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See what I THOUGHT 2020 would bring

Adieu 2020, you won’t be missed! Although we won’t be fully done with you until we’ve all been vaccinated (and for we poor Remoaners, until we rejoin the EU). Nevertheless, our internal clocks insist it’s stocktaking season: the time to review our successes and failures, to measure ourselves against January’s goals. Starkly unblinkered this year, we gaze back at what seems the Age of Innocence, adjusting our aspirations for 2021. But however we’ve fared, since the pandemic makes staying alive an achievement, we can congratulate ourselves on arriving here.

Amid the lows and lows, I’ve made some progress with my reading, writing and promotion, with some positives that wouldn’t have happened without lockdown. Let’s have a closer look!

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Heard on the radio (and on YouTube) #flashfiction and singing

12/9/2020

Do you listen to the radio? I was weaned on “Listen with Mother” at home on weekday mornings and progressed to “Music and Movement” a weekly treat at infant school. Although we did have television, there was more variety on the radio, as I recall. Nowadays, the only time I tune in is in the car and, since the pandemic, I’m in the car less often. It’s a pity, because I’ve discovered some fabulous music through the radio and, despite the competition from podcasts and the like, there are still some excellent spoken word and magazine programmes on BBC Radio Four. But even in during the old normal, my radio regime was flawed, as I couldn’t always dovetail my journeys with the broadcasts that interest me. I find it frustrating that, stuck in queueing traffic after a choir rehearsal, it’s Hobson’s choice between stabbing rap (no thank you), up-your-arse philosophising and choral Evensong (love the music, hate the prayers).

Image by Pexels from Pixabay

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Caterpillars, Butterflies, Sugar and Snails

20/7/2020

Whoever designed[1] butterflies, must’ve been having a laugh. No mere shapeshifters, the creepy crawlers must dissolve completely for their winged alter egos to emerge. No wonder the butterfly is considered a metaphor for transformation. Where else does nature deliver such a dramatic change?

Thanks to our gorgeous garden meadows, I can observe this metamorphosis almost at my back door. And it strikes me that it’s an oversimplification to view this as a transition from ugly to beautiful: some of the caterpillars are rather attractive too. Take, for example the brown-and-yellow striped creature that feeds on ragwort, or the bright[2]-eyed elephant hawk moth caterpillar (pictured) that graced our willow herb last year.

[1] Don't mistake me for a Creationist, I mean this metaphorically!
[2] Obviously these aren't its real eyes.

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From lockdown hair to Buxton Fringe

3/7/2020

For those fearing lockdown more than government mismanagement of the pandemic, July 4th is England’s Independence Day. (Apart from Leicester, where restrictions have been tightened due to a sudden surge in coronavirus cases.) If the response to the reopening of inessential shops is anything to go by, a mass of masked and unmasked people will flock to pubs, restaurants and hairdressers, but I won’t be among them. The former would never have been a priority, but I’ve hesitated over the third: I’m fond of my hairdresser, I’ve missed her through three missed appointments, but I’ve grown surprisingly attached to my lockdown hair.

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Faith, fate and freedom: Pilgrims & The Yogini

3/6/2020

Where once it was religion that kept the poor downtrodden, now it’s capitalism as expressed in the Great American Dream, that we can all be winners if we set our minds to it. Both these novels transport the modern mind to a time and place where characters are conscious that not everything that happens is under their control. But that doesn’t stop them from trying to appease the superpowers or exercise free will. In the first, we meet a group of thirteenth century pilgrims sacrificing earthly pleasures for an easier eternity; in the second, a young woman in modern secular India grapples with the ancient Hindu concept of fate.

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Appraising and reflecting on the old year’s authorial achievements and my aspirations for 2020

6/1/2020

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Having posted my analysis of last year’s reading on New Year’s Eve, I’m back now with my audit of 2019’s writing and other authorial activities. What were the highlights? How wide was the gap between my aspirations and what I actually achieved? Where will I focus my time and energy in 2020? This time last year, I shared my fantasy goals to become a celebrity, write a series and win a major prize as well six more realistic targets where I haven’t done a whole lot better. Come and help rub my nose in the dirt!

