The writer’s life is rife with disappointment. One of the main factors differentiating the successful from the unsuccessful is not the degree of failure they encounter, but the ability and willingness to scrape oneself up from the ground and carry on. But how do we do that? The blogosphere thrums with posts on adopting an almost military discipline, but that’s not right for everyone. It’s not right for me.
If you’re going on holiday this summer, you might be tempted to take one of these novels with you. The first focuses on the people who entertain and assist the visitors to a Victorian pier at an English seaside resort across a period of over a century; the second on a family taking a long holiday together on the coast of Finland. But, of course, while it might be all smiles and bonhomie on the surface, there are disconcerting undercurrents to keep you turning the page. Let me know which takes your fancy.
Although these two novels couldn’t be more different in tone – the first a literary exploration of a young mother’s development; the second tricksy thriller – I can’t resist pairing them for the other factors they have in common. Both feature thoughtful, philosophising, unnamed narrators; both take as their subject matter how we explore the inside and outside of other people, and ourselves. Both are ambitious and unusual in their approach; both are the author’s second book and a cracking read.
For Valentine’s Day, I’m reviving a post that appeared in October 2015 on the Reading Writers website, which is now defunct.
Every novel is comprised of different parts that writers, readers and reviewers hope will combine into a satisfying whole. My last two reviews of 2016 – before I reveal my favourites of the year – are of novels for which finding that coherence is a particular challenge, but extremely worthwhile if achieved. Both published this summer, neither seems to have attracted many reviews on Goodreads, but I’m impressed with both (albeit one more than the other) so I hope you’ll at least give my reviews a chance.
Following on from my review of The Fortunes, which fictionalises the lives of ought-to-be-more-famous Chinese Americans, I’m reviewing two novels featuring well-known European intellectuals at either side (in the temporal rather than allegiance sense of the word) of the Second World War.
Psychotherapists face a dilemma when it comes to sharing the fruits of their discoveries with a wider public. The technical language, especially regarding psychoanalytic psychotherapy, which practitioners use to communicate between themselves, can be cumbersome, offputting and open to misinterpretation by the uninitiated. Case studies, such as those assembled by Steven Grosz, can be both extremely readable and illuminating, but they do present a problem of confidentiality: even when clients give their consent, some would question whether, within the power dynamics of the relationship, this can ever be freely given yet, the more the details are anonymised, the greater the potential distortion. Susie Orbach is a British psychotherapist, activist and writer who has done much to demystify psychoanalytic thinking (e.g. with several comment pieces in the Guardian, including this recent one on Brexit trauma). Her latest project, on which this short book is based, is a radio series mimicking the experience of the consulting room.
Let me introduce you to two novels by established female authors about young people struck down by serious illness, set in the social context of the British National Health Service, the first in its contemporary incarnation and the second at its inception.
finding truth through fiction
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
slug-slayer, tramper of moors,
author of two novels.
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