Category:

The camera never lies

4/7/2021

A black-and-white photograph links two of the three point-of-view characters in my new novel, Matilda Windsor Is Coming Home. In Henry’s interpretation, it shows a father, his glamorous teenage daughter and his young son on holiday at Blackpool, a popular English seaside resort. Matty’s version has a ragged edge and shows only two people: an unknown woman in a polka-dot dress holding the hand of a boy with the Eiffel Tower sprouting from his head. If these two renditions of the same events can be reconciled, perhaps brother and sister will be reunited. Perhaps Matilda Windsor will make it home.

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Interiority: The Performance & Nervous System

17/4/2021

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Let’s consider two novels published this month which direct the reader’s gaze towards the characters’ inner lives, mentally and physically. The first, set in Australia during the recent rampaging bushfires, focuses on the characters’ wandering minds as they watch a play. The second, set in the Americas, looks in on the body and outwards to the stars.

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My reading and writing goals for 2021

11/1/2021

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Did you ever get the feeling 2021 might not happen? We’d somehow be stuck in a 2020 Groundhog Day? Or were you the opposite, confident a new diary would create this worn-out world anew? Well, here we are, with some things as bad as ever – or worse: in the UK, with the new variant, hospital admissions are higher than during the first lockdown – but with the promise of life edging towards normal sometime this year.

Meanwhile, we plod on, making the best of what freedom we have. For those of us who live primarily in our heads, the pandemic is no excuse to shirk. So, on the reasonable assumption I’ll survive to implement them, here are my goals and plans for the coming year.

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Beat the lockdown blues with a book

10/11/2020

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As night arrives ever earlier across the northern hemisphere, and Europe returns to lockdown, there could hardly be a better time to curl up with a book. If you have a UK address, you can enter a competition to win a signed copy of one of my novels and five other novels I’ve read and enjoyed.

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Mental health, Brexit, and political displacement projects

9/8/2020

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Mental health’s a work in progress for most of us. Tougher for some, easier for others, yet there must be few this pandemic hasn’t wobbled. Years of therapy have killed off some of my demons, and given shape to those that will dog me to my dying days. Normally that dog will walk to heel, chase a ball and even raise a smile. Alas, it’s recently escaped the leash and is running rabid, baring bloody fangs. Everything’s harder with that monster circling me yet, while defeated by a trip to the supermarket, I can still, intermittently, report to my laptop and write.

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How would you answer the covid novel’s call?

28/6/2020

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History can’t have got the memo. The virus destined to put the world on pause has had us glued to the news: first with the exposure of right-wing government incompetence, then with the spotlight on racism we can no longer ignore. Whether this depresses or delights us, it’s hard to keep up. What’s the role of the writer – particularly writers like me with a tiny readership – in historic times? Should novelists switch to facts from fiction? Should we try to shape historic discourse or step back and observe?

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Unrecognised: Rabbits for Food & Miss Iceland

24/4/2020

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Is there discrimination against women writers? (Is there even more discrimination against older women writers?) Probably but, there being even worse things to get hung up about right now, I’ll gloss over the fact that these two novels about under-appreciated female writers – one in 1960s Iceland, the other in 21st-century New York – come from fairly successful female authors. With a couple of caveats, either or both would make great lockdown reads.

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Discovering interesting echoes of our current crisis as I edit my novel

5/4/2020

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I desperately wanted my third novel, Matilda Windsor Is Coming Home, to be published this year. For one thing, I like the ring of 2020. For another, I’ve been working on it long enough. Begun with three character sketches in autumn 2014, I completed an 80,000 word first draft in January 2015 and, after various ups and downs, including ballooning to 130,000 words, had it ready for reader feedback three years later.

When Inspired Quill, who published my first three books couldn’t find space in this year’s schedule, I considered self-publishing, and, for a whole week in January was convinced I was going with a pricey but prestigious assisted self-publishing outfit until it became clear that, even setting aside printing costs, I’d lose money on Amazon sales unless I ratcheted up the price. Now, of course, with events cancelled for the next several weeks, I feel remarkably lucky to have finally signed with Inspired Quill for May 2021.

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Appraising and reflecting on the old year’s authorial achievements and my aspirations for 2020

6/1/2020

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Having posted my analysis of last year’s reading on New Year’s Eve, I’m back now with my audit of 2019’s writing and other authorial activities. What were the highlights? How wide was the gap between my aspirations and what I actually achieved? Where will I focus my time and energy in 2020? This time last year, I shared my fantasy goals to become a celebrity, write a series and win a major prize as well six more realistic targets where I haven’t done a whole lot better. Come and help rub my nose in the dirt!

