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I started this blog in 2013 to share my reflections on reading, writing and psychology, along with my journey to become a published novelist. I soon graduated to about twenty book reviews a month and a weekly 99-word story. Ten years later, I've transferred my writing / publication updates to my new website but will continue here with occasional reviews and flash fiction pieces, and maybe the odd personal post.
Amid the painful aftermath of the UK ‘people’ voting in our pig in a poke, I had reason to remind myself of the literature on the cognitive advantages biculturalism. While I doubt our new PM possesses the skills or intellect to unite an increasingly polarised country – or even the desire, whatever might spout from his mouth – it’s essential if we’re to avoid civil war as we helter-skelter into economic and climactic ruin. So, although neither of these very disparate novels is primarily about straddling two cultures, I make no apologies for linking them via this theme.
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What happens when childlessness develops from being a personal matter to a problem for society as a whole? In Margaret Atwood’s imagined Gilead an alarming drop in the live birth rate calls for Draconian measures, building a society where a woman’s mind and body are subservient to her reproductive potential. In Perumal Murugan’s rural South India, childlessness is a threat to the established order, with friends and neighbours pitching in with advice and criticism, indifferent to the infertile couple’s private grief.
Here are two novels inspired by classic tales: the first, a feminist retelling of Beowulf; the second, a homage to Ulysses and James Joyce. No need to have read the source material to appreciate them – I haven’t – although the first probably works better as a stand-alone than the second.
If I’ve reviewed any other novels set during the Black Death that swept across Europe in 1348, I’ve forgotten them. These two, published in the UK this summer, are likely to stay in my mind for some time. The first set in Ireland, the second in southern England, they’re very different, although both original in their language and style. And disturbingly topical as we’re catapulted towards an apocalypse – both politically and climatically – of our own.
Here we have two recently published novels about women caught on camera, or doing the catching, casting a wide-angle lens on the turbulent politics of the first half of the twentieth century, with Fascism on the rise. The first zooms in on movie stars and/or makers: Anna May Wong, Leni Riefenstahl, and Marlene Dietrich. The second on Gerda Taro, a lesser-known (at least to me) feminist photojournalist, who died documenting the Spanish Civil War.
Two novels, based on real events, about the impact on ordinary people of terrorising revolutions within two African countries. The first, a historical novel set in Ethiopia, is the author’s debut; the second, a fictionalised account of the schoolgirls abducted in northern Nigeria only a few years ago, comes from a writer with a career spanning almost six decades. Both are harrowing, empathetic and meticulously researched.
Two translated novels in which the return of a beloved family member, after an unexplained absence, irrevocably alters the situation for those left behind. In the first, the wanderer is a younger brother who left Paris for Syria; in the second, it’s a father who has abandoned his son at their home on an island in the Bay of Naples. Both novels are narrated from the perspective of a motherless male.
Two historical novels in which young people are subject to brutal institutional regimes: in the first as comfort women in Singapore under the Japanese invasion; in the second as supposed offenders in Jim-Crow-era Florida. Both novels contrast the main character’s aspirations prior to captivity with their struggle to survive unspeakable cruelties with their sanity intact, and the scars they carry for the rest of their lives. Thankfully, for the reader who can vicariously accompany them, there’s some hope of redemption by the end. Read on, or jump to the end of the post for this week’s 99-word story.
Two novels featuring mothers who leave a child/children when they’re still quite young, following the implications over several years. In the first, the narrator doesn’t know why his mother has disappeared, or even whether she’s still alive, and claims not to miss her as his older sister fills the gap where the mother belongs. The second is a dual narrative from the perspective of both mother and daughter as each suffers, in different ways, from the mother’s decision to leave Jamaica for New York. The theme gives me an excuse to sound off about attachment and share some of my own fiction, including a new 99-word story.
Two debut novels from female British writers featuring dodgy scientific experiments on nonconsenting participants within very dark periods of history: the holocaust in the first and the transatlantic slave trade in the second. Yet, despite both also featuring women disempowered by their husbands, and voluntary and involuntary drug abuse, each contains a thread of hope in a love story.
