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About the author and blogger ...

Anne Goodwin’s drive to understand what makes people tick led to a career in clinical psychology. That same curiosity now powers her fiction.
A prize-winning short-story writer, she has published three novels and a short story collection with small independent press, Inspired Quill. Her debut novel, Sugar and Snails, was shortlisted for the 2016 Polari First Book Prize.
Away from her desk, Anne guides book-loving walkers through the Derbyshire landscape that inspired Charlotte Brontë’s Jane Eyre.
Subscribers to her newsletter can download a free e-book of award-winning short stories.

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Towards the collapse of the Berlin Wall: The Standardisation of Demoralisation Procedures & The Mussel Feast

12/8/2020

2 Comments

 
These two recent reads evoke the cultural climate immediately before the fall of the Berlin Wall in 1989. The first is a zany novel about the political demise of a former Stasi agent. The second is a translation from German set around a family dinner table in dread of the tyrannical father’s return.

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The Standardization of Demoralization Procedures by Jennifer Hofmann

Although only sixty something, Bernd Zeiger is old, and failing: physically, mentally and professionally. The Stasi agent behind an instruction manual for extracting confessions primarily through psychological, rather than physical, torture, his regimented days seem without purpose, the highlight being his regular order at a Berlin cafe. But Lara, his favourite waitress, has not appeared in a month. The atmosphere in the city has been gradually changing and today – November 9, 1989 –the Wall will topple.
 
Twenty-five years earlier, Zeiger was involved in the interrogation of a physicist sent to a US military base in the Arizona desert where experiments in teleportation and other paranormal activities were rumoured to be taking place. Somehow, Zeiger felt a strong attachment to the scientist, regarding him as a friend. As the novel progresses, the link between him and Lara unfolds.
 
It’s a strange story about a very strange culture, bizarre, but not quite as comic as I expected from the blurb. However, I loved the exposé of how Zeiger discovered the material for the manual via the frustrations of attempting to collaborate on the task with a doctor at the asylum. Crazy or enlightened, depending on which side of the fence you sit: I’ve enjoyed experiential learning events in psychoanalytic thinking that operate in a similar way.
 
The prose is adroit, perhaps too much so in the early chapters when it slowed down my reading. But overall a clever debut about obsession, paranoia and the thorny question of where madness lies. Thanks to publishers riverrun for my review copy.


The Mussel Feast by Birgit Vanderbeke translated by
Jamie Bulloch

We begin with what appears to be a happy family, a mother and two teenage children awaiting the father’s return from a business trip. But, as time slips by, the cracks begin to emerge in their cheerful facade. At first, these seem to be the minor frustrations we’d expect any cohabiting group, but, as we are shown greater and greater accommodations made by his wife and children, the father emerges as a tyrant, a crazed narcissist whose ambitions for a ‘proper family’ make everyone miserable, including, perhaps, himself.
 
It’s narrated by the slightly rebellious daughter, in deceptively simple prose. I loved the voice from the first page, with its conversational repetitions and rationalisations of her father’s behaviour, which reveal as they attempt to conceal. If not for the blurb, I might not have realised that, as well as being about an overly controlled family, it echoes the atmosphere of East Germany on the brink of revolution. But, even without the political parallels, there’s enough material in the family dynamics to make a satisfying read.
 
First published in German in 1990, and in English in 2013, I bought my copy from publishers Peirene Press, after a later novel, You Would Have Missed Me, a pitch-perfect account of what it’s like to be a child with no-one to help her translate her experience into words, was one of my favourite reads of 2019. With similar themes, including the lie of a loving family, and migration to West Germany from the East, and one shared shocking motif, I wondered if both novels were semi-autobiographical (as, wittingly or unwittingly, much fiction tends to be). Wanting a stronger resolution, I wasn’t sure if I liked this as much, but I’m giving it five stars for the wonderful repressed-but-rebellious adolescent voice.
Thanks for reading. I'd love to know what you think. If you've enjoyed this post, you might like to sign up via the sidebar for regular email updates and/or my quarterly Newsletter.
2 Comments
Norah Colvin
25/8/2020 11:58:21 am

Interesting books, Anne, neither of which appeals to me tonight. I'm pleased to have you do my reading for me. Thank you.

Reply
Anne Goodwin
28/8/2020 05:33:53 pm

I'm more than happy to read your behalf, Norah.

Reply



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