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Welcome

I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist.​  I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.

ANNE GOODWIN'S WRITING NEWS

The family in the world: The Winter War by Philip Teir and The Lightning Tree by Emily Woof

15/1/2015

6 Comments

 
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I’m delighted to bring you reviews of two novels published in the UK today which feature couple and family relationships within a wider sociopolitical context.

The Winter War* follows a liberal, middle-class professional Scandinavian couple and their two adult daughters over the course of one winter. While this is a period of change for the family, the pleasure of this novel is less in its plot than in its beautifully drawn characters* and searing sardonic wit*.

Max Paul is a Finland-Swede*, a sociologist approaching sixty, living off his reputation as a public intellectual, given an ego-boost when a former student turned journalist requests an interview:

One important criteria for all research was that it had to be possible to explain the basic ideas in a simple manner. A good doctoral dissertation could be comprehensively summarised over lunch. Taking this to extremes: a good researcher should, in principle, be able to speak with such enthusiasm that his words could function as a series of pick-up lines. (p74)

His wife feels ground down by his emotional neglect and burnt out at work in the human resources department of the Helsinki health service:

Katriina viewed marriage is a form of reciprocal tyranny, like living in a highly functional totalitarian state. There weren’t many options, but as long as you kept to yourself and didn’t challenge the status quo, it worked fine. (p18)

Their elder daughter, Helen, a secondary school teacher with two young children, has little time or energy for herself or her marriage, while the younger daughter, Eva, is feeling adrift at art school in London during the time of the Occupy movement*:

At what age did people become content with their lives? At ififty? In that case, Eva longed to be fifty. She longed to feel carefree and not have to bear this ever-present sense of shame because she didn’t measure up, because she was in somebody else’s debt. (p124)

In a novel I came to love, I was surprised, in retrospect, that took me a few chapters to settle into it. I suspect the opening line might be responsible:

The first mistake that Max and Katriina made that winter – and they would make many mistakes before their divorce – was to deep-freeze their grandchildren’s hamster. (p3)

I was fine with the foreshadowing of the divorce, but the hamster led me to expect more of a farce than the understated and subtle humour I actually relished. I especially enjoyed how the characters were shown at work* and at their studies, as well as in the home. Perhaps it won’t seem so amusing out of context but, in the midst of a description of the absurdity of the redesign of the health care system and the omnipotence of IT departments, this had me laughing out loud:

He’d been on the job for little more than two months, but he was already highly regarded by the whole staff, since he was the only one who knew how to work the projector in the meeting room. (p59)

The Winter War was first published in Swedish. The English translation* by Tiina Nunnally is published by Serpent’s Tail who kindly furnished me with a review copy. For the author’s take on the starred* issues and other aspects of this novel, see the annethology interview with Philip Teir.

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The Lightning Tree focuses on the blossoming relationship between a young couple from very different backgrounds. Set in Newcastle (where I lived for twenty years and my debut novel is partly set), Ursula is from middle-class Jesmond while Jerry hails from the working-class Byker Wall. They first come across each other in the town centre aged eleven, but they don’t meet properly until, aged fourteen, Jerry’s hairdresser sister escorts Ursula home after a new hairstyle goes drastically wrong. But Jerry has to wait another three years for Ursula to ditch her boyfriend for him, after which they spend an idyllic year sharing their bodies and minds. Then their paths divide: Ursula’s to India to help out in a school for children with disabilities; Jerry’s to Oxford University where he’s torn between his commitment to overthrowing class-privilege and his intellectual and political ambitions. They exchange letters, confirming their attachment to each other while sharing their mutual bewilderment at the worlds in which they’ve found themselves. After a few months, Ursula’s letters dry up until she returns to England, waiflike and mentally adrift. When they try, and fail, to pick up their relationship again, Jerry gives voice to the distance that has grown between them:

You’ve gone to India, like a typical middle-class wanker and now that you’re back you think you’re bloody Gandhi. Not even that! At least he had political purpose! Tell me one good thing that comes from this kind of passive spirituality. Moved beyond consciousness, have you? You’re part of some greater bloody whole? (p176)

While I enjoyed this novel, it took me a little while to accept the omniscient narrator foreshadowing future events in an extremely direct way, although perhaps preferable to the alternative presenting the childhoods of two characters and leaving the reader pondering what might be the connection. I also found the forty-four pages of letters between the couple less engaging than the almost 100 that preceded them. I was also a little perplexed by the shape of the narrative: presented as “the story of two young people who fall in love – and then life gets in the way”, it was the insights into the mind of a third character that held my interest.

