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A Matilda Windsor film fest

5/11/2021

It’s been another busy week of book promo, with two live-stream online interviews and two which were recorded in September debuting on YouTube. But I’m blaming Charli Mills for the title and narcissistic content of this post: you’ll have to read – or scroll – to the end to find out why.

While I enjoy these video conversations, I do get nervous to the extent of wondering why I put myself forward. But when I get a positive review from someone who finds a strong personal connection with the novel, as I did this morning, I feel extra motivated to do my utmost to introduce Matty to more potential readers.

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On rescuing and burnout: are you trying to save the world?

31/5/2020

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A new Twitter follower picked up on my post on self-compassion and flagged her own about the urge to rescue other people when the one who really needs rescuing is herself. Well, that got me rethinking a familiar theme which might account for why my email inbox is clogged and my to-do list is endless when the world is meant to be on pause. Apologies to those struggling with a loss of human contact and structure but, from where I stand, there’s a surfeit of life-belts in an extremely small pond.

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Silver linings: 9 good things about the coronavirus pandemic

20/3/2020

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These are strange times, scary times, depressing times. If the virus doesn’t get us physically, we’ll be hurt psychologically through anxiety, grief for lost loved ones and the claustrophobia of social isolation. It will harm us economically and socially too. But there are silver linings and, although they might not balance the negatives, these potential benefits are real.

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Appraising and reflecting on the old year’s authorial achievements and my aspirations for 2020

6/1/2020

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Having posted my analysis of last year’s reading on New Year’s Eve, I’m back now with my audit of 2019’s writing and other authorial activities. What were the highlights? How wide was the gap between my aspirations and what I actually achieved? Where will I focus my time and energy in 2020? This time last year, I shared my fantasy goals to become a celebrity, write a series and win a major prize as well six more realistic targets where I haven’t done a whole lot better. Come and help rub my nose in the dirt!

Did I bring my short story publication count to 100 by the end of the year?

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What do I mean by an undemanding read?

29/3/2019

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In a recent review post, I described a novel as an undemanding read, and when, I did so a second time, I was challenged to define what I meant. Pondering this on a morning walk, it struck me that it’s easier to identify what such a book isn’t than what it is, which feels rather negative or damning with faint praise. Which wasn’t my intention, at least consciously. But don’t you also find that some books – and particularly novels – are just okay, without there being anything special about them? And is that in itself okay?

2019 Reading Challenge

Anne has read 19 books toward their goal of 100 books.

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19 of 100 (19%)

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Can you recommend a #reading #charity for me to support through my #booklaunch?

22/10/2018

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When my publisher suggested releasing an anthology of my short stories, I didn’t plan to do much promotion. In the UK, short story collections are notoriously difficult to sell. But when I thought about the unpaid time and effort she’d put into editing, and the money into another gorgeous cover, as well as the enthusiasm of my readers for a third book, I reconsidered. My short story collection, Becoming Someone, scheduled for publication on November 23rd, deserves as much chance as any other book. So I got creative.

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Celebrating the small successes

28/7/2018

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I concluded a recent post on mourning our writerly disappointments with a reminder that we need to celebrate our small successes too. But do I heed my own advice? Well, maybe sometimes, but standards can slip. If we’re not careful, our small achievements can be diminished by our much bigger ambitions. We need to beware of viewing them as if through the wrong end of a telescope. But how to make them matter without aggrandising every little thing?

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Part-time mourning for writerly disappointments?

20/7/2018

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The writer’s life is rife with disappointment. One of the main factors differentiating the successful from the unsuccessful is not the degree of failure they encounter, but the ability and willingness to scrape oneself up from the ground and carry on. But how do we do that? The blogosphere thrums with posts on adopting an almost military discipline, but that’s not right for everyone. It’s not right for me.

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Should we plough through the classics?

30/3/2018

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If I’m lower on reviews this month, blame my book group! We’ve been ploughing through a Russian novel that gets mentioned in the same breath as War and Peace, although Vasily Grossman’s Life and Fate was written in the twentieth century and concerns a war still within living memory. An epic tale of the human costs on both sides of the Battle of Stalingrad, it’s a fine achievement in its scope and in exposing the similarities between totalitarian states across the ideological divide. As with a short story collection recently smuggled out of North Korea, it faced a turbulent journey to publication, having been confiscated by the KGB on completion in 1960 and not published until twenty years later, long after the author’s death. But am I glad to have read it? I can’t honestly say I am.

