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Uncovering injustice: The Windrush Betrayal & Act of Grace

21/9/2020

These two recent reads – the first non-fiction rooted in the UK, the second a novel visiting Australia, the USA and Iraq – involving characters and authors delving into recent and historical government injustice against its colonised peoples. Read, and use your vote accordingly – but of course you already do!

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Come into the garden, Maud!

26/7/2020

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When Charli invited her followers to write a story to show what it is to protect nature around us, I thought I’d tag mine onto a recent post addressing that theme. But both of those that sprang to mind – see below for links – already had a 99-word story or two attached. I could have used the prompt to develop my skills in nature writing – I certainly need the practice – but more pressing projects – again, linked below – meant I didn’t have the time or headspace. Although nature cues my creativity, I’m more adept articulating human nature than weather, animals and plants. So I’ve gone for a predominantly pictorial post, based on my garden, leading to my flash fiction contribution about distanced dating, a prompt from the early days of lockdown, and clashing concepts of what protecting nature actually means.

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How would you answer the covid novel’s call?

28/6/2020

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History can’t have got the memo. The virus destined to put the world on pause has had us glued to the news: first with the exposure of right-wing government incompetence, then with the spotlight on racism we can no longer ignore. Whether this depresses or delights us, it’s hard to keep up. What’s the role of the writer – particularly writers like me with a tiny readership – in historic times? Should novelists switch to facts from fiction? Should we try to shape historic discourse or step back and observe?

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A few things I’ve learnt through my first foray into self-publishing with a short story e-book freebie

15/2/2020

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Big round of applause, please people! The year’s still in its infancy and I’ve already achieved one of my aims for 2020. On the other hand, in terms of literary or commercial benefit, I’ve spent way too much time putting together my little e-book of short stories as a giveaway for subscribers to my newsletter. But, once I got going, I enjoyed most of the twists and turns of the journey, with even the hairpin bends and U-turns a chance to admire the view. As a small-press published inbetweenie author, I’ve always tried to stay abreast of what’s happening in self-publishing, but there’s a huge gap between reading about something and doing it yourself. Let’s see if I can consolidate my learning by describing the process and perhaps helping others to reach the destination without too many wrong turns.

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Short stories: Protest & The Best of Fiction on the Web

14/1/2020

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Having begun the year’s reviews with a Kindle catch-up, including a couple of single-author collections, my attention was drawn to another couple of multi-author short-story anthologies waiting on my physical shelf. I don’t know why I’d neglected them. Perhaps because anthologies are harder than novels to review? Whatever reason, I’ve finally read them. Enjoyed them. And now I’m here to tell you why.

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Appraising and reflecting on the old year’s authorial achievements and my aspirations for 2020

6/1/2020

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Having posted my analysis of last year’s reading on New Year’s Eve, I’m back now with my audit of 2019’s writing and other authorial activities. What were the highlights? How wide was the gap between my aspirations and what I actually achieved? Where will I focus my time and energy in 2020? This time last year, I shared my fantasy goals to become a celebrity, write a series and win a major prize as well six more realistic targets where I haven’t done a whole lot better. Come and help rub my nose in the dirt!

Did I bring my short story publication count to 100 by the end of the year?

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Writing isms: would you risk causing offence in your fiction? #amwriting

13/5/2019

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Much as I despair of living in a country where the birth of a baby is headline news – ditto his naming the following day – I do try to bear in mind that the extended family I involuntarily support via my taxes is made up of human beings, and therefore worthy of my respect. I sincerely hope I’m incapable of channeling my rage at inequality and unearned privilege into a bizarre racist tweet, as a BBC DJ did recently. How could he not know, as he has claimed, that an image of the latest royal baby as an ape would cause offence? But, in reflecting the world as I see it in my fiction, with darkness as well as light, I do risk inadvertently offending my readership, especially in portraying the isms from which, in my other identities, I’m at pains to distance myself.

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With gratitude on launch-day and beyond

23/11/2018

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While our American friends have been stuffing themselves with turkey, we can all take a moment to appreciate what we have. With my short story anthology published today, I’ve a lot to be thankful for, not only for the fact of being published – and read – in this difficult climate for authors, but for the support from the blogosphere in the run-up to the launch. In Monday’s post – Becoming Someone is coming to an armchair near you! – I shared the links to the first few stops on my blog tour; today I’m sharing a few more, along with a reminder of the party, where I’m putting my gratitude into action by donating to Book Aid International.

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Becoming Someone is coming to an armchair near you!

19/11/2018

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I’ve been so busy with preparations, I’d forgotten how it feels when that first box of books arrives. So I was especially touched when the delivery man remembered bringing my debut more than three years ago. If a man who doesn’t even know me could connect with that excitement, surely I could too. If that weren’t enough to celebrate, this is my 700th post!

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Not all may have prizes … but how does funding play a part in who enters the race?

16/10/2018

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With the Man Booker Prize winner announced tonight, my fingers are crossed for Washington Black, although I’d raise a cheer for either of the other contenders I’ve reviewed (The Mars Room and Milkman). Right now, my thoughts are also with those authors who not only don’t succeed in dazzling the judges, but don’t even get the chance to step onto the stage.

