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The trouble with writing book blurbs: can’t see the wood for the trees?

20/5/2019

Many authors struggle with the task of summarising a book-length project, whether it’s the one-page synopsis we need for submissions, the 10-second elevator pitch ready for the dreaded what’s-it-about question or the blurb to entice browsers at bookstores or online. How do you condense the twists and turns of a 300-page novel into such a small space? How do you tease out the key elements when you’ve lived with those characters for years? Sometimes, it’s impossible to see the wood for the trees.

Another pair of eyes can provide the necessary distance; likewise the passage of time. Almost four years on from the publication of my debut novel, Sugar and Snails, I’ve agreed with my publisher the blurb we worked so hard to perfect could be sharper. To get it right, we need your help.

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Now with more books than hands

30/11/2018

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Out on the soggy trails near my home a couple of days ago, I fell into conversation with a man walking his dogs. Discovering he was a visitor to the area, I wished him better weather before he left. When he replied that there’s no life without rain, I was ready to play my part in a climate-change script. So I was surprised, and somewhat disappointed, when he said he’d tell me something that had been kept from people since the beginning of time.

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With gratitude on launch-day and beyond

23/11/2018

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While our American friends have been stuffing themselves with turkey, we can all take a moment to appreciate what we have. With my short story anthology published today, I’ve a lot to be thankful for, not only for the fact of being published – and read – in this difficult climate for authors, but for the support from the blogosphere in the run-up to the launch. In Monday’s post – Becoming Someone is coming to an armchair near you! – I shared the links to the first few stops on my blog tour; today I’m sharing a few more, along with a reminder of the party, where I’m putting my gratitude into action by donating to Book Aid International.

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Becoming Someone is coming to an armchair near you!

19/11/2018

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I’ve been so busy with preparations, I’d forgotten how it feels when that first box of books arrives. So I was especially touched when the delivery man remembered bringing my debut more than three years ago. If a man who doesn’t even know me could connect with that excitement, surely I could too. If that weren’t enough to celebrate, this is my 700th post!

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Into the light

5/11/2018

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Like a satisfying story, the journey to selfhood often entails working through conflict. Sometimes, it’s only through opposition that we begin to discover our own values and beliefs. This can be frustrating to witness in others, especially those for whom we’re responsible: think of the tantrumming toddler or the belligerent adolescent. But, while others can guide, prompt and set boundaries to prevent us harming ourselves or others, we must all forge our own paths to the someone we become.

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Can you recommend a #reading #charity for me to support through my #booklaunch?

22/10/2018

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When my publisher suggested releasing an anthology of my short stories, I didn’t plan to do much promotion. In the UK, short story collections are notoriously difficult to sell. But when I thought about the unpaid time and effort she’d put into editing, and the money into another gorgeous cover, as well as the enthusiasm of my readers for a third book, I reconsidered. My short story collection, Becoming Someone, scheduled for publication on November 23rd, deserves as much chance as any other book. So I got creative.

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Pushing through the publishing bottleneck: is there an ingredient X?

1/9/2018

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Yesterday, on the last day of meteorological summer, I shelved my 100th book for the year. But even a reader as voracious as I am will never find time to read all the books she might enjoy. While the superabundance is great for readers, it’s less so for writers competing for their attention and time. However big and colourful our books, we’ve only one shoal in a pond so extensive we may never see, let alone touch, its banks.

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Shiny new novel versus shiny new car: no contest!

23/7/2018

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Three years ago today, we got a new car, all shiny and factory fresh. My husband went along to collect it without me as I had far more exciting things to do. It was publication day for my debut novel and I was basking in the early reviews and congratulatory tweets.

My husband was a little embarrassed to arrive at the dealership to be greeted with a large sign welcoming us both. And although you can’t giftwrap a car, they’d done the next best thing and perched a huge bow on the roof. I think the sales staff were disappointed when he declined their offer to take his photograph to commemorate the occasion.

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Does white space matter in #amreading fiction in print?

30/4/2018

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While I’m neither a reader nor a writer of poetry, I do appreciate that the shape of the lines on the page matters, the white space almost as important as the words. But does something similar apply to fiction? Do we need wide margins and paragraph breaks to give the sentences space to breathe?

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Flesh on the bones: Beyond the 99-word story #flashfiction

27/4/2018

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I wrote recently about how practising the 99-word story strengthens my editing muscle. But, of course, the discipline can also have benefits in the other direction, planting a seed that can grow into a longer piece of fiction. The recently published Congress of Rough Writers Flash Fiction anthology contains five such expanded stories (including one of mine) along with the original 99 words. I not only relished reading the other four on their own merits, but I also wondered about the different ways we’d fleshed out our original bones. Would a closer examination of the authors’ process from flash to the longer story (or, in one case, from long to flash) help elucidate that enigmatic creature, creativity? Here’s what three of the other authors told me, along with my own 99 words. (Photos and links are from/to the relevant author page on the Congress of Rough Writers list.)