Did I bring my short story publication count to 100 by the end of the year?

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My 13 favourite reads of 2019

20/12/2019

When’s the best time to share the year’s reading highlights? Too early and there’s a risk of omitting an as-yet-unread pinnacle of literary excellence; too late and the post gets lost in the Christmas excitement, panic or lethargy. Last year, I thought I’d cracked it by divvying up my nineteen favourites across four separate posts but, having been slightly more disciplined in my selection this year, I’m posting the whole feast in one go. So, whether it’s a crackerjack or a turkey of a day for social media, here are my thirteen best books of 2019. So far!

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Do short stories sell? Discuss!

22/11/2019

It’s a year since my short story collection was published, and I’ve really enjoyed having it out in the world. Not only does it look gorgeous, it’s been received more positively than I expected, although that might be down to the fact that my expectations were rather low. As I wrote in a prepublication guest post, Greater than the sum of its parts? Assembling a first short story collection, it wasn’t a long-standing ambition to produce a collection partly because, I assumed, short stories don’t sell. Although mine has sold in very low numbers, I’ve been pleasantly surprised.

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Every picture paints a story

1/7/2019

Although I’m generally more articulate in words than visuals, sometimes the balance swings the other way. Still playing catch-up a busy week and weekend, and with a few things to share before I can fully embrace a new week and new month, I’ve gone for an image-heavy post today. First up, is the gorgeous cover of my debut novel, Sugar and Snails, about a woman who has kept her past identity secret for thirty years, which is battling with nine others on cover wars. If you can spare a moment, please follow the link and vote for the one you prefer.

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Becoming Someone is coming to an armchair near you!

19/11/2018

I’ve been so busy with preparations, I’d forgotten how it feels when that first box of books arrives. So I was especially touched when the delivery man remembered bringing my debut more than three years ago. If a man who doesn’t even know me could connect with that excitement, surely I could too. If that weren’t enough to celebrate, this is my 700th post!

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I’ve now chosen the charity to support through my online book launch

30/10/2018

I was thrilled with the response to my request for recommendations of reading charities for me to support through my forthcoming book launch both the blog comments and Twitter. So many worthwhile causes, I could happily have gone with them all. Before revealing my final choice, let’s have a drum roll for the nominations that didn’t make it. Who knows, perhaps I’ll work my way through them with future books?

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Can you recommend a #reading #charity for me to support through my #booklaunch?

22/10/2018

When my publisher suggested releasing an anthology of my short stories, I didn’t plan to do much promotion. In the UK, short story collections are notoriously difficult to sell. But when I thought about the unpaid time and effort she’d put into editing, and the money into another gorgeous cover, as well as the enthusiasm of my readers for a third book, I reconsidered. My short story collection, Becoming Someone, scheduled for publication on November 23rd, deserves as much chance as any other book. So I got creative.

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Derwent Pencil Museum: a must-visit venue for writers and artists

18/5/2018

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When Janice, one of the viewpoint characters in my third novel, Matilda Windsor Is Coming Home, had a friend to entertain on a wet weekend in the Lake District, I sent them to the pencil museum in Keswick. Although I’d known of it since childhood, I’d never visited until, on a wet Wednesday at the end of my research trip to Cumbria, I had the chance to put that right. Entering into a single room through a rather kitsch mock-up of a graphite mine, I thought I’d be in and out in five minutes. Not so! I’m sure that anyone who writes or draws would find the museum fascinating.

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Does a ‘first draft’ video reflect badly on my published fiction?

27/10/2017

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Since undertaking my desk time audit earlier this summer, I’m hyper-conscious of time spent away from fiction. It’s especially pertinent right now as I’m on a roll with yet another draft of my currently nameless WIP, about a brother and sister separated for fifty years. But with an event to prepare for recently, I thought it would be a good opportunity to make some videos about my novels. Was it?