Did I bring my short story publication count to 100 by the end of the year?

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Do you read above the level you write?

29/11/2019

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When, well over a decade ago, I heard I’d won my first short story competition, I was bursting to tell someone. It being a weekday, and Mr A busy at work, I phoned a certain person I knew would be at home. Her reaction? Perhaps you imagined it! Well, I do find it hard to tell the difference between fiction and reality sometimes.

This is the person who informed me, shortly after I began to try to write for publication, that she’d stopped reading novels because she knew she could write better herself. She had attended a creative writing class, but hadn’t attempted a novel and probably never would. She wasn’t happy when I told her she must be reading the wrong things. But it seems to me essential that, if you aspire to write at any level, you should be reading better than you write.

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Creative Therapeutic Writing: Fictionalizing the Personal Story (a guest post by Monica Suswin)

25/11/2019

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Do you find writing therapeutic? Have you ever used writing as a tool to better understand and process your own complex, confusing or unwelcome emotions? Are you drawn to metaphor as a way of describing the undescribable? Or are you simply curious and open to finding out more?

Let me hand over to Monica Suswin, writer, teacher and practitioner of creative therapeutic writing, to explain and illuminate.

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Do short stories sell? Discuss!

22/11/2019

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It’s a year since my short story collection was published, and I’ve really enjoyed having it out in the world. Not only does it look gorgeous, it’s been received more positively than I expected, although that might be down to the fact that my expectations were rather low. As I wrote in a prepublication guest post, Greater than the sum of its parts? Assembling a first short story collection, it wasn’t a long-standing ambition to produce a collection partly because, I assumed, short stories don’t sell. Although mine has sold in very low numbers, I’ve been pleasantly surprised.

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Guest Post: The Last Will of Sven Andersen by Geoff Le Pard

30/10/2019

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Can it really been three years since I last hosted a post by Geoff Le Pard to contribute to the launch of his second novel? As you’ll see from the list at the end of this post, he’s published another six books since then. So this new one – currently available for pre-order – must be his ninth! As he reminds me in the piece below, he’s been making me laugh since our first meeting and this follow-up to his debut, Dead Flies and Sherry Trifle, is guaranteed to be a hoot. Let him tell you about it:

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October’s reading and reviews

29/10/2019

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But, Anne, the month isn’t over! And there’s still a guest post from stellar indie author Geoff Le Pard to come. Indeed there is, Anne, but I reserve the right to wrap up my reading a couple of days early. Click on the image to see my reviews.

Fortunately the end of the month doesn’t mean the much-heralded divorce from the EU – although I’m not ruling out the possibility of a crashout between drafting this and posting – but it does mark an intensification of the countdown to Christmas. Not that it interests me particularly, apart from in the hope of people buying my books as presents. For those in the East Midlands (UK) I’ve got two high street signing sessions scheduled next month. Who knows? I might even take along some tinsel!

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Celebrating another book birthday: Sugar and Snails turns four

23/7/2019

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One advantage of getting a new car on the day I published my first novel, is that I’ll always remember when it’s due its MOT. And taking the car for its MOT means I easily remember my book birthday. So what’s happening as my baby turns four? Read on for an interview with one of the minor characters thanks to one of Craig Boyack’s alter egos and an update on revamping the blurb.

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Every picture paints a story

1/7/2019

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Although I’m generally more articulate in words than visuals, sometimes the balance swings the other way. Still playing catch-up a busy week and weekend, and with a few things to share before I can fully embrace a new week and new month, I’ve gone for an image-heavy post today. First up, is the gorgeous cover of my debut novel, Sugar and Snails, about a woman who has kept her past identity secret for thirty years, which is battling with nine others on cover wars. If you can spare a moment, please follow the link and vote for the one you prefer.

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Write drunk, edit sober?

8/4/2019

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It’s been an odd year so far on the creative front. After setting some grandiose fantasy goals about raising my profile, I succumbed to a virus which meant I could barely manage the weekly 99-word stories. But, once the acute phase was over, while still lacking the energy to leave the house, I found I could edit. Big time! So that what began as a gentle tidy-up of the (already much-edited) manuscript of my possibly third novel, Matilda Windsor Is Coming Home, cutting out modifiers like just and only (of which there were actually surprisingly few), morphed into a mammoth spring clean, where almost every word was subjected to the third degree.

