What an honour to be name-checked in Charli’s post introducing the latest flash fiction challenge on rethinking the hero’s journey. Having been obsessed with my reservations about this story structure in the past, and equally obsessed with recording random ideas for the blog, I went to my drafts folder to look for something I could revise. Step forward Unheroic characters, grief, ambivalence and mourning. Right, okay? Except I find I’m no longer so obsessed. Never mind, some of what I dictated so earnestly a couple of years ago can be salvaged.
These two recent rereads focus on older characters who have been diminished by their culture’s punitive attitudes to their sexuality. In the first, a contemporary Londoner has hidden his love for his closest friend on account of the Caribbean community’s homophobia. In the second, a woman has been ostracised in twentieth-century Ireland because of the misogyny and genophobia among the powerful Catholic clergy. Yet a degree of redemption is offered to the characters, albeit late in life.
These two novels are about women over forty for whom life has lost its sparkle, partly due to marital infidelity and an empty nest. The first is a nuanced portrayal of contemporary middle age, set in Paris; the second is a shallow glimpse at widowhood and fear of ageing, set in the 1980s on England’s south coast.
Salina roams aimlessly through the desert, sequentially accompanied by each of her three sons. Harold is physically and mentally unprepared for his epic journey, although he does have a specific destination in sight. Salina’s story unfolds in a newly-published novella, translated from the French; Harold’s in a deceptively light bestseller, published in 2012.
I’m sharing my reflections on these recent reads about the aftermath of a family tragedy, the first set in 1970s rural England and the second in contemporary Alabama. Both are by women writers whose previous novels I’ve loved and I’m delighted to say they didn’t disappoint.
I’ve been reading about fictional male vulnerability in this contemporary translation and this classic from seven decades ago. In the latter, a man has lost his infant son in Nazi-occupied France. Although he’s had an easier war in England, he’s almost as lost as the child. In the other, a family flees poverty in Russia, ostensibly in the hope of better health care for an orphaned boy. But perhaps it’s not him, but his grandparents, who need help most.
Here we have two highly successful mid-twentieth century novels with hospital settings. The first is a comedy of manners only partly set on a medical ward for older women in a London hospital; the second is an exuberant but ultimately devastating portrayal of an Oregon State medical hospital. What’s it like to read/reread them during pandemic six decades after they first hit the shelves?
It was good to read these two American novels about Black gay men, especially during LGBT history month: the second set in 19th-century Mississippi and an unnamed part of Africa; the first set in contemporary Texas and Japan.
Both these recent reads have complex family dynamics at the centre, while addressing wider political issues in very different ways. In the first, we follow a middle-class Asian family forced to migrate from Uganda to Britain on the whim of a tin-pot dictator; in the second, three siblings re-enact their childhood rivalries around their mother’s deathbed as bushfires envelop their country and the world colludes in its own extinction.
What’s the impact of inequality and injustice on friendship? These two London-set novels might go some way to helping us understand. In the first, two women unite to claim a degree of personhood and agency within the culture of misogyny in the court of James I; in the second, a young Black man struggles to maintain a loving relationship within a contemporary climate of institutional racism.
Wolf has lost his wife and, if he doesn’t get his act together, he might lose his daughter, at exactly the moment he needs her most. Michka is losing her words, but is desperate to use those remaining to express her gratitude to a couple she lost touch with in childhood, even though they saved her life. Although I’ve posted a few reviews already this year, these are the first of fiction published in 2021.
One strand is a fund-raising flash fiction contest that kicks off next Monday. This post is part of the prelude which I'll let the anonymous ringleader tell you about in her own words:
I’m sharing my reflections on two novels, published a few years ago about retired schoolteachers who are forced to reappraise aspects of their pasts. Julia Garnet, a former history teacher in South London, has her epiphany in Venice; former maths teacher, Olive Kitteridge, stays in her home town in Maine. Both women have hidden their vulnerabilities beneath a steely shell. Both demonstrate it’s never too late to learn.
Meanwhile, we plod on, making the best of what freedom we have. For those of us who live primarily in our heads, the pandemic is no excuse to shirk. So, on the reasonable assumption I’ll survive to implement them, here are my goals and plans for the coming year.
Two novels that have sat on my bookshelves for a while, the first waiting to be read, and the second loved and waiting to be re-read. Written by acclaimed female novelists – the first British and the second, Canadian, now deceased – read on to see what this unacclaimed female novelist, also the author of a fictional biography, thought.
Two novels featuring sex and psychotherapy: can you guess which one I couldn’t finish? The other is both entertaining and educational, so put your feet up and read on.
Large gatherings at country houses are common enough in fiction, but these two recent reads, both involving family secrets, couldn’t be more different. It’s not so much that the first is set in England and the second in Japan, but one’s crime and the other literary translation. But even within those genres, they’re oddballs. In a good way? Read on for my thoughts!
finding truth through fiction
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
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I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on my WIPs and published books.
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Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)