Around this time last year, I was 10,000 words short of finishing the first draft of a dystopian novel provisionally entitled Snowflake, but failed to meet my overambitious target of getting it done before my “summer break”. Almost a year on, although I’ve done a fair amount ofsome editing, I still haven’t written those final scenes.
Aside from the usual dose of self-doubt, two things have held me back: one about plot, the other about genre. How do I get my characters in and out of the cave? With a fourteen-year-old narrator, ought I to position this novel as YA?
I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist. I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.
Come into my cave! #amwriting
Fictional teenagers going missing in the Peak District: Reservoir 13 & Whistle in the Dark
Oh dear! As a Ranger in the Peak District, albeit only as a volunteer on alternate Sundays, I carry a sense of responsibility for the safety of visitors to the National Park. So it’s rather disconcerting to read about two teenage girls, on holiday from London, going missing there in a matter of weeks. Fortunately, both were characters in novels, and both providing the foundation for an engrossing story about the repercussions: the first for the residents of a fictional Derbyshire village; the second for the family of the girl who is found after four agonising days.
My fast first draft three years on
As 2018 started a few hours earlier in Australia than in the UK, it’s fitting that I should begin my reading year there. Or it could be the coincidence of kindly publicists sending me advance copies of two Australian novels published in the UK this month. The first namechecks various Sydney suburbs, while the second begins near Melbourne before circumnavigating the country. The first contemporary, the second set in the 1950s, they explore the socio-politics of Australian identities and their links to migration and colonialism.
Has my country always been this conflicted, or is the second decade of the twenty-first century a particularly sour time for England? Can fiction help us understand our current disaffected state? If so, these two very different novels – the first a gentle exploration of fear of difference among the largely white population; the second addressing the attractions of Islamic State to young people of South Asian descent, and its more violent repercussions – might help.
Playing hard to get? #amreading
For Valentine’s Day, I’m reviving a post that appeared in October 2015 on the Reading Writers website, which is now defunct.
As the world goes crazy, I crave, in my reading, not escapism, but a reflection of the flawed complexity of human beings and the things we do to make life that bit harder. But I need to be in safe hands to do so. So thanks to Louise Doughty and Jane Rogers – both established British authors unafraid to tackle difficult subjects – for providing that in their latest novels. Although quite different in their focus, both involve the characters reviewing painful pasts and their own culpability in order that their next mistakes might be that bit smaller.
Planning for pantsers?
Although, like many writers, I find autumn to be the best time to tackle major writing projects, I’ve never yet been tempted to register for National Novel Writing Month. For me, the pace is too fast and the outcome too limited, but there’s nothing to stop me joining in informally, which is what I decided to try two years ago. Starting with three character sketches and a rough idea of the main plot points, I averaged a thousand words a day from the beginning of November onwards and surprised myself with a rough first draft of just under 80,000 words by the middle of January.
entertaining fiction about identity, mental health and social justice
Anne Goodwin's books on Goodreads
Sugar and Snails
ratings: 52 (avg rating 4.21)
ratings: 60 (avg rating 3.17)
ratings: 9 (avg rating 4.56)
GUD: Greatest Uncommon Denominator, Issue 4
ratings: 9 (avg rating 4.44)
The Best of Fiction on the Web
ratings: 3 (avg rating 4.67)
2022 Reading Challenge
Anne has read 2 books toward their goal of 100 books.
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of three fiction books.
LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list),
some linked to a weekly flash fiction, plus posts on my WIPs and published books.
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