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Become a celebrity, write a series or win a major prize: My real and fantasy writing goals for 2019

21/1/2019

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If my smile in this photograph seems slightly strained, it might not be only because I’m not sure if the self-timer on Mr A’s camera is going to work. You see, although last year was wonderful in that Inspired Quill published my third book and first short story collection, it was also the year it came home to me how hard it is to get readers, irrespective of the quality of the book. It’s hard for everyone, unless you’re a celebrity, are writing a series or have won a major prize; so should I make those my writing goals for the year to come?

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Balancing promo, helping others and self-indulgence in an author blog

14/1/2019

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Many of us do it, but what’s the point of an author blog? Is it to promote our writing, to pass on our accumulated wisdom or to indulge ourselves in a less pressurised mode of publication without worrying whether it gets read? Perhaps it’s all of these in different proportions varying according to who we are and who readers are and our priorities at different points in time. When the balance is right, blogging is highly rewarding; when it’s not it can be a frustrating chore.

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Now with more books than hands

30/11/2018

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Out on the soggy trails near my home a couple of days ago, I fell into conversation with a man walking his dogs. Discovering he was a visitor to the area, I wished him better weather before he left. When he replied that there’s no life without rain, I was ready to play my part in a climate-change script. So I was surprised, and somewhat disappointed, when he said he’d tell me something that had been kept from people since the beginning of time.

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With gratitude on launch-day and beyond

23/11/2018

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While our American friends have been stuffing themselves with turkey, we can all take a moment to appreciate what we have. With my short story anthology published today, I’ve a lot to be thankful for, not only for the fact of being published – and read – in this difficult climate for authors, but for the support from the blogosphere in the run-up to the launch. In Monday’s post – Becoming Someone is coming to an armchair near you! – I shared the links to the first few stops on my blog tour; today I’m sharing a few more, along with a reminder of the party, where I’m putting my gratitude into action by donating to Book Aid International.

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Into the light

5/11/2018

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Like a satisfying story, the journey to selfhood often entails working through conflict. Sometimes, it’s only through opposition that we begin to discover our own values and beliefs. This can be frustrating to witness in others, especially those for whom we’re responsible: think of the tantrumming toddler or the belligerent adolescent. But, while others can guide, prompt and set boundaries to prevent us harming ourselves or others, we must all forge our own paths to the someone we become.

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Literary ambition: A Ladder to the Sky & Less

20/10/2018

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Fictional writers can be tricky on the page; sometimes I suspect a character’s assigned the job because the author’s unfamiliar with more run-of-the-mill kinds of work. But, like anything else that’s slightly iffy, if you’re going to go for it, it’s best to go for it big time. That’s what Irish writer John Boyne does with his larger-than-life antihero Maurice Swift and American Andrew Sean Greer with “failed novelist” Arthur Less, both simultaneously managing to address the wider issues of human vanity and what constitutes a well-lived life.

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Not all may have prizes … but how does funding play a part in who enters the race?

16/10/2018

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With the Man Booker Prize winner announced tonight, my fingers are crossed for Washington Black, although I’d raise a cheer for either of the other contenders I’ve reviewed (The Mars Room and Milkman). Right now, my thoughts are also with those authors who not only don’t succeed in dazzling the judges, but don’t even get the chance to step onto the stage.

You’re familiar with those email scams, aren’t you? Congratulations, you’ve won a prize! Just send us a cheque to cover administration costs, and we’ll deliver it. Feels good, doesn’t it? Until you wonder whether the winnings will cover your fees. But that wouldn’t happen in the literary world, would it? Awards are dispensed purely on merit, surely? No paying for prizes there?

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Taking our characters to work

10/9/2018

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If there is one area where struggling-to-be-noticed writers have the advantage over those who’ve been published since they were barely out of school, it’s our inside knowledge of the world of work. Coming to writing later in life, or merely being part of the majority unable to support themselves through writing, we have the experience to bring our characters’ jobs alive. But there can still be challenges in taking our characters to work.

For example, while setting your novel in your current workplace obviates the need for a research trip, you might have to smooth some colleagues’ ruffled feathers once the book is out in the world. From another angle, if you’ve gained your work experience in settings crowded with colleagues, you face the challenge of rendering it authentically without overwhelming the reader with an overabundance of characters.