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Welcome

I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist.​  I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.

ANNE GOODWIN'S WRITING NEWS

Her Father’s Daughter by Marie Sizun

14/6/2016

6 Comments

 
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At four and a half, the child is blissfully content in the Paris apartment she shares with her mother. The war means little to her and, while her grandmother disapproves of her freedom to do as she likes, her mother always takes her side. The only cloud in her blue-sky world is the lie told by the two older women when they insisted the baby sister she’d seen presented to her mother in a Normandy hospital was a figment of her imagination.

Now the war is coming to an end and the father she’s never met will be returning home. The child is unable to share her mother’s excitement. She meets him first on a hospital ward but, all too quickly, this stranger has taken over the apartment. His standards are exacting, his rage when they are not met terrifying (p54):

There the father is, always in the same place, opposite the mother, sitting very upright, looking worried. He’s watching. He notices everything. The child now has to stay seated for the entire meal … The father can’t bear the sound of chewing. If the child ignores this rule, something terrifying happens. The father goes red, bangs on the table, screams that he was hungry for four whole years, he saw men die, that the very sight of this picky little girl is unbearable, intolerable, scandalous … The mother starts to cry. The child shakes … the father feels the same as the grandmother: the child’s been very badly brought up. But it’s not too late. We’ll break her in, he says. He’s going to do just that.

Soon the child recognises that power resides with the father, her mother reduced to a simpering servant. The child switches her allegiance to the father, courts him like a lover, feeling a frisson of triumph when, instead of making her walk ahead of the couple when they’re out as a family, he takes her hand. Yet she still feels the need to reinforce her position as her father’s favourite and she’s still stung by her mother’s lie. So she gives away the secret that will break the family apart.

Her Father’s Daughter
is a poignant story of lost innocence, and of the casual mistreatment of children reminiscent of the psychoanalytic writings of Alice Miller. The sense of deprivation and unfairness is perfectly encapsulated when the child glimpses another father playing with his daughter (p141):

He has that gleam of admiration and tenderness … he throws himself at his daughter, picks her up in his arms, way up high, and spins her around with him. She shrieks with mock terror and delight.


I did, however, find the resolution, when the now grown woman is able to recognise what she did receive from her father, a little too pat, albeit necessary for her personal development. Nevertheless, Her Father’s Daughter is a beautiful novella in deceptively simple language with great psychological depth. It’s translated by Adriana Hunter and published by Peirine Press who provided my advance copy.

With the child’s unusual name, France, synonymous with that of her country, I wondered if this novella was also intended to be read as an allegory, but there was no mention of this with the publisher’s notes and I’m not enough of a Francophile to work this out for myself! I did read, however, that this was the author’s first novel, published in French in 2005 when she was sixty-five years old. Hearteningly, for we older women writers, she’s gone on to publish six more novels and a memoir. In an essay in the publisher’s newspaper she describes how the story is strongly embedded in her personal story, which has shaped the woman she became, but she didn’t want to write it as memoir, chiming with my own preference for transforming memories into fiction. Here’s an extended extract of that essay (p14):

it took me almost a lifetime to find the voice and words for this book, which was much more than a novel to me, it was really analysis. I urgently needed to speak out if I ever hoped – and I always had – to write about a painful period of my childhood which had a profound effect on me and probably altered the course of my entire life. Her Father’s Daughter is the story of a love destroyed, the love a little girl feels for a father she has only just had the delight of discovering but who is snatched away from her again … I have never completely recovered from his leaving, from the vacuum he left behind or the injustice done to me. I needed to tell this story. To speak about that wound. But I didn’t want to present this painful narrative as autobiography, or to speak in my own name: even though what I had to say was eminently personal, I … wanted to use the medium of a novel to relate the cruel misadventure of a child who could have been absolutely any child involved in an adult crisis … I changed the names of characters from my own family history, and the places, but kept the essence: it is as accurate as possible an account of the child’s emotions, but a distanced, objective, almost cold version because it is revised and moderated by the adult I am now. Besides, there was no intention to explain anyone’s behaviour, merely to demonstrate it in actions, to give it a context, to reveal it with spoken words, with gestures: it’s up to the reader to glean what I myself started to glimpse.

I’m hoping Peirine will publish more translations from this author – otherwise I’m going to have to brush up on my French!
Thanks for reading. I'd love to know what you think. If you've enjoyed this post, you might like to sign up via the sidebar for regular email updates and/or my quarterly Newsletter.
6 Comments
Norah Colvin link
13/6/2016 12:28:52 pm

Wow! Anne, this sounds like a must read. I wish I had the time. The extended extract you shared at the end is powerful, and sad, having read your review. I can feel why someone would choose to write a fictionalised account, while keeping to the truth of the story. I think if I ever got around to writing about my family, I'd have to do it that way. It seemed important once, but not so much any more. I think that might be because I am focused on other things at the moment. I understand that her confirmation of your preference was an affirmation, in a way. It might be for me too. Thanks for sharing. Oh, if I had the time, I'd hope the publisher would translate a few more of her stories too. That's another affirmation too, isn't it, a successful "older" first-time author!

Reply
Annecdotist
13/6/2016 05:30:46 pm

I will add that this is a very short novel – the publishers claim that they can be read in the time it takes to watch a film, but I’m a bit slower than that – so you might find you do have time!
Yeah, I’m always looking for confirmation but I should write fiction rather than memoir! But since this author went on to write a memoir, I’m clearly being extremely selective in what I pay heed to.
Actually, as an older first-time author, this is one that might interest Caroline. Will have to tweet her about it.

Reply
Jeanne Lombardo link
14/6/2016 02:48:59 pm

Glad I dropped in on this one. Just glimpsed a headline in the NY Times I think it was on how the WWII era is gaining popularity again in historical fiction. Also duly noted the age of the author! As for the memoir as fiction, a British-born author friend of mine, Mary Rose Hayes, did that brilliantly in her 2013 What She Had to Do. I appreciated the excerpt from Ms. Sizun's essay. Mostly reading reviews of novels these days, rather than the thing itself, but would be interested in checking this out more deeply...having lived in France for two years and felt a kind of immediacy of events from that time (the plaques announcing who was shot in a particular spot; the historical places that keep memory alive...) that we don't get this side of the pond...

Reply
Annecdotist
18/6/2016 02:39:20 pm

I’d been expecting more books about the First World War with the centenary, but I’ve read more in the last couple of years on World War II.
Your friend’s novel sounds interesting – love that title!
Having only been in Paris as a tourist, I’ve never actually noticed those blue plaques! With your experience, you might find this one worth your time (and it is very short), even though most of the action takes place in the family flat.

Reply
Carry Gorney link
19/6/2016 09:47:14 pm

Anne thank you for drawing my attention to this book, a sharp summary which revealed the European context of this WW 2 story..I felt the life out of control for all the members of this family, the father!s rages and how they shaped they propelled the daughter into for,I got an alliance with him for survival. A family just surviving PTSD, you made me want to read it...always cheered up when I read about an older author. Thanks





Reply
Annecdotist
21/6/2016 02:00:40 pm

Thank you, Carry, I think it’s extremely important to keep aware of the impact of war trauma, not only on the combatants themselves, but on their families.

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