics for the Loved Ones, which will be published on May 15th. As the novel is set mostly in a UK care home during the pandemic, I thought the anniversary of the first lockdown would be the perfect occasion to show off the gorgeous design. 
Let me tell you about these two novels about women’s lives in terrain under occupation by external powers. The first is a historical novel about the struggle for personal and political freedom in 20th-century Greece. The second is a futuristic dystopia about how, in the climate crisis, the wealthy lay claim to the coolest lands.
Woman Power: Daisy Jones and the Six; The Birdcage; The Witches of Vardø; Amazing Grace Adams14/2/2023
I think there is a deep-seated fear and resentment of female power even in situations where we don’t have much of it, so I make no apologies for grouping these novels that touch on the theme from vastly different angles. The first is a historical novel about misogyny manifest in a fantasy of witchcraft. In the second, three half-sisters are haunted by the harm done when they tried to claim their power in adolescence. In the third, a seemingly powerless and self-loathing woman takes a tortured journey through her city and her mistakes. The final novel contemplates the relative power of the singer with a rock band versus the homemaker wife who stands by her man.
As the Russian invasion of Ukraine approaches its second year, a couple of recent reads reminds me of how other eastern European countries have suffered under the Soviet regime. These novels are about women’s lives in the late 1940s and early 1950s: the first set in Poland and the second in Hungary. Would you believe that it wasn’t until I came to post this that I realised both titles feature animals that should be in the wild?
I’ve recently read two very different novels in which traumatised mothers suffer a second blow in being distanced from both their children, albeit the separation is for very good reasons. The first is a translation set against the backdrop of the Rwandan genocide. The tragedy in the second is less widespread, restricted to one particular family, but nevertheless extremely painful for those concerned. Read on to discover how these books are about so much more.
I’m pleased to share my thoughts on two recent reads which focus on collecting the testimonies of women wounded by policies and practices rooted in racism: the first set in the early 1960s and the second century before.
My final two reviews of 2022 are tenuously linked by being set in closed communities in which unempathic people hold vulnerable creatures in their power. I refer to creatures less because the staff of the nightmare care home in the first novel don’t seem to regard their charges as human and more because the inmates of the second – where the compassion of the lowliest employee almost compensates for the attitude of her senior colleagues – are dolphins.
Black, Queer and marginalised: Didn’t Nobody Give a Shit What Happened to Carlotta & Crosshairs12/12/2022 Two novels about the shit that can happen when you’re Black and gender nonconforming that also acknowledge the joy of living true to oneself.
These two recent reads are about challenging women’s traditional roles as homemakers in the mid twentieth century. The first focuses on the barriers facing a woman seeking a career in science in early 1960s America. The second follows the fortunes of three sisters and their mother as the times change in 1970s France.
I’m busy working towards the publication of my next novel, Lyrics for the Loved Ones, the sequel to Matilda Windsor Is Coming Home, in May 2023. It’s set mostly in a care home leading up to, and in the early weeks of, the pandemic. So I’m happy to showcase a couple of other novels on the theme, with the bonus that they feature places I’ve been. The first is set during the second UK lockdown in November 2020; the second in North and South America when the world closed down in March that year.
I was unsure how – or whether – I’d connect these two recent reads until I was pondering my response to this week’s flash fiction challenge. Although very different stories, both address how difficult it can be to find an escape route from repeating patterns of self-destructive behaviour. In the first, a woman approaching middle age faces up to her tendency to fall into abusive relationships. In the second, a young man admitted to a psychiatric ward wonders if his own future is written on the faces of his fellow patients, stuck in a cycle of relapse and remission. The wheels keep turning – will they manage to jump off?
I love the freedom fiction gives me to make things up, but I also enjoy the facts I discover in the course of my research. In my novella, Stolen Summers, I gave my character, Matilda, a dancing partner who attracted and intrigued her, partly because he came from a different background.
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About Anne Goodwin
My published books
entertaining fiction about identity, mental health and social justice
My latest novel, published May 2021
My debut novel shortlisted for the 2016 Polari First Book Prize
My second novel published
May 2017.
Short stories on the theme of identity
published 2018
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
reader, writer, slug-slayer, tramper of moors, recovering psychologist, struggling soprano, author of three fiction books. LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list), some linked to a weekly flash fiction, plus posts on my WIPs and published books. Your comments are welcome any time any where. Get new posts direct to your inbox ...
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