Since early childhood, Ursula has been the companion and confidant of her maternal grandmother, who has shared the north-facing family home abutting the urban motorway since the girl was a toddler. Ursula has grown up with Ganny Mary’s stories about her Lancashire childhood and her grumbles about ending up living in a detested house with a detested son-in-law in a detested city (her constant iterations – serving only to render her more enraged – testament to the fact that giving voice to one’s dissatisfactions is no substitute for therapy). But as the novel progresses we see the similarities in the trajectories of these women two generations apart: both have experienced parental neglect (Ursula’s mother being more committed to antinuclear protests than attending to her children); both are witness to the potentially damaging effects of overzealous religion (Ganny Mary having suffered, as a girl, from a harsh regime following her mother’s conversion to the Plymouth Brethren; Ursula suffering some kind of mental and physical breakdown from an overdose of meditation in a Himalayan monastery).

The Lightning Tree is about spirituality, the power of adolescent attachments, the enigma of identity and different forms of love across generations. Thanks to Faber and Faber for my review copy. For other novels on these themes, see my reviews of In Search of Solace, A Song for Issy Bradley and The Virgins.

Apologies for the lengthy post – if you’ve read this far, or even if you haven’t, I’d love to know your views.



Thanks for reading. I'd love to know what you think. If you've enjoyed this post, you might like to sign up via the sidebar for regular email updates and/or my quarterly Newsletter.
6 Comments
Charli Mills link
15/1/2015 04:27:10 pm

Two interesting reviews, though I connect more with the first one, The Winter War. I've come to relish these reviews knowing I'll glean something about process as well as find new reads. Your comment about expectation based on the opening line reflects--I think--the skewed importance placed on openings of books. So many industry professionals, articles and workshops focus so much on the first pages that it also becomes separate from the rest of the story, as if beginnings are no longer an organic part of the entire book.

For some reason the second book doesn't appeal to me. Great reviews, Anne!

Reply
Annecdotist
16/1/2015 12:25:45 am

Interesting what you say about beginnings being – or becoming – a bit separate because they've been worked on so much. I'm finding that with going through the publisher's edits for Sugar and Snails. The first three chapters seem overfamiliar whereas some of the later ones can still take me by surprise (pleasantly, and of course they have also been through several rounds of edits). Hopefully it won't read too much like that, I guess that's part of the editor's job coming to it later and seeing it more as a whole.

Reply
Norah Colvin link
15/1/2015 10:48:07 pm

Hi Anne. Yes, it was a more lengthy read than usual, but worth it. As for Charli, the first one appealed to me more, though the passage you have quoted demonstrates very well the inability of one to "get" another fully, particularly when a change in focus or values has occurred.
I love the humour you shared from the first book. I too laughed out loud about gaining everyone's respect for being able to use the projector in the meeting room. My years of attending meetings, and more recent years working in an office and dealing with temperamental technology has made this aspect of gaining respect very obvious! I also loved the first line. Without the grandchildren's hamster it may not have got me in though.
I always enjoy reading your reviews for the 'you-ness' you share in the them as well as what I learn about the books.

Reply
Annecdotist
16/1/2015 12:30:25 am

I'm glad I managed to convey the humour of The Winter War, even in that quote out of context. I think the workplace is rife for comedy (I suppose you got The Office in Australia?) and, although we might think relationships with IT have been done to death, I think it's something so many of us recognise.

Reply
geoff link
17/1/2015 02:43:44 pm

Yes, 3-0. First one goes on TBR second into the slush. I, too, understand why the skill at something mechanical is a guarantee for promotion. Also the first line worked fine for me but then farce works for me as well as sardonic.

Reply
Annecdotist
19/1/2015 03:55:43 am

Thanks, Geoff, with this score of 3-0 I am slightly concerned I might not have given The Lightning Tree a fair chance, as I did like it, but not as much as The Winter War (although to be fair, a lot of what I liked about it was revisiting streets and pubs of my early adult years).
I think I would have been happy with that first line In The Winter War if the hamster was more central to the story. We do get to hear how it died and why it is placed in the freezer, but there were far more interesting and funnier threads, So it seemed a bit gimmicky.

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