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About the author and blogger ...

Anne Goodwin’s drive to understand what makes people tick led to a career in clinical psychology. That same curiosity now powers her fiction.
A prize-winning short-story writer, she has published three novels and a short story collection with small independent press, Inspired Quill. Her debut novel, Sugar and Snails, was shortlisted for the 2016 Polari First Book Prize.
Away from her desk, Anne guides book-loving walkers through the Derbyshire landscape that inspired Charlotte Brontë’s Jane Eyre.
Subscribers to her newsletter can download a free e-book of award-winning short stories.

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Playing hard to get? #amreading

31/5/2017

5 Comments

 
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I recently outed myself as a Philistine, by rating one of the 100 all-time best novels 2 out of 5 (“it was okay”) on Goodreads. First published in 1915, The Good Soldier by Ford Madox Ford had sat unloved on my bookshelf for several years when it was chosen for my book group. When the time came to read it, I realised why I’d given up on it the first time round. It’s the story of the relationship between two wealthy couples, and the sexual intrigues and emotional betrayals behind their respectable facades. The novel is considered a master class in the unreliable narrator that has inspired many distinguished 20th-century writers. So why didn’t it work for me?

I was fine with the non-linear timescale, but found the narrator’s mock-apologies for his self-confessed rambling style an irritant. While he delves into the backgrounds of the other three main characters, he gives little away about himself. Of course, my imagination tried to fill the gaps with various hypotheses but I felt no wiser by the end. The comment was made in our discussion that it was like being with a confusing and withholding client where the therapist can do little more than bear witness to a story that somehow needs to be told.

It was only when one of the group shared her thoughts about what the narrator was really up to that I could see any value in the novel. Now, while every reader is entitled to her idiosyncratic likes and dislikes, I’ve been
bothered before by my bafflement, so I wondered, in this case, whether the limitation were more in me than in the book. If the narrator had been my client, I’m sure I’d have worked somewhat harder to understand him but, even when reading for reviews, I can’t treat perusing a novel as work. In this case, I quickly lost patience with a narrator who plays hard to get.

Frankly, I was bored. But psychoanalytic thinking never takes boredom at face value. It can never be neutral. It must be masking something else.

My thoughts drifted to
the research on spoilers and personality style I blogged about earlier this year. The researchers investigated the separate impacts of need for cognition (welcoming intellectual effort) and need for affect (valuing emotion in one’s life) but, as someone who values both thinking and feeling, I don’t believe either can help explain my unwillingness to grapple with The Good Soldier. A discussion in relation to Sarah Brentyn’s essay, Writer Unplugged served to remind me of the richness of the space where emotion and cognition come together. In my understanding of psychoanalytic theory, the greatest depth is in the synthesis of thinking and feeling – but it does take effort. I used to put that effort into my clinical work. I now put it into my own writing. I’ll put it into some of my relationships. But I wasn’t prepared to give it to Ford Madox Ford.

Given that, according to
cognitive poetics we approach fiction in the manner we approach real-life relationships, it’s likely that our formative experiences will impact on how we read. Insecure attachment might once have made me more willing than most to battle to engage with an aloof or distant “other”, now I’m probably less willing than average to put in the effort to bridge the gap. I’m sure that not pursuing the unattainable contributes to my current happiness, but my experience of The Good Soldier shows there are times I’ll miss out. How about you? Are you willing to wrestle with a narrator who plays hard to get?


So, it’s the end of another month, but a special one for me with the publication of my second novel,
Underneath. Click on the image for May’s reviews of ten novels and one non-fiction book.
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I should point out that I drafted this post before discovering that one early reviewer didn’t even consider my novel worth the two stars I gave Ford Madox Ford. But I’m really enjoying the
reviews that are coming through the blog tour: the diversity is fascinating and it’s a real honour when readers give it such thought.

Thanks for reading. I'd love to know what you think. If you've enjoyed this post, you might like to sign up via the sidebar for regular email updates and/or my quarterly Newsletter.
5 Comments
Norah Colvin link
2/6/2017 08:03:37 am

Interesting review, Anne. I would say your narrator in Underneath is doing a much better job of engaging the reader than the one you describe in this review. I would pay little heed to the two star review. So far I am enjoying the story and watching the relationship develop/deteriorate. I wish you success with it. A better-than-2-star-review coming up soon. :)

Reply
Annecdotist
2/6/2017 01:01:50 pm

Thanks for your confidence in my unreliable narrator, Norah, and glad you’re enjoying Underneath. Actually, I was referring to a ONE STAR review it received on the eve of publication :-( compared with which an “it was okay” rating would be praise indeed. It’s a pity when readers are disappointed, but all part of the work being out there and available to read.

Reply
Annecdotist
2/6/2017 01:04:32 pm

Forgot to add that there was one novel in May’s collection that I really wanted you to read because it was about an Australian teacher, albeit a man working with older children than your tiny tots – I’ll tweet you the link.

Reply
Charli Mills
7/6/2017 10:32:21 pm

Interesting review, Anne and I have to say I don't find it interesting to pursue a narrator that plays hard to get. I also find traditional master reads to be somewhat disconnected. Often elite authors who've had all of life's advantages and securities write intellectual fluff because they really don't know what it is to struggle, overcome, fail and live outside the social protection they've had. But then again, I have my own chip on my shoulder these days which clouds my perception, I'm sure. But I have no time to waste time. As for your book, it finally downloaded on my Kindle after convincing my digital reader it was capable of connecting to a wifi hot spot. Im anticipating a much higher review than 2-stars!

Reply
Annecdotist
9/6/2017 01:51:33 pm

I’m afraid I don’t really know enough about the Literary Elite, but there’s an interesting angle on the relationship between Katherine Mansfield and Virginia Woolf in A Secret Sisterhood (where I’ve just replied to your comment on my review) where the former gets a little snidey about the latter’s privilege, although in a way that seems to have helped her to build the realities of the First World War casualties into Mrs Dalloway. For my part I can get irritated with contemporary authors who try to write about social issues without the psychological depth, although not always convinced that’s due to lack of experience of life’s struggle.
I do hope Underneath works for you – I trust you to give an honest response regardless of what you make of it.

Reply



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