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My reading goals for 2018

30/1/2018

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2018 Reading Challenge

Anne has read 8 books toward their goal of 100 books.

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8 of 100 (8%)

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I’ve registered for the Goodreads challenge for a fifth year and, although my totals have increased year-on-year, I’m sticking to a goal of 100 books. Even though it’s hardly a challenge to curl up with a novel most evenings, in a business that is mostly about failing, why not give myself a target I know I can beat? Besides, this isn’t a marathon. Reading is more about the experience than a numbers game. That’s why I’m setting myself some specific targets in relation to quality and diversity, building on my analysis of 150 books read in 2017.

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Men in love: Wabi-Sabi & The Only Story

25/1/2018

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I’m sharing my reflections on two novels in which sensitive men share their reflections on life and love. Both begin with the narrators at a loose end during the university summer vacation, the first in Barcelona, the second in London. Wabi-Sabi is the lighter of the two, in which a university lecturer travels to Japan where he is beguiled by a young woman. In The Only Story, a man’s entire life is shaped by a ten-year relationship with a vulnerable older woman he began as a nineteen-year-old student.

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What do friends mean when they say There must be a novel in there?

2/12/2017

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Writers, does this happen to you? Catching up with friends, someone will relate an amusing and/or interesting and/or convoluted anecdote. When they reach the end, instead of being satisfied with a few moments’ entertainment, they – or another from among the group – will quip There’s a novel in there somewhere! A novel? Excuse me, but it shouldn’t take a novelist to recognise this is not the case. But is the reference to novels an innocent, albeit clumsy, metaphor, or are nastier issues afoot?

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Does a ‘first draft’ video reflect badly on my published fiction?

27/10/2017

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Since undertaking my desk time audit earlier this summer, I’m hyper-conscious of time spent away from fiction. It’s especially pertinent right now as I’m on a roll with yet another draft of my currently nameless WIP, about a brother and sister separated for fifty years. But with an event to prepare for recently, I thought it would be a good opportunity to make some videos about my novels. Was it?

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In praise of proper poets

27/9/2017

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If it’s irritating for novelists to be told by friends and acquaintances that they too could write a novel if they weren’t so busy doing more important things, then think how it must be for poets. Anyone with even a passing interest in words, or emotions, is likely to have composed a poem at some point, whether inspired by a sense of occasion or adolescent angst. You don’t even need a pen or a keyboard when you can juggle those lines in your head.

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Fiction versus non-fiction: which do you prefer?

31/8/2017

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When my mother took me to the library as a child she always insisted I take out one non-fiction book along with the novels I readily devoured. An obedient child, I did as instructed, but I wasn’t happy about it. Although I can remember one notable title (although I imagine I was quite young when I read The Air Is All Around Us), I’m not sure much was achieved. Even though I loved a series of biographies of the childhoods of the famous (which felt like cheating, as these were stories), very few of the facts have stuck. A half century on, my preference for fiction over non-fiction has not budged.

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How to have a book launch party

11/8/2017

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While babies might have naming parties, couples wedding parties, a book launch party can be both celebration of a significant milestone and a marketing opportunity. I might be only on my second novel, but I have a fat party-to-publication ratio of 3:2. So, still buzzing from my latest, I hope these pointers based on my experience of hosting a launch party might be of use to others who have yet to foist one on your friends.

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A writer’s audit of desk time

21/7/2017

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While our creativity might be without bounds, our time available to deploy it is limited. With so many potential distractions, it’s inevitable that we might wonder whether we’re using that time efficiently. Too many days leaving my desk feeling tired but unsatisfied, I decided to monitor how I was apportioning my time. Read on to see how I did it, what I learnt and how you can help me decide what to do next.

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How a one-star review is a gift to people pleasers

5/7/2017

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After being turned down by multiple publishers and agents, I was pleasantly surprised at how well my debut novel, Sugar and Snails, was received, even going on to be shortlisted for the Polari First Book Prize. But you can’t take anything for granted in this business. Two years later, my second novel, Underneath, brought me, on the eve of publication, my first one-star review on Goodreads (and a little later on Amazon). Ouch! Someone has looked at my baby, declared it ugly and wants the world to know.

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Writing happy?