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In praise of proper poets

27/9/2017

If it’s irritating for novelists to be told by friends and acquaintances that they too could write a novel if they weren’t so busy doing more important things, then think how it must be for poets. Anyone with even a passing interest in words, or emotions, is likely to have composed a poem at some point, whether inspired by a sense of occasion or adolescent angst. You don’t even need a pen or a keyboard when you can juggle those lines in your head.

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How to have a book launch party

11/8/2017

While babies might have naming parties, couples wedding parties, a book launch party can be both celebration of a significant milestone and a marketing opportunity. I might be only on my second novel, but I have a fat party-to-publication ratio of 3:2. So, still buzzing from my latest, I hope these pointers based on my experience of hosting a launch party might be of use to others who have yet to foist one on your friends.

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The Messiah Narrative

13/4/2017

Even if you’re not a fan of Baroque music, you’d probably recognise at least one of the magnificent choruses from George Frideric Handel’s Messiah. If not the jolly “For Unto Us a Child Is Born”, perhaps the main justification for its popularity at Christmas, then you must know the exuberant “Hallelujah”. But there are fifty-one other choruses and solos that make up the three-hour long oratorio. This beautiful book tells the story of its composition and musical afterlife.

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A necessary nip of narcissism?

26/3/2017

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It had been a great night at the Polari salon in Nottingham, and the audience was waiting for the final performer to take the stage, when a woman bounded from the back of the room. Scowl framed by the hood of her black anorak, and ignoring the compere’s insistence that she wasn’t on the programme, Barbara Brownskirt barked out a series of poems from her numerous unpublished collections about, among other things, her unrequited love for Judi Dench. She was scary. She was hilarious. She was – and still is – the unsuccessful lesbian Poet-in-Residence at the 197 bus stop, Penge, and the brilliant creation of writer and performer Karen McLeod.

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The joy of rewriting

11/3/2017

If there’s a honeymoon period in the transition from writer to author to novelist, it’s got to be the publication of that debut novel. It’s a place which might have haunted our dreams for years, without any confidence we’d actually reach it. No wonder it seems almost magical to see other people with your book in their hands.

By definition, a honeymoon can’t go on indefinitely. There is no fairy-tale happy ever after when real life intervenes. After two lovely launch parties for my debut, I came back to earth with a bump when I learnt that, as with being married, there’s nothing particularly special about having written a book.

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LGBT history: Days Without End by Sebastian Barry

12/2/2017

Sebastian Barry’s latest novel, which won the 2016 Costa Book of the Year Award announced last month, is a story of migration and massacre; of bravery and brutality; of family, friendship and gender fluidity told in the unique voice of an Irishman in 1850s America.

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Any advice on questions for book groups?

30/8/2016

Children’s need to belong, or the fear of exclusion, can be as intense as the need for sleep and sustenance, so they often band together in cliques and clubs. One of the weirdest fictional clubs I’ve come across, is the arson club in Jesse Ball’s novel, How to Set A Fire and Why. Memoirist, Irene Waters, is after your memories of joining a club: when did you join, why did you join and are you still a member?

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(The Taming of the) Vinegar Girl by Anne Tyler

21/8/2016

I was once at a performance by the Royal Shakespeare Company which was aborted after the interval because the safety curtain had got stuck. My disappointment at missing the final acts was mitigated by the fact that the play being performed was The Taming of the Shrew: one of his more challenging plays for anyone with even the most watered-down feminist inclinations. So I was intrigued to discover that, as part of Hogarth Press’s Initiative to mark the 400th anniversary of the Bard’s death, prolific novelist Anne Tyler, author of A Spool of Blue Thread, had been commissioned to come up with a twenty-first century rewrite.

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Death and the Seaside by Alison Moore

13/8/2016

In her early twenties, after a gap year that turned into three, all spent under her parents’ roof, her mother had insisted that she go away to university, if she could still find one that would take her. And so she had gone to university, although it was not, as her father had pointed out, a proper university; it was not a good university. She majored in English, because it had always been her best subject and because she had managed to get a B at A level. It was also her native language.

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#Bookbirthday celebrations and beyond

2/8/2016