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Every word counts #roughwriters #blogtour

12/2/2018

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A couple of months ago I was privileged to attend a meeting of a local writing group in their “invited author” slot. As well as speaking about my own writing and journey to publication, I was asked to set a writing exercise. Given that I’d inadvertently begun both my published novels with a character descending a staircase, it wasn’t difficult to find my prompt, to which the writers responded admirably. But, as a practitioner of the 99-word story, I thought I could give them a little more by modelling writing less.

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My writing year

28/12/2017

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My second novel published and significant progress on the third. Dozens of 99-word stories and a few longer short stories released into the world. Well over 100 blog posts and three articles published in print magazines. Lots I haven’t managed to do this year, of course, but those omissions will ensure I’m not bored in 2018. For now I’m celebrating another satisfying writing year.

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5 points to consider when commissioning a professional critique

11/12/2017

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Although I have suggested that the creative writing industry exists as much for the tutors’ benefit as the students’ (as is often the case with helping relationships), I’m not against writing courses, mentoring and professional critiques. I’ve drawn on all three in my own journey to becoming a published novelist, and have a new piece on The Literary Consultancy website about how separate critical readings from members of their panel of experienced writers and editors helped shape my recently published second novel, Underneath. But these appraisals don’t come cheap. If you’re thinking of commissioning one, here are a few questions to ask yourself first.

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Two novels about writers and the real-life characters who get beneath their skin

2/11/2017

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Although I’ve never been sure about novels about writers, I was keen to read these two: the first about an unpublished novelist ghostwriting a memoir and the second about a poet anticipating a different kind of creativity with her first child. Both these fictional writers are brought into close contact with an unexpected other – for the first, the character whose memoir he is writing; the second, another poet who used to live in the town to which she’s recently moved – with life-changing consequences. Both novels explore the nature of the self and the permeability of the boundary with the other (and, incidentally, feature graphic scenes of childbirth). For another novel about a writer, see my review of My Name Is Lucy Barton.

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How to have a book launch party

11/8/2017

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While babies might have naming parties, couples wedding parties, a book launch party can be both celebration of a significant milestone and a marketing opportunity. I might be only on my second novel, but I have a fat party-to-publication ratio of 3:2. So, still buzzing from my latest, I hope these pointers based on my experience of hosting a launch party might be of use to others who have yet to foist one on your friends.

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How a one-star review is a gift to people pleasers

5/7/2017

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After being turned down by multiple publishers and agents, I was pleasantly surprised at how well my debut novel, Sugar and Snails, was received, even going on to be shortlisted for the Polari First Book Prize. But you can’t take anything for granted in this business. Two years later, my second novel, Underneath, brought me, on the eve of publication, my first one-star review on Goodreads (and a little later on Amazon). Ouch! Someone has looked at my baby, declared it ugly and wants the world to know.

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A huge thank you, as a second novel is born!

25/5/2017

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Happy publication day to me! I must admit it doesn’t feel the huge leap it did the first time round, but I’m still excited, albeit not breathlessly so. There’s a quieter satisfaction in having more than one of my own novels on the shelf, making the transition from writer to author to novelist. This post is to thank those who’ve helped me on my way. While writing is a solitary activity, no writer is an island. Our achievements arise through hard work, good luck and not a little help from our friends.

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Fictional affairs in Paris and Dublin

22/5/2017

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If you’ve ever held back from having an affair for fear of the hurt it might cause other people, let me offer you a risk-free alternative. These two novels about women with roots in America who stray from marriages to European men can furnish the excitement and eroticism without the guilt or fear of discovery. If you like to read on-screen, no-one need even know you’re having a fictional affair.

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Art’s capacity to disturb

20/3/2017

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With a little over two months until the publication of my second novel, the focus has moved from improving the text itself – apart from scouring the proofs for a stray comma or worse – to ways of articulating what the story is about. You’d think that page upon page of carefully selected words could speak for themselves, but no. To interest readers, I have to write and talk about what’s between the covers.

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The joy of rewriting

11/3/2017

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If there’s a honeymoon period in the transition from writer to author to novelist, it’s got to be the publication of that debut novel. It’s a place which might have haunted our dreams for years, without any confidence we’d actually reach it. No wonder it seems almost magical to see other people with your book in their hands.

By definition, a honeymoon can’t go on indefinitely. There is no fairy-tale happy ever after when real life intervenes. After two lovely launch parties for my debut, I came back to earth with a bump when I learnt that, as with being married, there’s nothing particularly special about having written a book.

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<<Previous

The trouble with writing book blurbs: can’t see the wood for the trees?

Now with more books than hands

With gratitude on launch-day and beyond

Becoming Someone is coming to an armchair near you!

Into the light

Can you recommend a #reading #charity for me to support through my #booklaunch?

Pushing through the publishing bottleneck: is there an ingredient X?

Shiny new novel versus shiny new car: no contest!

Does white space matter in #amreading fiction in print?

Flesh on the bones: Beyond the 99-word story #flashfiction

Every word counts #roughwriters #blogtour

My writing year

5 points to consider when commissioning a professional critique

Two novels about writers and the real-life characters who get beneath their skin

How to have a book launch party

How a one-star review is a gift to people pleasers

A huge thank you, as a second novel is born!

Fictional affairs in Paris and Dublin

Art’s capacity to disturb

The joy of rewriting

2019 Reading Challenge

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