Two short novels about vulnerable young women who are psychologically and physically trapped: the first by the locked door to her bedroom; the second by the psychiatric care system. Both women have unusually close bonds with their mothers, potentially cause and consequence of their struggles to relate to their peers. Both encounter difficulties distinguishing fantasy from reality, feel estranged at parties and find life getting both better and worse when they fall for young men. With unreliable narrators, whether they break free of their fetters is left to the reader to decide.
It’s a touchy subject, understandably, but I think there are ‘good’ psychological reasons by some women kill their babies. But the mothers in these two novels would very much have liked to have kept theirs had circumstances allowed. In the first, set in a bruised post-war Japan, Naoko is sent to an extremely dodgy maternity home when she becomes pregnant by an American sailor. In the second, set between 1860 and 1910, the women on a Maryland plantation will do anything to avoid their children growing up as slaves.
Two novels in which a marriage of a twenty-something man and woman from superficially similar backgrounds shows early signs of strain. In the first, between Muslims in contemporary London, the politics of religion are problematic right from the start; in the second, life gets tough when a new mother follows her journalist husband to a posting in newly-independent Ukraine. All harbour secrets, communication suffers and trust is hard to find. But, with youth on their side, they’ll take something from the experience, whether or not the marriages survive.
Two novels from continental America inspired – if that’s not too optimistic a term for the subject matter – by the authors’ own challenging childhoods with parents who weren’t up to the job. Both girls had a brother, a partially-absent father, a determined mother and grandmother with whom she didn’t see eye to eye. Both learnt early about gender discrimination; both lived in relatively comfortable households on the fringes of marginalised communities (with Native Americans as neighbours in the first novel, set in Dakota, and refugees from repressive South American regimes in the second, set in Mexico). Some say a difficult childhood is the ideal apprenticeship for a writer. Read on, and see what you think!
Two novels, set primarily in the continent of Africa, in which women are separated from a child and must resort to looking on from a distance. In the first, set in Egypt, Bodour can’t admit that a famous singer is her illegitimate child. But at least they’re in the same city. And both alive. Which is not the case in the second novel, set in Jamaica, the USA and Liberia, where the deceased mother’s voice is carried on the wind. So she does get to guide her son and his two companions, all of whom have supernatural gifts. Intrigued? Read on!
I have no hesitation in recommending both of these literary novels, intriguing stories set against the rise of fascism leading up to the Second World War. The first is a coming-of-age story set in Italy and Libya; the second about vested interests in the art world set in Berlin.
Two novels in which a third adult joins the household of a married couple and forms a strong relationship with one or both partners. Both are set in English villages, but map very different terrain. In the first, a wife befriends a young student, but the relationship turns out not to be as innocent as it first appears. In the second, set between the two world wars, a live-in maid skilfully manages to negotiate between an artist couple’s bickering, but she can’t stop the breakup of the marriage when the husband laps up another woman’s flattery.
Two novels in which kings have their way: in the first, the Hebrew King David and English King Henry appear as characters; in the second, we see the impact of the illiterate despot who rules the unnamed Arab country in the miserable lives of the women.
Pity the poor governess: an educated woman obliged to earn her living finding few other options in nineteenth century Britain. But this lesser known of the Brontës’ novels led me to pity her charges too. The three governesses in the second novel are worlds away from Agnes Grey, not only because they’re in France. Although employed by the couple who own the sprawling estate, they’ve brought their charges with them, so aren’t subjected to the condescension of the mini monarchs of the house.
Two short novels about doctoring, by authors with direct experience of the profession. The first, set in Egypt, is a semiautobiographical novel first published over half a century ago by one of the world’s most eminent feminists; the second, set in India, is a magic-realism story by a male author (but we won’t hold that against him). By sheer coincidence, neither of these authors names their characters, instead referring to them by role. (At least they don’t distinguish them by diagnoses!)
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entertaining fiction about identity, mental health and social justice
Annecdotal is where real life brushes up against the fictional.
Annecdotist is the blogging persona of Anne Goodwin:
reader, writer, slug-slayer, tramper of moors, recovering psychologist, struggling soprano, author of three fiction books. LATEST POSTS HERE
I don't post to a schedule, but average around ten reviews a month (see here for an alphabetical list), some linked to a weekly flash fiction, plus posts on my WIPs and published books. Your comments are welcome any time any where. Get new posts direct to your inbox ...
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