For those fearing lockdown more than government mismanagement of the pandemic, July 4th is England’s Independence Day. (Apart from Leicester, where restrictions have been tightened due to a sudden surge in coronavirus cases.) If the response to the reopening of inessential shops is anything to go by, a mass of masked and unmasked people will flock to pubs, restaurants and hairdressers, but I won’t be among them. The former would never have been a priority, but I’ve hesitated over the third: I’m fond of my hairdresser, I’ve missed her through three missed appointments, but I’ve grown surprisingly attached to my lockdown hair.
I’ve read a lot of excellent historical novels by female authors, but they don’t always (and this isn’t necessarily a criticism) forefront the female experience. For Women’s History Month I’ve plucked from my shelves, real and virtual, a few that particularly highlight the lives of women in days gone by. Firstly, I’m recommending 8 novels fictionalising famous and relatively unknown women; secondly I’ve selected 8 (from potentially hundreds) exploring historical happenings through a female perspective. All are from female authors who might yet become historical figures themselves!
But, Anne, the month isn’t over! And there’s still a guest post from stellar indie author Geoff Le Pard to come. Indeed there is, Anne, but I reserve the right to wrap up my reading a couple of days early. Click on the image to see my reviews.
Fortunately the end of the month doesn’t mean the much-heralded divorce from the EU – although I’m not ruling out the possibility of a crashout between drafting this and posting – but it does mark an intensification of the countdown to Christmas. Not that it interests me particularly, apart from in the hope of people buying my books as presents. For those in the East Midlands (UK) I’ve got two high street signing sessions scheduled next month. Who knows? I might even take along some tinsel!
Two short novels about doctoring, by authors with direct experience of the profession. The first, set in Egypt, is a semiautobiographical novel first published over half a century ago by one of the world’s most eminent feminists; the second, set in India, is a magic-realism story by a male author (but we won’t hold that against him). By sheer coincidence, neither of these authors names their characters, instead referring to them by role. (At least they don’t distinguish them by diagnoses!)
Annecdotal is marking refugee week with two new translations: a novella and novel by authors with direct experience of being a refugee. The first is an innovative collaboration between current residents of the Palestinian camp in Shatila and a London-based publisher; the second is by and about a Bosnian Muslim exiled to Croatia who later arrived in Scandinavia as a refugee.
If it’s irritating for novelists to be told by friends and acquaintances that they too could write a novel if they weren’t so busy doing more important things, then think how it must be for poets. Anyone with even a passing interest in words, or emotions, is likely to have composed a poem at some point, whether inspired by a sense of occasion or adolescent angst. You don’t even need a pen or a keyboard when you can juggle those lines in your head.
finding truth through fiction
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
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I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on writing and my journey to publication and beyond.
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Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)
Read Shall I show you what it’s like out there? my latest short story hot off the press.
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