You’re familiar with those email scams, aren’t you? Congratulations, you’ve won a prize! Just send us a cheque to cover administration costs, and we’ll deliver it. Feels good, doesn’t it? Until you wonder whether the winnings will cover your fees. But that wouldn’t happen in the literary world, would it? Awards are dispensed purely on merit, surely? No paying for prizes there?

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Should I stretch this short story to a novel?

27/8/2018

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One moonless night, when her daughter was but a few months old, Eve clawed back her silken baby skin and planted a bomb in her chest. It wasn’t as difficult as you’d imagine; a baby’s body is more malleable than an adult’s. Getting under her daughter’s skin was rather like peeling an orange. Or picking at the flap of a sealed envelope to slip an extra something inside.

It was only a small bomb, the size and shape of a button battery, albeit large in relation to her daughter. It was bigger, for example, than her daughter’s dainty fingernails, bigger than the snub of her nose. But, like a school uniform, the child would grow into it, grow until the bomb was eclipsed by the face of her wristwatch or an ornament she might hang from her ear.

I wouldn’t blame you if the opening has put you off my most recently published short story (or the length at over 3000 words) but, if you do choose to read it, you might be able to help me decide where, if anywhere, to take these ideas next.

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Flesh on the bones: Beyond the 99-word story #flashfiction

27/4/2018

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I wrote recently about how practising the 99-word story strengthens my editing muscle. But, of course, the discipline can also have benefits in the other direction, planting a seed that can grow into a longer piece of fiction. The recently published Congress of Rough Writers Flash Fiction anthology contains five such expanded stories (including one of mine) along with the original 99 words. I not only relished reading the other four on their own merits, but I also wondered about the different ways we’d fleshed out our original bones. Would a closer examination of the authors’ process from flash to the longer story (or, in one case, from long to flash) help elucidate that enigmatic creature, creativity? Here’s what three of the other authors told me, along with my own 99 words. (Photos and links are from/to the relevant author page on the Congress of Rough Writers list.)

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No feelings? #amwriting #mentalhealth #Flash4Storms

9/10/2017

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One day last summer, I had an errand to do ten minutes’ drive or half an hour’s walk away from home. Even though the route, along a fairly busy road, isn’t particularly pleasant, I prefer to walk, both for the exercise and to feed my writing. So I grabbed my raincoat (it was that kind of summer) and laced up my boots. On the way back, the sun came out at the moment I levelled with a track I’d never previously taken. It was time to investigate.

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BBC National Short Story Award: Q&A with Cynan Jones

3/10/2017

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The winner of this year’s BBC National Short Story Award will be announced this evening. Of the five shortlisted stories I’m rooting for “The Edge of the Shoal” by Cynan Jones. You can listen to the story on the BBC website or get the collection from Comma press. Thanks to Frances Gough for arranging my review copy and Q&A with Cynan Jones.

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Two novels and a short story about marginalised females

21/9/2017

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Life’s tough on the fringes of society, perhaps particularly if you’re female. Not only have you your own vulnerability to contend with, but the projections of others who feel safer dwelling on your difference than on your similarity to them. Let me take you into the worlds of three such fictional females: The Parcel is harrowing novel about sex workers in Bombay; Dance by the Canal is a lighter novella about a homeless woman in East Germany; my recently published short story, “Ghost Girl” is about an African girl with the wrong colour skin.

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What life is actually like: In Extremis by Tim Parks

8/7/2017

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[T]his is what life is actually like. Your mother is going through every kind of hell, in excruciating pain, not knowing what bed she will die in, your sister sounds relaxed and jokey, and you are thinking of your old friend Dave and the precariously double life he always led.

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Do you hear a voice when you read fiction?

29/6/2017

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Signing copies of my new novel, Underneath, for a couple of acquaintances recently, I was interested (especially given my recent post on the unconscious and hallucinations) when both said they heard a voice when reading a novel to themselves. Because they know me, and I have a distinctive voice (and not necessarily in a good way), I wondered if they thought they’d hear my voice when reading my novel (even if it is narrated by a man), as has been reported before (I didn’t ask just because I’m a narcissist). But no, one said she hears her own voice, the other a voice specific to the story she’s reading. I wonder what that’s all about.

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Fictional affairs in Paris and Dublin

22/5/2017

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If you’ve ever held back from having an affair for fear of the hurt it might cause other people, let me offer you a risk-free alternative. These two novels about women with roots in America who stray from marriages to European men can furnish the excitement and eroticism without the guilt or fear of discovery. If you like to read on-screen, no-one need even know you’re having a fictional affair.

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Nineveh: Trading in painless pest relocations

13/5/2017

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It’s strange, what disgusts people. Who would scorn the friendship of a gecko, for example: golden-eyed, translucent-skinned, toes splayed on a farmhouse wall? Who could resent a long-legged spider, knitting its silver in the corner of the room? But they do: people will pay to have them killed, poisoned, destroyed.

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Amid the splendid scenery of Orkney and the Monros

10/4/2017

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Let’s take a look at a couple of debut novels with some fine evocations of the natural world and a strong sense of place published by small independent presses based in Scotland.