29/3/2017

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How to mark a 500th post? A normal person might host a competition or a giveaway to express their appreciation of their readers and blog followers. One such from the eminent Emma Darwin resulted in my first-ever guest post, on the topic of writer’s block, of which, almost four years on, I’m still immensely proud. But, having failed to plan ahead for today’s illustrious event, and with more than a nip of narcissism in my psyche, I’m stuck with celebrating myself. Look away now if that offends you: there’ll be more reviews next month.

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The joy of rewriting

11/3/2017

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If there’s a honeymoon period in the transition from writer to author to novelist, it’s got to be the publication of that debut novel. It’s a place which might have haunted our dreams for years, without any confidence we’d actually reach it. No wonder it seems almost magical to see other people with your book in their hands.

By definition, a honeymoon can’t go on indefinitely. There is no fairy-tale happy ever after when real life intervenes. After two lovely launch parties for my debut, I came back to earth with a bump when I learnt that, as with being married, there’s nothing particularly special about having written a book.

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Curiosities: Orphans of the Carnival & The Museum of Cathy

2/2/2017

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Blogger and memoirist, Irene Waters, has been collecting memories of ordinary activities across the generations and across the world. Last October’s theme, collections, sparked some interesting reminiscences about stamps, birds’ eggs and the dysfunctional parts of ballpoint pens, to name but a few. The latter came to mind when I was reading about Cathy, the protagonist of the second novel reviewed in this post, and I’ve linked her with Julia, whose unusual life, and posthumous career, is the subject of Orphans of the Carnival, who was less a collector than an object of curiosity herself. I hope you’ll be curious enough to read on.

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What’s marriage, anyway? Wait For Me, Jack blog tour

20/1/2017

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Blinded by the sun as they walked slowly back to the car, they leaned towards each other. They felt wrong together, mismatched, a mistake taken too far. But from a short distance they looked like many couples did to outsiders – exclusive, close. From a greater distance, they looked like a single person.

Jack and Milly’s marriage is like the weather, with sun either too fierce or blocked by clouds. They inhabit a climate with myriad variations of hot and cold, seeming different from the inside than from outside, from morning or evening, when filtered through a prism of the promise of happiness or resignation to “for better or worse”.

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Beyond the sum of their parts?

26/12/2016

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Every novel is comprised of different parts that writers, readers and reviewers hope will combine into a satisfying whole. My last two reviews of 2016 – before I reveal my favourites of the year – are of novels for which finding that coherence is a particular challenge, but extremely worthwhile if achieved. Both published this summer, neither seems to have attracted many reviews on Goodreads, but I’m impressed with both (albeit one more than the other) so I hope you’ll at least give my reviews a chance.

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Fictional psychologists and psychotherapists: 22. Last Night on Earth by Kevin Maher

31/12/2015

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Remember the eve of the millennium? When we thought planes might drop from the sky because computers couldn’t cope with a string of three zeros? I even wrote a short story about it (In the Interim). Well here’s a novel set at that very time.

Over budget on his film on the millennium dome, failing to keep his feelings of loss at bay despite regular doses of cocaine, and with the Catholic hierarchy back in Ireland hoping to cash in on his mother’s claim that he’s Jesus Christ, it’s little wonder that Jay sees the final day of 1999 as potentially the last night on earth. But I’m getting ahead of myself …

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Flogging the first, fixing the second and rewriting the third: Am I now a novelist?

23/10/2015

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This post marks three months since the publication of my debut novel, Sugar and Snails, and a possible a transition to another stage of my writerly identity. A few weeks before publication I wrote of my ambivalence at claiming the title of author but, once my book was out there, and people were saying nice things about it, I felt less of a fictional fictioneer. Now, as I start to soft-pedal on the selling (for non-British readers, flog is slang for sell), get ready to edit the next one (another contract is signed and Underneath is scheduled for May 2017) and revisit the fast first draft of what I hope will be my third, I’m wondering if author is big enough to encompass the size of my ego. With three novels in mind, am I now a novelist?

The analogy isn’t very original but, like many clichés, it’s one that works: like children at different stages of development, these novels require different kinds of attention, fluctuating amounts even, as they venture into the world. Of necessity, my firstborn has been the priority over the last six months and, while it’s always going to need me, it can stand on its own two feet as I snuggle up with the baby, and the middle one prepares for its turn in the limelight.

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